Hand of Glory (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Hand of Glory" in English language version.

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  • Skeat, Walter William (1904). "Glory, Hand of". Notes on English Etymology, chiefly reprinted from the Transactions of the Philological Society. Clarendon Press. p. 109.
  • De Givry, Grillot; Locke, J.Courtenay (tr) (1931). Witchcraft: Magic and Alchemy. New York: Courier Dover Publications. p. 181. ISBN 9780486224930.
  • Lowes, John Livingston (2008) [1930]. The Road to Xanadu, A Study in the Ways of the Imagination (Second ed.). London: ReadBooks. ISBN 978-1443738118.
  • Lucius Parvus Albertus (1752). Secrets merveilleux de la magie naturelle et cabalistique du Petit Albert. Lyon: Les heritiers de Beringos frates.
  • Grose, Francis (1787). A provincial glossary:with a collection of local proverbs, and popular superstitions. London: S. Hooper.
  • Daniels, Cora L.; Stevans, C.M. (2003) [1903]. Encyclopedia of Superstitions, Folklore, and the Occult Sciences of the World. Honolulu, HA: University of the Pacific Press(The Minerva Group, Inc). ISBN 9781410209160.
  • Montague Summers (2012). A Popular History of Witchcraft. London: Routledge. ISBN 9781136740183.
  • Simpson, Jacqueline; Roud, Stephen (2000). A Dictionary of English Folklore. Oxford: Oxford University Press. pp. 455–456. ISBN 9780192100191.

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  • Tricomi, Albert H. (2004). "The Severed Hand in Webster's 'Duchess of Malfi'". SEL: Studies in English Literature 1500–1900. 44 (Spring, Tudor and Stuart Drama). Rice University: 347–358. doi:10.1353/sel.2004.0023. JSTOR 3844634. S2CID 161895389.

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  • Hillen, Sabine Madeleine (1994). "La main coupée.» ou la forme d'un récit bref chez Nerval, Maupassant et Schwob" [The Hand of Glory, the Structure of Short Stories by Neval, Maupassant and Schwob]. Revue Romane (in French). 29 (1). During the nineteenth century, the image of the severed hand stimulated the production of several short fantasy stories. And "The Magic Hand" by Nerval served as support for continuations by Guy de Maupassant ("The flayed hand") and Marcel Schwob ("The Hand of Glory"). The latter two showed themselves indebted to Nerval's account of not only the recovery of some diegetic elements, but also one generic layout: Gradually a fixed number of features such as symmetry, the premonitory index and the pivot is dependent reveal the genre of the short story.Abstract Translated

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