Analysis of information sources in references of the Wikipedia article "Hangzhou dialect" in English language version.
Had Chao developed a syllabary for the Jiang-Huai Mandarin dialects with a diagnostic power and representativeness comparable to that of his Wu Syllabary, and had he placed Hangzhou in that context, he most surely would have discovered
We point out that in fact this stratum is an old literary layer in Minnan dialects. We find it also exists in Hakka-gan dialects, the Hangzhou dialect. South East Mandarins, & Jianghuai Mandarins extensively. In Sino-annamite. there are(the University of Michigan)
We find it also exists in Hakka-gan dialects, Hangzhou dialect, South East Mandarins, Jianghuai Mandarins extensively. In Sino-annamite, there are some similarities to Minnan dialects. Basing on our new findings, we believe that in Song
For example, many Mandarin dialects have more than four tones. Hangzhou has no fewer than seven, such that it was previously classified as a Wu dialect (Simmons 1992; Baxter 2000, 106–8). In the Jiang-Huai region five-tone dialects are not uncommon, with six-tone ones reported on the Northern/Central boundary (Norman 1988, 194). These represent a retention of one of the original four tones of Middle Chinese (the rù tone), as distinguished from the more common Mandarin trait of having lost this tone while collapsing the two-way register distinction between the three others into a four-tone contrast not contingent upon register
