Hard bop (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Hard bop" in English language version.

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allmusic.com

"Richie Powell Biography, Songs, & Albums". AllMusic. Retrieved 2022-04-30.
A Blowin' Session - Johnny Griffin | Songs, Reviews, Credits | AllMusic, retrieved 2022-04-30
Hard Bop - Art Blakey, Art Blakey & the Jazz Messengers | Songs, Reviews, Credits | AllMusic, retrieved 2022-04-30
Moanin' - Art Blakey & the Jazz Messengers, Art Blakey | Songs, Reviews, Credits | AllMusic, retrieved 2022-04-30
"Lee Morgan Biography, Songs, & Albums". AllMusic. Retrieved 2022-04-30.
Stardust - John Coltrane | Songs, Reviews, Credits | AllMusic, retrieved 2022-04-30
"Joe Henderson Biography, Songs, & Albums". AllMusic. Retrieved 2022-04-30.

archive.org

Gridley, Mark C. (1994), Ron Wynn (ed.), All Music Guide to Jazz, M. Erlewine, V. Bogdanov, San Francisco: Miller Freeman, pp. 11–12, ISBN 0-87930-308-5
Tanner, Paul O. W.; Maurice Gerow; David W. Megill (1988) [1964]. "Hard Bop — Funky". Jazz (6th ed.). Dubuque, IA: William C. Brown, College Division. pp. 112–121. ISBN 0-697-03663-4.
Case, Brian (2006) [1997], "The Harder They Come", in Roy Carr (ed.), A Century of Jazz: A Hundred Years of the Greatest Music Ever Made, London: Hamlyn, pp. 106–121, ISBN 0-681-03179-4

bluenote.com

"Freddie Hubbard". www.bluenote.com. Retrieved 2022-04-30.
"Donald Byrd". www.bluenote.com. Retrieved 2022-07-09.

books.google.com

Rosenthal, David H. (1992), Hard Bop: Jazz and Black Music 1955-1965, New York: Oxford Univ., ISBN 0-19-505869-0

carnegiehall.org

timeline.carnegiehall.org

"History of Hard Bop". Timeline of African American Music. Retrieved 2022-04-30.

collectorsweekly.com

Schaffer, Dean (2010-08-20). "Secrets of the Blue Note Vault: Michael Cuscuna on Monk, Blakey, and the One That Got Away". Collectors Weekly. Market Street Media LLC. Retrieved 2010-11-11.

doi.org

Macías, Anthony (2010). ""Detroit Was Heavy": Modern Jazz, Bebop, and African American Expressive Culture". The Journal of African American History. 95 (1): 44–70. doi:10.5323/jafriamerhist.95.1.0044. ISSN 1548-1867. JSTOR 10.5323/jafriamerhist.95.1.0044. S2CID 140951100.
Ake, David (1998). "Re-Masculating Jazz: Ornette Coleman, "Lonely Woman," and the New York Jazz Scene in the Late 1950s". American Music. 16 (1): 25–44. doi:10.2307/3052674. ISSN 0734-4392. JSTOR 3052674.
Rosenthal, David H. (1988). "Hard Bop and Its Critics". The Black Perspective in Music. 16 (1): 21–29. doi:10.2307/1215124. ISSN 0090-7790. JSTOR 1215124.
Barrett, Samuel (2006). ""Kind of Blue" and the Economy of Modal Jazz". Popular Music. 25 (2): 185–200. doi:10.1017/S0261143006000857. ISSN 0261-1430. JSTOR 3877558. S2CID 56391910.

imdb.com

Jopson, John (2004-01-27), One Night with Blue Note (Music), Capitol Records, retrieved 2022-08-02

jstor.org

Macías, Anthony (2010). ""Detroit Was Heavy": Modern Jazz, Bebop, and African American Expressive Culture". The Journal of African American History. 95 (1): 44–70. doi:10.5323/jafriamerhist.95.1.0044. ISSN 1548-1867. JSTOR 10.5323/jafriamerhist.95.1.0044. S2CID 140951100.
Ake, David (1998). "Re-Masculating Jazz: Ornette Coleman, "Lonely Woman," and the New York Jazz Scene in the Late 1950s". American Music. 16 (1): 25–44. doi:10.2307/3052674. ISSN 0734-4392. JSTOR 3052674.
Rosenthal, David H. (1988). "Hard Bop and Its Critics". The Black Perspective in Music. 16 (1): 21–29. doi:10.2307/1215124. ISSN 0090-7790. JSTOR 1215124.
Barrett, Samuel (2006). ""Kind of Blue" and the Economy of Modal Jazz". Popular Music. 25 (2): 185–200. doi:10.1017/S0261143006000857. ISSN 0261-1430. JSTOR 3877558. S2CID 56391910.

knkx.org

"The Young Lions brought bebop and swing roaring back". KNKX Public Radio. 2022-04-27. Retrieved 2022-04-30.

masterclass.com

"John Coltrane: A Guide to His Life and Music". Masterclass. February 24, 2022. Retrieved April 30, 2022.

scottyanow.com

"hardbopz". www.scottyanow.com. Retrieved 2022-04-30.

semanticscholar.org

api.semanticscholar.org

Macías, Anthony (2010). ""Detroit Was Heavy": Modern Jazz, Bebop, and African American Expressive Culture". The Journal of African American History. 95 (1): 44–70. doi:10.5323/jafriamerhist.95.1.0044. ISSN 1548-1867. JSTOR 10.5323/jafriamerhist.95.1.0044. S2CID 140951100.
Barrett, Samuel (2006). ""Kind of Blue" and the Economy of Modal Jazz". Popular Music. 25 (2): 185–200. doi:10.1017/S0261143006000857. ISSN 0261-1430. JSTOR 3877558. S2CID 56391910.

udiscovermusic.com

Havers, Richard (2021-09-15). "'Blue Train': John Coltrane's Hard-Bop Masterpiece". uDiscover Music. Retrieved 2022-04-30.
Waring, Charles (2022-02-27). "Dexter Gordon – Master of the Tenor Sax". uDiscover Music. Retrieved 2022-04-30.
Waring, Charles (2022-04-02). "When Jazz Ruled The World: The Rise And Reign Of America's One True Art". uDiscover Music. Retrieved 2022-04-30.

worldcat.org

search.worldcat.org

Macías, Anthony (2010). ""Detroit Was Heavy": Modern Jazz, Bebop, and African American Expressive Culture". The Journal of African American History. 95 (1): 44–70. doi:10.5323/jafriamerhist.95.1.0044. ISSN 1548-1867. JSTOR 10.5323/jafriamerhist.95.1.0044. S2CID 140951100.
Ake, David (1998). "Re-Masculating Jazz: Ornette Coleman, "Lonely Woman," and the New York Jazz Scene in the Late 1950s". American Music. 16 (1): 25–44. doi:10.2307/3052674. ISSN 0734-4392. JSTOR 3052674.
Rosenthal, David H. (1988). "Hard Bop and Its Critics". The Black Perspective in Music. 16 (1): 21–29. doi:10.2307/1215124. ISSN 0090-7790. JSTOR 1215124.
Barrett, Samuel (2006). ""Kind of Blue" and the Economy of Modal Jazz". Popular Music. 25 (2): 185–200. doi:10.1017/S0261143006000857. ISSN 0261-1430. JSTOR 3877558. S2CID 56391910.