Harry Everett Smith (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Harry Everett Smith" in English language version.

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  • "As a teacher [Bronson] had, as he liked to say, four quills in his quiver, Chaucer, Shakespeare, Johnson and his age, and the musicology of the ballad, and he had devoted students in each of these domains. They honored him by two festschriften: The Ballad Image: Essays Presented to B. H. Bronson, edited by James Porter, Center for Comparative Study of Folklore and Mythology, UCLA (1983); and Essays in Honor of B. H. Bronson, edited by Robert Maccubbin and Oliver Sigworth, Eighteenth Century Life 10: 3." See "Bertrand H. Bronson (1903–86), Professor emeritus, English, University of California, Berkeley".

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  • VMFilms Center for Visual Music, Los Angeles

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  • A brochure accompanying an exhibit of Harry Smith's string figures stated that, "[f]irst described in Western anthropological literature by Franz Boas in 1888, these patterns – made by looping or weaving lengths of string into geometric forms or shapes that often evoke familiar objects – have been produced throughout history, both as a secular pastime and as a spiritual practice. When he died, Smith left an unfinished thousand-page manuscript on string figures, along with an extensive collection of figures that he had created", "Harry Smith: String Figures", Cabinet Gallery, Brooklyn, N.Y. (September 19 through November 3, 2012)

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  • So successful was Smith's mediation strategy in presenting these 1920s country artists as uncanny voices from the beyond – "the old, weird America", in Greil Marcus's memorable phrase – that the 1960s folk revivalists were astonished to find that many of these artists from forty years earlier were still very much alive. "What was then called "old timey" music ... at the time was about as far in the past as the Beatles are today," Peter Stampfel has observed. See Peter Stampfel, "Harry Smith Tribute, May. 1997", Perfect Sound Forever Online Magazine. Thanks to Smith's Anthology, several of these performers subsequently went on to have revived musical careers.
  • "Harry Smith tribute". Furious.com.

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  • See John Swzed, Alan Lomax, The Man Who Recorded the World (New York, London: Viking, 2011), pp. 223–24. Nathan Salsburg writes:

    Of the estimated (by Szwed) 3000 titles Lomax and Seeger listened to, Alan selected 350 for inclusion in a Library of Congress monograph called the "List of American Folk Songs on Commercial Records," published in a September 1940 Report of the Committee of the Conference on Inter-American Relations in the Field of Music. This was the first methodological research made into the pre-war commercial record companies' documentation of rural vernacular music and, despite its main shortcoming — the fact that the team had little or no access to titles from the Gennett or OKeh catalogs — it proved to be a highly influential road-map for at least two of the earliest and most influential collectors of this music, Harry Smith and James McKune, who in turn paved the way for the many years that followed of its further excavation, investigation, and publication — which, of course, continue apace today (Nathan Salsburg, "Alan Lomax's, 'List of American Folk Songs on Commercial Records', Library of Congress, 1940", Root Hog or Die, September 24, 2012.)

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  • Schneider, Steven Jay, ed. (2007). 501 Movie Directors. London: Cassell Illustrated. p. 270. ISBN 9781844035731. OCLC 1347156402.
  • Gill, John Freeman (February 5, 2006). "Giving Voice to Sacred Prayers". The New York Times. ISSN 0362-4331. Retrieved December 21, 2023.

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