Harry Partch (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Harry Partch" in English language version.

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archive.org

Gilmore 1998, p. 47. Gilmore, Bob (1998). Harry Partch: A Biography. Yale University Press. ISBN 0-300-06521-3.
Gann 2006, p. 191. Gann, Kyle (2006). Music Downtown: Writings from The Village Voice. University of California Press. ISBN 978-0-520-93593-8.

books.google.com

McGeary 2000, p. xvii. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
Gilmore & Johnston 2002, p. 365. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
McGeary 2000, p. xviii. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
McGeary 2000, p. xviii; Gilmore & Johnston 2002, pp. 365–366. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
McGeary 2000, p. xviii; Gilmore & Johnston 2002, p. 366. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
McGeary 2000, p. xix. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
Gilmore & Johnston 2002, p. 366. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
Harlan 2007, p. 179. Harlan, Brian Timothy (2007). One Voice: A Reconciliation of Harry Partch's Disparate Theories. ISBN 978-0-549-29631-7. Archived from the original on January 11, 2017.
Foley 2012, p. 101. Foley, Helene P. (2012). Re-Imagining Greek Tragedy on the American Stage. University of California Press. ISBN 978-0-520-27244-6.
McGeary 2000, p. xix; Gilmore & Johnston 2002, p. 366. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
McGeary 2000, p. xx. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
Gilmore & Johnston 2002, p. 367. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
McGeary 2000, p. xxi. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
McGeary 2000, p. xxii. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
Johnston 2006, p. 249. Johnston, Ben (2006). "Maximum Clarity" and Other Writings on Music. University of Illinois Press. ISBN 978-0-252-03098-7.
McGeary 2000, pp. xxii–xxiii. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
McGeary 2000, p. xxvi. McGeary, Thomas (2000). "Introduction". In McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. pp. xv–xxx. ISBN 978-0-252-06913-0.
Williams, Jonathan (2002). A Palpable Elysium: Portraits of Genius and Solitude. David R. Godine. ISBN 9781567921496.
Taylor 2010, p. 251. Taylor, David A. (2010). Soul of a People: The WPA Writers' Project Uncovers Depression America. John Wiley & Sons. ISBN 978-0-470-88589-5.
Gilmore & Johnston 2002, p. 370. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
Gilmore & Johnston 2002, p. 368. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
Gilmore & Johnston 2002, pp. 368–369. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.
Madden 1999, p. 87. Madden, Charles B. (1999). Fractals in Music: Introductory Mathematics for Musical Analysis. High Art Press. ISBN 978-0-9671727-5-0.
Partch 2000, p. 179. Partch, Harry (2000). McGeary, Thomas (ed.). Bitter Music: Collected Journals, Essays, Introductions, and Librettos. University of Illinois Press. ISBN 978-0-252-06913-0.
Yang 2008, p. 53. Yang, Mina (2008). "Harry Partch, the Hobo Orientalist". California Polyphony: Ethnic Voices, Musical Crossroads. University of Illinois Press. pp. 52–57. ISBN 978-0-252-03243-1.
Yang 2008, pp. 53–54. Yang, Mina (2008). "Harry Partch, the Hobo Orientalist". California Polyphony: Ethnic Voices, Musical Crossroads. University of Illinois Press. pp. 52–57. ISBN 978-0-252-03243-1.
Yang 2008, p. 56. Yang, Mina (2008). "Harry Partch, the Hobo Orientalist". California Polyphony: Ethnic Voices, Musical Crossroads. University of Illinois Press. pp. 52–57. ISBN 978-0-252-03243-1.
Harrison 2000, p. 136. Harrison, Lou (2000). "I Do Not Quite Understand You, Socrates". In Dunn, David (ed.). Harry Partch: An Anthology of Critical Perspectives. Psychology Press. pp. 133–138. ISBN 978-90-5755-065-2.
Gilmore & Johnston 2002, p. 369. Gilmore, Bob; Johnston, Ben (2002). "Harry Partch (1901–1974)". In Sitsky, Larry (ed.). Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook. Greenwood Publishing Group. pp. 365–372. ISBN 978-0-313-29689-5.

illinois.edu

library.illinois.edu

"Harry Partch Estate Archive, 1918–1991 – The Sousa Archives and Center for American Music".
Music and Performing Arts Library Harry Partch Collection, 1914–2007, Sousa Archives and Center for American Music

independent.co.uk

Johnson, Phil (November 27, 1998). "Music: First, find your hub cap". The Independent.

loc.gov

"U.S. Highball, Added to the National Registry in 2004, Essay by S. Andrew Granade" (PDF). Library of Congress.

newyorker.com

Ross 2005. Ross, Alex (April 18, 2005). "Off the Rails: A rare performance of Harry Partch's 'Oedipus'". The New Yorker. ISSN 0028-792X.

nytimes.com

Kozinn, Allan (July 31, 1991). "Some Offbeat Instruments Move to New York". The New York Times.
Kozinn, Allan (April 18, 2013). "Dean Drummond, Composer and Musician, Dies at 64". The New York Times.
Cooper, Michael (July 21, 2015). "Reviving a Harry Partch Work With Hubcaps and Wine Bottles". The New York Times. Retrieved May 27, 2023.

pas.org

"Percussive Arts Society: Hall of Fame". Archived from the original on October 2, 2008.

questia.com

Sheppard 2001, pp. 180–181. Sheppard, W. Anthony (2001). Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater. University of California Press. pp. 180–203. ISBN 978-0520223028.

secondinversion.org

Schell 2018. Schell, Michael (2018). "Not even Harry Partch can be an island". Second Inversion. Retrieved May 10, 2018.
Schell 2017. Schell, Michael (2017). "Harry Partch: Celebrating a Musical Maverick". Second Inversion. Retrieved May 8, 2018.

washington.edu

music.washington.edu

De Pue 2014. De Pue, Joanne (2014). "Harry Partch Instrumentarium Takes Up Residency at UW". University of Washington School of Music. Retrieved April 18, 2015.

washington.edu

"Harry Partch instruments, now at UW, featured on new Paul Simon album".

web.archive.org

Harlan 2007, p. 179. Harlan, Brian Timothy (2007). One Voice: A Reconciliation of Harry Partch's Disparate Theories. ISBN 978-0-549-29631-7. Archived from the original on January 11, 2017.
"Percussive Arts Society: Hall of Fame". Archived from the original on October 2, 2008.

worldcat.org

search.worldcat.org

Ross 2005. Ross, Alex (April 18, 2005). "Off the Rails: A rare performance of Harry Partch's 'Oedipus'". The New Yorker. ISSN 0028-792X.