Haydn and Mozart (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Haydn and Mozart" in English language version.

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The letter is printed in Geiringer 1982, pp. 90–92. Geiringer, Karl; Irene Geiringer (1982). Haydn: A Creative Life in Music (3rd ed.). University of California Press. pp. xii, 403. ISBN 0-520-04316-2.
Deutsch 1965, p. 234 suggests that on this evening only the first three of the quartets were played. Deutsch, Otto Erich (1965). Mozart: A Documentary Biography. Stanford University Press.
Deutsch 1965, p. 236 identifies the four players as probably having been the composer, his father Leopold and two Barons: Anton and Bartholomäus Tinti, who were Masonic brothers of Mozart. Deutsch, Otto Erich (1965). Mozart: A Documentary Biography. Stanford University Press.
Deutsch 1965, p. 615. Deutsch, Otto Erich (1965). Mozart: A Documentary Biography. Stanford University Press.
Deutsch 1965, multiple listings.. Deutsch, Otto Erich (1965). Mozart: A Documentary Biography. Stanford University Press.

Jahn 1856, p. 315: "Auch dutzten sie sich ... – das war damals bei solchen Altersunterschied ungleich seltner als heutzutage und hatte deshalb auch mehr zu sagen," "They also used 'du' with each other, that was at the time more unusual for such a difference in age than it is nowadays, and thus says more." Jahn, Otto (1856). W. A. Mozart. Vol. 3. Leipzig: Breitkopf und Härtel. (1858 edition at Google Books (in German)

See Brown 1992 for dates and K. numbers. Brown discusses the history of the conjecture that K. 168–173 were influenced by Haydn, and argues against it at length. Brown, Peter (1992). "Haydn and Mozart's 1773 Stay in Vienna: Weeding a Musicological Garden". The Journal of Musicology. 10 (2): 192–230. doi:10.2307/763612. JSTOR 763612.
Thomson 1976, p. 28 writes, "[T]he close friendship between the two composers makes it almost certain that this was due to Mozart's influence". Thomson, Katherine (1976). "Mozart and Freemasonry". Music & Letters (57): 25–46. doi:10.1093/ml/LVII.1.25.
Webster 1977, p. 393. Webster, James (1977). "The Bass Part in Haydn's Early String Quartets". The Musical Quarterly (3): 390–424. doi:10.1093/mq/LXIII.3.390.

See Brown 1992 for dates and K. numbers. Brown discusses the history of the conjecture that K. 168–173 were influenced by Haydn, and argues against it at length. Brown, Peter (1992). "Haydn and Mozart's 1773 Stay in Vienna: Weeding a Musicological Garden". The Journal of Musicology. 10 (2): 192–230. doi:10.2307/763612. JSTOR 763612.