LIMC64 Hellen (S) 1, image 1 of 1; Michael C. Carlos Museum1994.001; Bing, p. 13; Oakley, p. 619, figure 18. For an extensive discussion of the vase, see Bing, pp. 13–6; see also Gantz, pp. 734–5; Collard and Cropp, p. 570. The only iconographic representation of Hellen, Bing, p. 14 describes him here as a "hooded, grizzled old man" and Gantz, p. 735 as "grim".
West 1985, p. 51 says that "it seems hard to resist the conclusion that Deukalion, not Prometheus, was his father [in the Catalogue]", and that "Prometheus' name must have been accidentally repeated [by the scholion] from the line before". While, according to Gantz, p. 164 the scholion "has probably garbled something in transmission", and "it seems better to presume miscopying and emend the scholion". See also Caduff, p. 86.
LIMC64 Hellen (S) 1, image 1 of 1; Michael C. Carlos Museum1994.001; Bing, p. 13; Oakley, p. 619, figure 18. For an extensive discussion of the vase, see Bing, pp. 13–6; see also Gantz, pp. 734–5; Collard and Cropp, p. 570. The only iconographic representation of Hellen, Bing, p. 14 describes him here as a "hooded, grizzled old man" and Gantz, p. 735 as "grim".
LIMC64 Hellen (S) 1, image 1 of 1; Michael C. Carlos Museum1994.001; Bing, p. 13; Oakley, p. 619, figure 18. For an extensive discussion of the vase, see Bing, pp. 13–6; see also Gantz, pp. 734–5; Collard and Cropp, p. 570. The only iconographic representation of Hellen, Bing, p. 14 describes him here as a "hooded, grizzled old man" and Gantz, p. 735 as "grim".
iconiclimc.ch
LIMC64 Hellen (S) 1, image 1 of 1; Michael C. Carlos Museum1994.001; Bing, p. 13; Oakley, p. 619, figure 18. For an extensive discussion of the vase, see Bing, pp. 13–6; see also Gantz, pp. 734–5; Collard and Cropp, p. 570. The only iconographic representation of Hellen, Bing, p. 14 describes him here as a "hooded, grizzled old man" and Gantz, p. 735 as "grim".
jstor.org
According to West 1985, p. 136, "the composition of the Catalogue ... may be assigned to sometime between 580 and 520", and "the range may perhaps be narrowed to c. 540–520", while West 1999, p. 380, says it was "certainly in the sixth century, and perhaps between 540 and 520". Fowler 1998, p. 1 n. 4 dates it to "about 580", while Hirschberger, p. 49 gives the period of 630 to 590. Janko, p. 200, figure 4, in contrast, places it roughly around 675 and 690.
Cardin and Pontani, p. 257 with nn. 54–7; Tzetzes on Lycophron, 286 (Cardin and Pontani, p. 257 n. 54; Scheer, p. 121) [= Scholia on Lycophron's Alexandra, 286 (Cardin and Pontani, p. 257 n. 54; Leone, p. 58) = Hesiod, Catalogue of Womenfr. 9 Most, pp. 48, 49]. Tzetzes takes the passage from a scholion on Lycophron's Alexandra, and quotes it several times in different works: once in his own commentary on Lycophron's Alexandra, and twice in his Exegesis of the Iliad (Papathomopoulos, pp. 94–5, 430). The scholion only attributes the passage to "Hesiod", whereas Tzetzes specifies the work.
LIMC64 Hellen (S) 1, image 1 of 1; Michael C. Carlos Museum1994.001; Bing, p. 13; Oakley, p. 619, figure 18. For an extensive discussion of the vase, see Bing, pp. 13–6; see also Gantz, pp. 734–5; Collard and Cropp, p. 570. The only iconographic representation of Hellen, Bing, p. 14 describes him here as a "hooded, grizzled old man" and Gantz, p. 735 as "grim".
Bury, p. 226; Thucydides, 1.3.2. Thucydides uses the mention of the Hellenes in the Iliad to support his argument here, as there they refer only to the group in Phthia (who Thucydides calls the "original Hellenes").
