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Hi-Red Center (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Hi-Red Center" in English language version.

refsWebsite
Global rank English rank
7mplus.org.hk
low place
low place
4books.google.com
3rd place
3rd place
4jstor.org
26th place
20th place
3tate.org.uk
2,392nd place
1,779th place
3doi.org
2nd place
2nd place
2semanticscholar.org
11th place
8th place
2worldcat.org
5th place
5th place
1moma.org
1,761st place
1,749th place
1apollo-magazine.com
low place
low place
1facebook.com
77th place
111th place
1desistfilm.com
low place
low place
1artic.edu
6,314th place
4,201st place
1artsy.net
7,925th place
5,235th place
1japantimes.co.jp
389th place
273rd place

apollo-magazine.com (Global: low place; English: low place)

artic.edu (Global: 6,314th place; English: 4,201st place)

artsy.net (Global: 7,925th place; English: 5,235th place)

books.google.com (Global: 3rd place; English: 3rd place)

desistfilm.com (Global: low place; English: low place)

doi.org (Global: 2nd place; English: 2nd place)

  • Tomii, Reiko (2019). "'A Test Tube' of New Art: Naiqua and the Rental Gallery System in 1960s Japan". Afterall: A Journal of Art, Context and Enquiry. 47 (1): 146–161. doi:10.1086/704206. S2CID 169511339.
  • Tomii, Reiko (2002). "State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company". Positions. 10 (1): 141–172. doi:10.1215/10679847-10-1-141. S2CID 144997715.
  • Morgan, Robert C. "Conceptualism: Reevaluation or Revisionism?" Art Journal 58, no. 3 (1999): 109-11. Accessed March 28, 2021. doi:10.2307/777867

facebook.com (Global: 77th place; English: 111th place)

  • "Facebook". www.facebook.com. Retrieved 2021-03-28.

japantimes.co.jp (Global: 389th place; English: 273rd place)

jstor.org (Global: 26th place; English: 20th place)

  • Augst, Bertrand. Discourse 22, no. 2 (2000): 127-34. JSTOR 41389576.
  • Tomii, Reiko. "After the “Descent to the Everyday”: Japanese Collectivism from Hi Red Center to The Play, 1964–1973." In Collectivism after Modernism: The Art of Social Imagination after 1945, edited by STIMSON BLAKE and SHOLETTE GREGORY, 45-75. University of Minnesota Press, 2007. Accessed March 28, 2021. http://www.jstor.org/stable/10.5749/j.ctttv1dg.7 .
  • Tomii, Reiko. ""Art Outside the Box" in 1960s Japan: An Introduction and Commentary." Review of Japanese Culture and Society 17 (2005): 1-11. Accessed March 28, 2021. JSTOR 42801108.
  • DalaiJee, Kuro. "Performance Art And/as Activism: Expo '70 Destruction Joint-Struggle Group." Review of Japanese Culture and Society 23 (2011): 154-73. Accessed March 28, 2021. JSTOR 42801096.

moma.org (Global: 1,761st place; English: 1,749th place)

mplus.org.hk (Global: low place; English: low place)

collections.mplus.org.hk

semanticscholar.org (Global: 11th place; English: 8th place)

api.semanticscholar.org

  • Tomii, Reiko (2019). "'A Test Tube' of New Art: Naiqua and the Rental Gallery System in 1960s Japan". Afterall: A Journal of Art, Context and Enquiry. 47 (1): 146–161. doi:10.1086/704206. S2CID 169511339.
  • Tomii, Reiko (2002). "State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company". Positions. 10 (1): 141–172. doi:10.1215/10679847-10-1-141. S2CID 144997715.

tate.org.uk (Global: 2,392nd place; English: 1,779th place)

  • "Art Term: Hi-Red Center". Tate.
  • Tate. "Hi-Red Center – Art Term". Tate. Retrieved 2021-03-28.
  • Tate. "'Hi Red Center's Dropping Event at Ikenobo Hall, Tokyo, October 10, 1964', Minoru Hirata, 1964, printed 2011". Tate. Retrieved 2021-03-29.

worldcat.org (Global: 5th place; English: 5th place)

worldcat.org

search.worldcat.org