Analysis of information sources in references of the Wikipedia article "Hills and mountains in Meitei culture" in English language version.
Again from amongst the songs mentioned above, 'Ougri' and 'Khencho', in view of their more archaic diction and much advanced historical allusions, may be considered earlier than the rest. ... 'Ougri' is referred to as sung at the coronation of Nongdā Lāiren Pākhangbā, which took place in 33 A.D. ...
... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...
... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD...
The Poireiton Khunthokpa, is the most conspicuous one of all pre-Garibniwaz manuscripts. From a linguistic point of view, it seems to be much earlier than any of the books yet come under our review. Circumstantial and other incidental evidences would confirm that the book might have been of the time of the third century A. D. It describes the colonization of the valley by a band of people from the land of Death under Poireiton. They first established their colony near the Langol Hill; probably the vast area between the Koubru Hill and the Langol Hill was their kingdom. --Report on the Archaeological studies in Manipur Bulletin No. 1-by W. Yumjao Singh, pp 18-19.
... The beginnings of this Old Manipuri literature may go back to 1,500 years or even 2,000 years from now. ... Poireiton Khunthok, a prose work describing the settlement of some Meithei tribes, is the oldest work in Manipuri going back to the third century A.D. ...
... 'Khencho' is quite obscure and entirely unintelligible to the present generation though it forms an inseparable element of the daily proceedings of the festival. ...
Manipur, known as 'Meetei Leipak' or 'Kangleipak' in the two millennia old Meetei manuscripts had experienced some form of constitutional government under a proto-Constitution in 429 A.D. which was reduced to a final format in 1110 A.D. Constitution entitled 'Loiyamba Shinyen' during the regime of King Loyumba.
The constitutionalism had developed with the adoption of a prototype of a constitution in 429 A.D. which was finally moulded into the written constitution in 1110 A.D., called 'Loyumba Shinyen' till it was substituted by Manipur State Constitution Act, 1947 which operated till Manipur's merger with India on October 15, 1949.
{{cite web}}: CS1 maint: archived copy as title (link)... Dance and music play a vital role in the life span of Manipuri people. The most flourishing branch of Manipuri culture is dance. The Manipuri synonym of dance is jagoi and in this dance, body movements create either circle or ellipse. Rasa dance is the finest product of Manipuri culture. Maharaj Bhagyachandra innovated it and it was first performed in Manipur in 1779 in the fullmoon of Kartik. ...
In Uchek Langmeidong (Birds of a Crane Family, 1978) ... When a poor girl is ill-treated by human society, birds take pity on her and shield her by turning her into a bird.
First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances.
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya (histrionic representation)...
...Lai Haraoba is the ritual folk-cum-classical dance of Manipur and tells the story of creation according to the Manipuris. Khamba Thoibi is a popular Manipuri dance which tells the story of princess Thoibi and poor boy Khamba...
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya histrionic representation)...
{{cite book}}: CS1 maint: others (link)... Would it not be like asking for a Hip-Hop dance from a classical Khamba-Thoibi jagoi performance if we expect street aggression from our teachers? ...
... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...
{{cite book}}: CS1 maint: multiple names: authors list (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances.
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya (histrionic representation)...
...Lai Haraoba is the ritual folk-cum-classical dance of Manipur and tells the story of creation according to the Manipuris. Khamba Thoibi is a popular Manipuri dance which tells the story of princess Thoibi and poor boy Khamba...
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya histrionic representation)...
{{cite book}}: CS1 maint: others (link)... Would it not be like asking for a Hip-Hop dance from a classical Khamba-Thoibi jagoi performance if we expect street aggression from our teachers? ...
...The Rasa Lila dances of Shiva and Parvati, Radha and Krishna, and the local deities Khamba and Thoibi form the foundation of the Manipuri dance...
Again from amongst the songs mentioned above, 'Ougri' and 'Khencho', in view of their more archaic diction and much advanced historical allusions, may be considered earlier than the rest. ... 'Ougri' is referred to as sung at the coronation of Nongdā Lāiren Pākhangbā, which took place in 33 A.D. ...
... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...
... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD...
The Poireiton Khunthokpa, is the most conspicuous one of all pre-Garibniwaz manuscripts. From a linguistic point of view, it seems to be much earlier than any of the books yet come under our review. Circumstantial and other incidental evidences would confirm that the book might have been of the time of the third century A. D. It describes the colonization of the valley by a band of people from the land of Death under Poireiton. They first established their colony near the Langol Hill; probably the vast area between the Koubru Hill and the Langol Hill was their kingdom. --Report on the Archaeological studies in Manipur Bulletin No. 1-by W. Yumjao Singh, pp 18-19.
... The beginnings of this Old Manipuri literature may go back to 1,500 years or even 2,000 years from now. ... Poireiton Khunthok, a prose work describing the settlement of some Meithei tribes, is the oldest work in Manipuri going back to the third century A.D. ...
... 'Khencho' is quite obscure and entirely unintelligible to the present generation though it forms an inseparable element of the daily proceedings of the festival. ...
... the text Panthoibi Khongul generally believed to have been written by Akoijam Tomboy during the reign of King Khongtekcha Yoiremba (763 A.D.) ...
Panthoibi khongul ( ? C ; Manipuri ) : prose narrative , the original of which was believed to have been composed in ancient Meitei language in first half of 8th century AD ...
{{cite web}}: CS1 maint: others (link)Manipur, known as 'Meetei Leipak' or 'Kangleipak' in the two millennia old Meetei manuscripts had experienced some form of constitutional government under a proto-Constitution in 429 A.D. which was reduced to a final format in 1110 A.D. Constitution entitled 'Loiyamba Shinyen' during the regime of King Loyumba.
The constitutionalism had developed with the adoption of a prototype of a constitution in 429 A.D. which was finally moulded into the written constitution in 1110 A.D., called 'Loyumba Shinyen' till it was substituted by Manipur State Constitution Act, 1947 which operated till Manipur's merger with India on October 15, 1949.
... This means a command of Sanskrit, Tamil, Telugu, Oriya, Meitei, Persian, or Arabic. ...
The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now.
The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now...
... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...
{{cite book}}: CS1 maint: multiple names: authors list (link)H. Anganghal Singh's Khamba Thoibi Sheireng (Poem on Khamba Thoibi, 1940) is a national epic of the Manipuris based on the story of Khamba and Thoibi of Moirang. The poet composes the whole epic in the Pena Saisak style of folk ballads sung by minstrels or bards popular in Manipur.
His epic Singel Indu was published in 1938 which was followed by his magnum opus Khamba Thoibi Sheireng (1940), a poem of 39000 lines, considered to be the 'national' epic of the Manipuris, written in the Pena Saisak style of folk ballads.
{{cite book}}: CS1 maint: multiple names: authors list (link)... These tales became popular as the funga-wari, wari meaning story. Hanuba Hanubi Paan Thaaba, Pebet Amasung Hoidong Lamboiba, Thabaton amashung Kabuikeioiba, Lai Khutshangbi, Uchek Langmeidong; Eeta Thangmei, Tapta, etc. are some classic examples of these folk tales that every Meitei child could relate to (Singha 2012). ...
... and "Lengshonnei" (an adaptation of Bertolt Brecht's "Antigone") are some of his popular plays...
... the text Panthoibi Khongul generally believed to have been written by Akoijam Tomboy during the reign of King Khongtekcha Yoiremba (763 A.D.) ...
Panthoibi khongul ( ? C ; Manipuri ) : prose narrative , the original of which was believed to have been composed in ancient Meitei language in first half of 8th century AD ...
{{cite web}}: CS1 maint: others (link)Among his masterpieces which include Sophocles' "Antigone", adapted as "Lengshonnei", and "Chakravyuha" assumes a special place.
THE DONATIONS for the construction of Sanamahi Kiyong, which will be the central body of Sanamahi Lainingkol (University of Sanamahi Culture) at Chingoi Maru Langmaiching (Nongmaiching) is going on.
In 1972 the Sahitya Akademi, the highest body of language and literature of India recognized Manipuri (Manipuri Sahitya Parisad. 1986:82)
... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...
... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD...
One of the oldest ritualistic theatres of the world, Lai Haraoba was recreated by the Meitei community of Manipur which practices it, with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees.
Manipur: The focus was on the ancient theatre tradition of Manipur, Lai Haraoba. Press Information Bureau reported that the tableau is an attempt to recreate the ambience of this 'quaint' and rich cultural tradition with a replica of the local deities and the dance of the devotees and the priestess. This ancient tradition preserved by the Meiteis must be watch for the transcendental trait of it.
In its tableau Manipur showcased its famous Lai Haraoba festivities - an ancient tradition of the Manipuris characterised by worship of traditional deities. According to the Meitei community, every year in the advent of summer, their Gods visit the earth for peace and prosperity of all human beings. Thus, people on earth celebrate the occasion with joy and dance!
Lai Haraoba is one of the oldest ritualistic theatres of the world jealously preserved by the Meitei community of Manipur with utmost awe and sanctity. The entire community participates in it with complete devotion. Lai Haraoba, translated as 'Happiness of the Gods' is celebrated to worship local deities to bring prosperity and well-being of the land and its inhabitants. These divinities are referred to as Umag Lais or Sylvan Gods as their abodes are located in a wooded area. The sacred ceremonies are conducted by Maibis or priestesses who are adept in dance and sacred rituals. The common people also dance as an act of worship to the accompaniment of the traditional stringed instruments (pena) and drums (langdeng pung). The Manipur tableau is an effort to recreate the ambience of this quaint and rich cultural tradition with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees as well as a Maibi (priestess) performing the sacred dance to awaken the God from his slumber.
{{cite web}}: CS1 maint: others (link)..."Lengshonnei" (an adaptation of Bertolt Brecht's "Antigone") are some of his popular plays...
The movement for recognizing Manipuri as a classical language began in 2013, yet there has been a gap in the follow up actions.
One of the oldest ritualistic theatres of the world, Lai Haraoba was recreated by the Meitei community of Manipur which practices it, with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees.
Manipur: The focus was on the ancient theatre tradition of Manipur, Lai Haraoba. Press Information Bureau reported that the tableau is an attempt to recreate the ambience of this 'quaint' and rich cultural tradition with a replica of the local deities and the dance of the devotees and the priestess. This ancient tradition preserved by the Meiteis must be watch for the transcendental trait of it.
In its tableau Manipur showcased its famous Lai Haraoba festivities - an ancient tradition of the Manipuris characterised by worship of traditional deities. According to the Meitei community, every year in the advent of summer, their Gods visit the earth for peace and prosperity of all human beings. Thus, people on earth celebrate the occasion with joy and dance!
Lai Haraoba is one of the oldest ritualistic theatres of the world jealously preserved by the Meitei community of Manipur with utmost awe and sanctity. The entire community participates in it with complete devotion. Lai Haraoba, translated as 'Happiness of the Gods' is celebrated to worship local deities to bring prosperity and well-being of the land and its inhabitants. These divinities are referred to as Umag Lais or Sylvan Gods as their abodes are located in a wooded area. The sacred ceremonies are conducted by Maibis or priestesses who are adept in dance and sacred rituals. The common people also dance as an act of worship to the accompaniment of the traditional stringed instruments (pena) and drums (langdeng pung). The Manipur tableau is an effort to recreate the ambience of this quaint and rich cultural tradition with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees as well as a Maibi (priestess) performing the sacred dance to awaken the God from his slumber.
{{cite web}}: CS1 maint: others (link)...Meitei performance in Antigone needs to be seen as an contradistinction to both British and Bengali/Indian influence...
... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...
... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD...
First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances.
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya (histrionic representation)...
...Lai Haraoba is the ritual folk-cum-classical dance of Manipur and tells the story of creation according to the Manipuris. Khamba Thoibi is a popular Manipuri dance which tells the story of princess Thoibi and poor boy Khamba...
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya histrionic representation)...
{{cite book}}: CS1 maint: others (link)... Would it not be like asking for a Hip-Hop dance from a classical Khamba-Thoibi jagoi performance if we expect street aggression from our teachers? ...
... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...
{{cite book}}: CS1 maint: multiple names: authors list (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances.
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya (histrionic representation)...
...Lai Haraoba is the ritual folk-cum-classical dance of Manipur and tells the story of creation according to the Manipuris. Khamba Thoibi is a popular Manipuri dance which tells the story of princess Thoibi and poor boy Khamba...
{{cite book}}: CS1 maint: others (link)First and foremost are the surviving ritual dances which have been absorbed into the repertoire. The Lai-haraoba and the Khamba Thoibi may be counted amongst these. Their historical and mythical theme makes them as classical as any of the later Vaishnavite dances. They have an element of abhinaya histrionic representation)...
{{cite book}}: CS1 maint: others (link)... Would it not be like asking for a Hip-Hop dance from a classical Khamba-Thoibi jagoi performance if we expect street aggression from our teachers? ...
... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...
{{cite book}}: CS1 maint: multiple names: authors list (link)... The grand finale was marked with his pompous show named "Sandrembi and Cheisra" which he derived from Manipuri classic folklore 'Sandrembi and Cheisra'. ...
... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...
One of the oldest ritualistic theatres of the world, Lai Haraoba was recreated by the Meitei community of Manipur which practices it, with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees.
Manipur: The focus was on the ancient theatre tradition of Manipur, Lai Haraoba. Press Information Bureau reported that the tableau is an attempt to recreate the ambience of this 'quaint' and rich cultural tradition with a replica of the local deities and the dance of the devotees and the priestess. This ancient tradition preserved by the Meiteis must be watch for the transcendental trait of it.
In its tableau Manipur showcased its famous Lai Haraoba festivities - an ancient tradition of the Manipuris characterised by worship of traditional deities. According to the Meitei community, every year in the advent of summer, their Gods visit the earth for peace and prosperity of all human beings. Thus, people on earth celebrate the occasion with joy and dance!
Lai Haraoba is one of the oldest ritualistic theatres of the world jealously preserved by the Meitei community of Manipur with utmost awe and sanctity. The entire community participates in it with complete devotion. Lai Haraoba, translated as 'Happiness of the Gods' is celebrated to worship local deities to bring prosperity and well-being of the land and its inhabitants. These divinities are referred to as Umag Lais or Sylvan Gods as their abodes are located in a wooded area. The sacred ceremonies are conducted by Maibis or priestesses who are adept in dance and sacred rituals. The common people also dance as an act of worship to the accompaniment of the traditional stringed instruments (pena) and drums (langdeng pung). The Manipur tableau is an effort to recreate the ambience of this quaint and rich cultural tradition with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees as well as a Maibi (priestess) performing the sacred dance to awaken the God from his slumber.
{{cite web}}: CS1 maint: others (link)In 1972 the Sahitya Akademi, the highest body of language and literature of India recognized Manipuri (Manipuri Sahitya Parisad. 1986:82)
...Some of his best Manipuri productions include Chakravyuha, Lengshonnei (an adaptation of Bertolt Brecht's Antigone) and Ritusamharam (based on Kalidasa's work)...
One of the oldest ritualistic theatres of the world, Lai Haraoba was recreated by the Meitei community of Manipur which practices it, with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees.
Manipur: The focus was on the ancient theatre tradition of Manipur, Lai Haraoba. Press Information Bureau reported that the tableau is an attempt to recreate the ambience of this 'quaint' and rich cultural tradition with a replica of the local deities and the dance of the devotees and the priestess. This ancient tradition preserved by the Meiteis must be watch for the transcendental trait of it.
In its tableau Manipur showcased its famous Lai Haraoba festivities - an ancient tradition of the Manipuris characterised by worship of traditional deities. According to the Meitei community, every year in the advent of summer, their Gods visit the earth for peace and prosperity of all human beings. Thus, people on earth celebrate the occasion with joy and dance!
Lai Haraoba is one of the oldest ritualistic theatres of the world jealously preserved by the Meitei community of Manipur with utmost awe and sanctity. The entire community participates in it with complete devotion. Lai Haraoba, translated as 'Happiness of the Gods' is celebrated to worship local deities to bring prosperity and well-being of the land and its inhabitants. These divinities are referred to as Umag Lais or Sylvan Gods as their abodes are located in a wooded area. The sacred ceremonies are conducted by Maibis or priestesses who are adept in dance and sacred rituals. The common people also dance as an act of worship to the accompaniment of the traditional stringed instruments (pena) and drums (langdeng pung). The Manipur tableau is an effort to recreate the ambience of this quaint and rich cultural tradition with a replica of the deities, elaborate traditional paraphernalia and live dancing by the devotees as well as a Maibi (priestess) performing the sacred dance to awaken the God from his slumber.
{{cite web}}: CS1 maint: others (link)..."Lengshonnei" (an adaptation of Sophocles' Antigone),...
{{cite web}}: CS1 maint: archived copy as title (link)...Meitei performance in Antigone needs to be seen as an contradistinction to both British and Bengali/Indian influence...
... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...
... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD...