Hindu iconography (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Hindu iconography" in English language version.

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academia.edu

Babary, Abrar; Zeeshan, Mahwish. "Reminiscent of Hinduism: An Insight of Katas Raj Mandir". The Explorer: Journal of Social Sciences. 1 (4): 122.

books.google.com

Srinivasan, Doris Meth (1997). Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art. Leiden, Netherlands: Brill. pp. 3–4. ISBN 9004107584.
Srinivasan, Doris Meth (1997). Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art. Leiden, Netherlands: Brill. p. 325. ISBN 9004107584.
Srinivasan, Doris (1997). Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art. BRILL. pp. 157–168. ISBN 978-90-04-10758-8.

doi.org

Sundar, Akshay; P V, Hancel; Singru, Pravin; Vathsan, Radhika (2016). "Study of Sarasvati Veena – a South Indian musical instrument using its vibro-acoustic signatures". Journal of Vibroengineering. 18 (5): 3362–3368. doi:10.21595/jve.2016.16930. ISSN 1392-8716.
Srinivasan, Doris (2001). "Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art". Journal of the American Oriental Society. 121 (2): 279–280. doi:10.2307/606568. JSTOR 606568. OCLC 208705592.

extrica.com

Sundar, Akshay; P V, Hancel; Singru, Pravin; Vathsan, Radhika (2016). "Study of Sarasvati Veena – a South Indian musical instrument using its vibro-acoustic signatures". Journal of Vibroengineering. 18 (5): 3362–3368. doi:10.21595/jve.2016.16930. ISSN 1392-8716.

jstor.org

Srinivasan, Doris (2001). "Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art". Journal of the American Oriental Society. 121 (2): 279–280. doi:10.2307/606568. JSTOR 606568. OCLC 208705592.

lotussculpture.com

"Lotus flower, Hindu God's favorite flower". Lotus Sculpture. Retrieved 5 April 2023.

metmuseum.org

"The Goddess Durga Killing the Buffalo Demon (Mahishasura Mardini)". The Metropolitan Museum of Art. 2012. Retrieved 5 July 2012. The Met notes that with sculptural depictions of multiple-armed deities viewed by the flicker of oil lamps in a dimly lit shrine, the visual kinetic energy of their many arms are no doubt made the more powerful to the viewer by the movement of light upon the sculpture

rice.edu

scholarship.rice.edu

Freed, Stanley A (1980). "Swastika: A new symbolic interpretation" (PDF). Rice Institute Pamphlet-Rice University Studies. 66 (1).

tamilnation.org

Kanagasuntheram, R (2003). "Science and Symbolism in Saivaism (Hinduism)" (PDF). Science and Symbolism in Saivaism (Hinduism). 1: 7.

wisdomlib.org

www.wisdomlib.org (23 November 2008). "Linga, Liṅgā, Liṅga, Limga: 43 definitions". www.wisdomlib.org. Retrieved 17 August 2022.

worldcat.org

search.worldcat.org

Brekke, Torkel, ed. (27 June 2019). Modern Hinduism. OCLC 1106125720.
Chandra, Suresh (2001). Encyclopaedia of Hindu gods and goddesses. Sarup. ISBN 81-7625-039-2. OCLC 637001628.
Sundar, Akshay; P V, Hancel; Singru, Pravin; Vathsan, Radhika (2016). "Study of Sarasvati Veena – a South Indian musical instrument using its vibro-acoustic signatures". Journal of Vibroengineering. 18 (5): 3362–3368. doi:10.21595/jve.2016.16930. ISSN 1392-8716.
Srinivasan, Doris (2001). "Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art". Journal of the American Oriental Society. 121 (2): 279–280. doi:10.2307/606568. JSTOR 606568. OCLC 208705592.

worldcat.org

Brekke, Torkel, ed. (27 June 2019). Modern Hinduism. OCLC 1106125720.
Chandra, Suresh (2001). Encyclopaedia of Hindu gods and goddesses. Sarup. ISBN 81-7625-039-2. OCLC 637001628.