Historically informed performance (English Wikipedia)

"Philippe Herreweghe". www.concertgebouworkest.nl. Royal Concertgebouw Orchestra. Archived from the original on 15 May 2021. Retrieved 6 March 2018.

derecensent.nl

Rob van der Hilst, "Fluitekruid van Joseph Haydn Archived 2012-04-26 at the Wayback Machine", review of Jan Jaap Haspels, Marije Hulleman, and Bob van Wely, Haydn herboren: 12 originele opnamen uit 1793 (Utrecht: Nationaal Museum van Speelklok tot Pierement, 2004), ISBN 90-801699-3-5. De Recensent.nl (2004, accessed January 2014).

doi.org

Knights, F. (1 February 2013). "A farewell to Musica Antiqua Koln". Early Music. 41 (1): 173–174. doi:10.1093/em/cas166. ISSN 0306-1078.

dolmetsch.com

Brian Blood, "The Dolmetsch Story Archived 2022-03-06 at the Wayback Machine", Dolmetsch Online (26 September 2013, accessed 20 January 2014).

earlymusicamerica.org

Malafronte, Judith (2015). "Vibrato Wars" (PDF). www.earlymusicamerica.org. Early Music America. Archived from the original (PDF) on 6 March 2018. Retrieved 6 March 2018.

jstor.org

Thurston Dart, "Robert ap Huw's Manuscript of Welsh Harp Music", The Galpin Society Journal, Vol 21 (1963). JSTOR 841428.

npr.org

Wise, Brian (15 November 2011). "John Eliot Gardiner's Historical Beethoven At Carnegie Hall". NPR. National Public Radio. Archived from the original on 6 March 2018. Retrieved 6 March 2018.

oae.co.uk

"Harpsichord – Orchestra of the Age of Enlightenment". Orchestra of the Age of Enlightenment. Archived from the original on 6 March 2018. Retrieved 6 March 2018.
"Countertenor". Orchestra of the Age of Enlightenment. Archived from the original on 6 March 2018. Retrieved 6 March 2018.

researchgate.net

Fabian, Dorottya (1 December 2001). "The Meaning of Authenticity and The Early Music Movement: A Historical Review". Retrieved 3 March 2018.

smh.com.au

Zwartz, Barney (2020-03-12). "Freiburg delivers rare chance to hear Beethoven's genius mature". The Sydney Morning Herald. Archived from the original on 2021-05-24. Retrieved 2020-04-30.

thestrad.com

2015-02-20T00:00:00+00:00. "Did early string players use continuous vibrato?". The Strad. Archived from the original on 2021-05-24. Retrieved 2020-05-27.{{cite web}}: CS1 maint: numeric names: authors list (link)

usc.edu

Alex Boekelheide, "Making Way for Beautiful Music Archived 2016-03-03 at the Wayback Machine", USC News (2 October 2005, accessed 20 January 2014).

web.archive.org

Hunter, Mary (2014). "27. Historically informed performance". In Greenwald, Helen M. (ed.). The Oxford Handbook of Opera. Oxford University Press. pp. 606–8. ISBN 978-0-19-971484-1. Archived from the original on 20 August 2023. Retrieved 3 March 2018.
Schippers, Huib (2009). Facing the Music: Shaping Music Education from a Global Perspective. Oxford University Press. ISBN 978-0-19-970193-3. Archived from the original on 20 August 2023. Retrieved 5 March 2018.
Wilson, Nick (2013). The Art of Re-enchantment: Making Early Music in the Modern Age. OUP USA. p. 76. ISBN 978-0-19-993993-0. Archived from the original on 20 August 2023. Retrieved 2 March 2018.
"Philippe Herreweghe". www.concertgebouworkest.nl. Royal Concertgebouw Orchestra. Archived from the original on 15 May 2021. Retrieved 6 March 2018.
Zwartz, Barney (2020-03-12). "Freiburg delivers rare chance to hear Beethoven's genius mature". The Sydney Morning Herald. Archived from the original on 2021-05-24. Retrieved 2020-04-30.
Wise, Brian (15 November 2011). "John Eliot Gardiner's Historical Beethoven At Carnegie Hall". NPR. National Public Radio. Archived from the original on 6 March 2018. Retrieved 6 March 2018.
"Harpsichord – Orchestra of the Age of Enlightenment". Orchestra of the Age of Enlightenment. Archived from the original on 6 March 2018. Retrieved 6 March 2018.
Kottick, Edward L. (2003). A History of the Harpsichord. Indiana University Press. ISBN 978-0-253-34166-2. Archived from the original on 20 August 2023. Retrieved 6 March 2018.
Moses, Don V.; Demaree, Robert W. Jr.; Ohmes, Allen F. (2004). Face to Face with Orchestra and Chorus, Second, Expanded Edition: A Handbook for Choral Conductors. Indiana University Press. p. 49. ISBN 978-0-253-11036-7. Archived from the original on 20 August 2023. Retrieved 6 March 2018.
Alex Boekelheide, "Making Way for Beautiful Music Archived 2016-03-03 at the Wayback Machine", USC News (2 October 2005, accessed 20 January 2014).
Haskell, Harry (1988). The Early Music Revival: A History. Courier Corporation. ISBN 978-0-486-29162-8. Archived from the original on 7 April 2022. Retrieved 6 March 2018.
Brian Blood, "The Dolmetsch Story Archived 2022-03-06 at the Wayback Machine", Dolmetsch Online (26 September 2013, accessed 20 January 2014).
Malafronte, Judith (2015). "Vibrato Wars" (PDF). www.earlymusicamerica.org. Early Music America. Archived from the original (PDF) on 6 March 2018. Retrieved 6 March 2018.
Stark, James (2003). "Vocal Tremulousness". Bel Canto: A History of Vocal Pedagogy. University of Toronto Press. p. 150. ISBN 978-0-8020-8614-3. Archived from the original on 20 August 2023. Retrieved 6 March 2018.
"Countertenor". Orchestra of the Age of Enlightenment. Archived from the original on 6 March 2018. Retrieved 6 March 2018.
Rob van der Hilst, "Fluitekruid van Joseph Haydn Archived 2012-04-26 at the Wayback Machine", review of Jan Jaap Haspels, Marije Hulleman, and Bob van Wely, Haydn herboren: 12 originele opnamen uit 1793 (Utrecht: Nationaal Museum van Speelklok tot Pierement, 2004), ISBN 90-801699-3-5. De Recensent.nl (2004, accessed January 2014).
2015-02-20T00:00:00+00:00. "Did early string players use continuous vibrato?". The Strad. Archived from the original on 2021-05-24. Retrieved 2020-05-27.{{cite web}}: CS1 maint: numeric names: authors list (link)

worldcat.org

Knights, F. (1 February 2013). "A farewell to Musica Antiqua Koln". Early Music. 41 (1): 173–174. doi:10.1093/em/cas166. ISSN 0306-1078.

youtube.com

"John Eliot Gardiner: Why the Word "Authentic" Bothers Him". YouTube. Carnegie Hall. 24 March 2015. Retrieved 6 March 2018.^{[dead YouTube link]}