History of film (English Wikipedia)

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Castle, Terry (1988). "Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie". Critical Inquiry. 15 (1): 26–61. doi:10.1086/448473. ISSN 0093-1896. JSTOR 1343603. S2CID 162264583.
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Latsis (2015). "Landscape in Motion: Muybridge and the Origins of Chronophotography". Film History. 27 (3): 2. doi:10.2979/filmhistory.27.3.1. JSTOR 10.2979/filmhistory.27.3.1. S2CID 194973091.
Rossell, Deac (2016). "Copycats: Anschütz Chronophotographs as Direct Source Materials for Early Edison Kinetoscope Films". Film History. 28 (2): 142. doi:10.2979/filmhistory.28.2.06. S2CID 192159745.
Gaines, Jane M. (2004). "First Fictions". Signs. 30 (1): 1293–1317. doi:10.1086/421882. ISSN 0097-9740. JSTOR 10.1086/421882. S2CID 225091235.
Turvey, Gerry (2004). "Panoramas, Parades and the Picturesque: The Aesthetics of British Actuality Films, 1895–1901". Film History. 16 (1): 9–27. doi:10.2979/FIL.2004.16.1.9. ISSN 0892-2160. JSTOR 3815556.
MacGowan, Kenneth (1955). "The Story Comes to the Screen: 1896–1906". The Quarterly of Film Radio and Television. 10 (1): 64–88. doi:10.2307/1209964. ISSN 1549-0068. JSTOR 1209964.
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Natale, Simone (2012-03-21). "A short history of superimposition: From spirit photography to early cinema". Early Popular Visual Culture. 10 (2): 125–145. doi:10.1080/17460654.2012.664745. hdl:2318/1768934. ISSN 1746-0654. S2CID 192110872.
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Castle, Terry (1988). "Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie". Critical Inquiry. 15 (1): 26–61. doi:10.1086/448473. ISSN 0093-1896. JSTOR 1343603. S2CID 162264583.
Mannoni, Laurent; Brewster, Ben (1996). "The Phantasmagoria". Film History. 8 (4): 390–415. ISSN 0892-2160. JSTOR 3815390.
Eisenhauer, Jennifer F. (2006). "Next Slide Please: The Magical, Scientific, and Corporate Discourses of Visual Projection Technologies". Studies in Art Education. 47 (3): 198–214. doi:10.2307/25475781. ISSN 0039-3541. JSTOR 25475781.
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Latsis (2015). "Landscape in Motion: Muybridge and the Origins of Chronophotography". Film History. 27 (3): 2. doi:10.2979/filmhistory.27.3.1. JSTOR 10.2979/filmhistory.27.3.1. S2CID 194973091.
Lawrence, Amy (2003). "Counterfeit Motion: The Animated Films of Eadweard Muybridge". Film Quarterly. 57 (2): 15–25. ISSN 0015-1386. JSTOR 10.1525/fq.2004.57.2.15.
Myrent, Glenn (1989). "Emile Reynaud: First Motion Picture Cartoonist". Film History. 3 (3): 191–202. JSTOR 3814977.
Rossell, Deac (1995). "A Chronology of Cinema, 1889–1896". Film History. 7 (2): 140. ISSN 0892-2160. JSTOR 3815166.
Grainge, Paul; Jancovich, Mark; Monteith, Sharon (2007). Film Histories: An Introduction and Reader. Edinburgh University Press. ISBN 978-0-7486-1906-1. JSTOR 10.3366/j.ctt1r28dt.
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American Cinema 1890–1909: Themes and Variations. Rutgers University Press. 2009. ISBN 978-0-8135-4442-7. JSTOR j.ctt5hhz03.
Gaines, Jane M. (2004). "First Fictions". Signs. 30 (1): 1293–1317. doi:10.1086/421882. ISSN 0097-9740. JSTOR 10.1086/421882. S2CID 225091235.
de Klerk, Nico (1999). "A Few Remaining Hours: News Films and the Interest in Technology in Amsterdam Film Shows, 1896–1910". Film History. 11 (1): 5–17. ISSN 0892-2160. JSTOR 3815253.
Turvey, Gerry (2004). "Panoramas, Parades and the Picturesque: The Aesthetics of British Actuality Films, 1895–1901". Film History. 16 (1): 9–27. doi:10.2979/FIL.2004.16.1.9. ISSN 0892-2160. JSTOR 3815556.
MacGowan, Kenneth (1955). "The Story Comes to the Screen: 1896–1906". The Quarterly of Film Radio and Television. 10 (1): 64–88. doi:10.2307/1209964. ISSN 1549-0068. JSTOR 1209964.
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Strauven, Wanda (2006). "From 'Primitive Cinema' to 'Marvelous'". In Strauven, Wanda (ed.). The Cinema of Attractions Reloaded. Amsterdam University Press. pp. 105–120. ISBN 978-90-5356-945-0. JSTOR j.ctt46n09s.10.
Montanaro, Carlo; Gabhann, Liam Mac (2019). Silver Screen to Digital: A Brief History of Film Technology. Indiana University Press. p. 65. ISBN 978-0-86196-746-9. JSTOR j.ctvsn3pvn.
Gray, Frank (1998). "Smith the Showman: The Early Years of George Albert Smith". Film History. 10 (1): 8–20. ISSN 0892-2160. JSTOR 3815398.
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Rossell, Deac (2016). "Copycats: Anschütz Chronophotographs as Direct Source Materials for Early Edison Kinetoscope Films". Film History. 28 (2): 142. doi:10.2979/filmhistory.28.2.06. S2CID 192159745.
Gaines, Jane M. (2004). "First Fictions". Signs. 30 (1): 1293–1317. doi:10.1086/421882. ISSN 0097-9740. JSTOR 10.1086/421882. S2CID 225091235.
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worldcat.org

Fischer, Paul (2022). The man who invented motion pictures: a true tale of obsession, murder, and the movies (1st ed.). New York: Simon & Schuster. ISBN 978-1-9821-1482-4. OCLC 1201301040.