History of film technology (English Wikipedia)

Mast, Gerald; Kawin, Bruce F. (2007). "Birth". In Costanzo, William (ed.). A Short History of the Movies (Abridged 9th ed.). Pearson Education, inc. pp. 23–24.

academia.edu

Rossell, Deac (2006). "The Exhibition of Moving Pictures before 1896". KINtop: Jahrbuch zur Erforschung des frühenFilms.
Rossell, Deac (January 1999). "Serpentine dance Inter-national connections in early cinema".
Rossell, Deac (1999). "Serpentine dance Inter-national connections in early cinema". Occasional Papers in Modern Languages, Culture and Society (1). Department of European Languages, Goldsmiths College, University of London.
Rossell, Deac. "(PDF) Double Think: The Cinema and Magic Lantern Culture | Deac Rossell - Academia.edu".

archive.org

Royal Institution of Great Britain (1831). Journal of the Royal Institution of Great Britain. London Natural History Museum Library. London : Royal Institution of Great Britain.
"How Motion Pictures are Made". Harper. 1918.
"International exhibition 1862: Medals and Honourable Mentions Awarded by the International Juries". Her Majesty's Commissioners. 10 April 1862 – via Internet Archive.
Lockyer, Sir Norman (1878). Nature. Macmillan Journals Limited. p. 242. kinesigraph.
Ephraim Katz, The Film Encyclopedia (HarperCollins, 1994) ISBN 0-06-273089-4
Ira Konigsberg, The Complete Film Dictionary (Meridan PAL Books, 1987) ISBN 0-452-00980-4
Stanford University. Department of Art (1953). Eadweard Muybridge : the Stanford years, 1872-1882. Niles Essanay Silent Film Museum. Stanford University. Department of Art.

billjayonphotography.com

"Up the Nile with Francis Frith" (PDF). Archived from the original (PDF) on 2019-12-30.

bnf.fr

gallica.bnf.fr

"Bulletin de la Société française de photographie". Gallica. 1858. Retrieved 2020-04-10.

books.google.com

Correspondance mathématique et physique (in French). Vol. 7. Brussels: Garnier and Quetelet. 1832. p. 365.
Plateau, Joseph (8 March 1833). "Letter to Faraday". In James, Frank A.J.L. (ed.). The Correspondence of Michael Faraday: 1832–1840. Vol. 2. London: The Institute of Electrical Engineers. ISBN 9780863412493.
Stampfer, S. (1833). Die stroboscopischen Scheiben; oder, Optischen Zauberscheiben: Deren Theorie und wissenschaftliche Anwendung (in German). Trentsensky & Vieweg.
Allgemeine Theaterzeitung und Originalblatt für Kunst, Literatur, und geselliges Leben (in German). im Bureau der Theaterzeitung. 1847.
Belgique, Académie Royale des Sciences, des Lettres et des Beaux-Arts de (1849). Bulletins de l'Académie Royale des Sciences, des Lettres et des Beaux-Arts de Belgique (in French). Hayez.{{cite book}}: CS1 maint: multiple names: authors list (link)
Zone, Ray (December 2007). Stereoscopic Cinema and the Origins of 3-D Film, 1838–1952. University Press of Kentucky. ISBN 978-0813172712.
Zone, Ray (3 February 2014). Stereoscopic Cinema and the Origins of 3-D Film, 1838–1952. University Press of Kentucky. ISBN 9780813145891 – via Google Books.
Hunt, Robert (1862). Handbook to the industrial department of the International exhibition, 1862.
Herbert, Stephen (1998). Industry, Liberty, and a Vision: Wordsworth Donisthorpe's Kinesigraph. The Projection Box. ISBN 978-0-9523941-3-6.
Brendan Bruce (2013). On the Origin of Spin: (Or how Hollywood, the Ad Men and the World Wide Web became the Fifth Estate and created our images of power). CreateSpace Independent Publishing Platform. p. 23. ISBN 9781490571355.
E. Kilburn Scott (1974). Raymond Fielding (ed.). A Technological History of Motion Pictures and Television. University of California Press. pp. 76–83. ISBN 9780520004115.
Streible, Dan (2008-04-11). Fight Pictures: A History of Boxing and Early Cinema. University of California Press. p. 46. ISBN 9780520940581. Retrieved 16 May 2016.
Robert Allen Nowotny (1979). The Way of All Flesh Tones. University of Texas at Austin. ISBN 978-0-8240-5109-9. Retrieved 2012-09-13.^{[permanent dead link‍]}

brianpritchard.com

British Patent (B.P.) no. 6,202 (1899), 22 March 1899, 'Means for taking and exhibiting cinematographic pictures'. http://www.brianpritchard.com/GB189906202A.pdf Archived 21 May 2013 at the Wayback Machine
Pritchard, B. (2012). "Lee-Turner Project with the National Media Museum". Retrieved 20 April 2013.

docs.google.com

"US31357.pdf" (PDF). docs.google.com.

doi.org

Aulas, Jean-Jacques; Pfend, Jacques (2000-12-01). "Louis Aimé Augustin Leprince, inventeur et artiste, précurseur du cinéma". 1895. Mille Huit Cent Quatre-vingt-quinze (in French). 32 (32): 9–74. doi:10.4000/1895.110. ISSN 0769-0959.
Alforova, Zoya; Marchenko, Serhii; Kot, Halyna; Medvedieva, Alla; Moussienko, Oksana (December 31, 2021). "Impact of Digital Technologies on the Development of Modern Film Production and Television" (PDF). Rupkatha Journal on Interdisciplinary Studies in Humanities. 13 (4). doi:10.21659/rupkatha.v13n4.72. S2CID 245780495.
Brown, William; Ng, Jenna (2012). "Avatar: Stereoscopic Cinema, Gaseous Perception and Darkness". Animation. 7 (3): 259–271. doi:10.1177/1746847712456254. S2CID 191623277 – via SAGE Journals.
Sobieraj, Sabrina; Kramer, Nicole C. (October 2014). "Do 3D Moviegoers Enjoy Screenings More than 2D Moviegoers?—On the Impact of 3D Fantasy Movie Perception on Enjoyment". Presence: Teleoperators & Virtual Environments. 23 (4): 440–448. doi:10.1162/PRES_a_00210. S2CID 45614699 – via EBSCOhost.
Braschinsky, Mark; Raidvee, Aire; Sabre, Luis; Zmachinskaja, Nadezhda; Zukivskaja, Olga; Karask, Anti; Saar, Brunon; Rakitin, Aleksei (March 2016). "3D Cinema and Headache: The First Evidential Relation and Analysis of Involved Factors". Frontiers in Neurology. 7: 30. doi:10.3389/fneur.2016.00030. PMC 4803726. PMID 27047440.
Brown, Simon (2013). "From novelty to normal: 3DTV as special effect". Critical Studies in Television. 8 (3): 33–46. doi:10.7227/CST.8.3.4. S2CID 143003727 – via Gale Academic Onefile.
Higgins, Scott (April 2012). "3D in depth: Coraline, Hugo, and a sustainable aesthetic". Film History. 24 (2): 196. doi:10.2979/filmhistory.24.2.196. S2CID 191488144 – via Gale Academic Onefile.
Belton, John (2012). "Digital 3D cinema: digital cinema's missing novelty phase". Film History. 24 (2): 187. doi:10.2979/filmhistory.24.2.187. S2CID 191964736.
Efrat, Netalee; Didyk, Piotr; Foshey, Mike; Matusik, Woijciech; Levin, Anat (July 2016). "Cinema 3D: large scale automultiscopic display". ACM Transactions on Graphics. 35 (4): 1–12. doi:10.1145/2897824.2925921. hdl:1721.1/111082. S2CID 8196132.
Jackman, Anna Hamilton (2015). "3-D cinema: immersive media technology". GeoJournal. 80 (6): 853–866. Bibcode:2015GeoJo..80..853J. doi:10.1007/s10708-015-9651-5. hdl:10871/18045. S2CID 106731482. ProQuest 1733864094 – via ProQuest.
Terlutter, Ralf; Diehl, Sandra; Koinig, Isabell; Waiguny, Martin K.J (October 2016). "Positive or Negative Effects of Technology Enhancement for Brand Placements? Memory of Brand Placements in 2D, 3D and 4D movies". Media Psychology. 19 (4): 505–533. doi:10.1080/15213269.2016.1142377. S2CID 147421295 – via EBSCOhost.

esc.edu

espacenet.com

worldwide.espacenet.com

US 306470, Eastman, George & Walker, William H., "Photographic film", published 1884-10-14, assigned to Eastman Dry-Plate Co.
US 376247, Le Prince, Augustin, "Method and apparatus for producing animated pictures of natural scenery and life", published 1888-01-10

filmcolors.org

Anonymous (July 1909). "Animated Pictures in Natural Colours". The BioScope. 144.

gamestudies.org

Carl Therrien, Inspecting Video Game Historiography Through Critical Lens: Etymology of the First-Person Shooter Genre, Game Studies: The International Journal of Computer Game Research, Volume 15, issue 2, December 2015, ISSN 1604-7982

handle.net

hdl.handle.net

Efrat, Netalee; Didyk, Piotr; Foshey, Mike; Matusik, Woijciech; Levin, Anat (July 2016). "Cinema 3D: large scale automultiscopic display". ACM Transactions on Graphics. 35 (4): 1–12. doi:10.1145/2897824.2925921. hdl:1721.1/111082. S2CID 8196132.
Jackman, Anna Hamilton (2015). "3-D cinema: immersive media technology". GeoJournal. 80 (6): 853–866. Bibcode:2015GeoJo..80..853J. doi:10.1007/s10708-015-9651-5. hdl:10871/18045. S2CID 106731482. ProQuest 1733864094 – via ProQuest.

harvard.edu

ui.adsabs.harvard.edu

Jackman, Anna Hamilton (2015). "3-D cinema: immersive media technology". GeoJournal. 80 (6): 853–866. Bibcode:2015GeoJo..80..853J. doi:10.1007/s10708-015-9651-5. hdl:10871/18045. S2CID 106731482. ProQuest 1733864094 – via ProQuest.

hathitrust.org

babel.hathitrust.org

"The photographic news. v.3–4 (1859–1860)". HathiTrust. Retrieved 2020-02-03.

imdb.com

Salvage Operations of S.S. Oceana Produced by the Natural Colour Kinematograph Co., Brighton at IMDb

indiewire.com

Michael Hurley (2 January 2014). "Studios Abandon Film, Small Theaters Struggle – And There's a happy ending – Indiewire". Indiewire. Archived from the original on 2016-02-01.

meiermovies.com

"Pioneers of Early Cinema: Louis Aimé Augustin Le Prince (1841-1890?)" (PDF). Archived (PDF) from the original on 2018-04-11.

newspapers.com

"eidoloscope". Nashville Banner. 1895-05-29. p. 7. Retrieved 2021-05-07.

nih.gov

ncbi.nlm.nih.gov

Braschinsky, Mark; Raidvee, Aire; Sabre, Luis; Zmachinskaja, Nadezhda; Zukivskaja, Olga; Karask, Anti; Saar, Brunon; Rakitin, Aleksei (March 2016). "3D Cinema and Headache: The First Evidential Relation and Analysis of Involved Factors". Frontiers in Neurology. 7: 30. doi:10.3389/fneur.2016.00030. PMC 4803726. PMID 27047440.

pubmed.ncbi.nlm.nih.gov

Braschinsky, Mark; Raidvee, Aire; Sabre, Luis; Zmachinskaja, Nadezhda; Zukivskaja, Olga; Karask, Anti; Saar, Brunon; Rakitin, Aleksei (March 2016). "3D Cinema and Headache: The First Evidential Relation and Analysis of Involved Factors". Frontiers in Neurology. 7: 30. doi:10.3389/fneur.2016.00030. PMC 4803726. PMID 27047440.

nla.gov.au

webarchive.nla.gov.au

Adventures in CyberSound: Le Prince, Louis Aimé Augustin, Dr Russell Naughton (using source: Michael Harvey, NMPFT Pioneers of Early Cinema: 1. Louis Aimé Augustin Le Prince)

onb.ac.at

anno.onb.ac.at

"ANNO, Die Gegenwart. Politisch-literarisches Tagblatt, 1847-01-18, Seite 4". anno.onb.ac.at. Retrieved 2020-04-15.
"ANNO, Österreichisches Morgenblatt; Zeitschrift für Vaterland, Natur und Leben, 1847-02-03, Seite 2". anno.onb.ac.at. Retrieved 2020-04-15.

ottomar-anschuetz.de

"Ottomar Anschütz, Kinogeschichte, lebender Bilder, Kino, erste-Kinovorführung, Kinovorführung, Projektion, Kinoe, Bewegungsbilder". www.ottomar-anschuetz.de. Retrieved 2020-04-20.

patents.google.com

Heilig, Morton (1961). "Patent US3050870A Sensorama simulator". Google Patents.

precinemahistory.net

Burns, Paul T. "The History of The Discovery of Cinematography – 1885 – 1889". Retrieved 2009-05-10. and "Ten Remaining Frames Of Donisthorpe's 1890 'Trafalgar Square' Footage Come To Life" (GIF). Retrieved 2009-05-10.

proquest.com

Jackman, Anna Hamilton (2015). "3-D cinema: immersive media technology". GeoJournal. 80 (6): 853–866. Bibcode:2015GeoJo..80..853J. doi:10.1007/s10708-015-9651-5. hdl:10871/18045. S2CID 106731482. ProQuest 1733864094 – via ProQuest.

proyectoidis.org

"Revolver fotográfico | IDIS". proyectoidis.org. Retrieved 2018-11-30.

qubecinema.com

"Qube Cinema Supports Cinecolor in Its Transition to Digital Cinema in Latin America". qubecinema.com. Archived from the original on 2016-03-11. Retrieved 2017-04-03.

rollingstone.com

"How Digital Conversion Is Killing Independent Movie Theaters". Rolling Stone.

rupkatha.com

Alforova, Zoya; Marchenko, Serhii; Kot, Halyna; Medvedieva, Alla; Moussienko, Oksana (December 31, 2021). "Impact of Digital Technologies on the Development of Modern Film Production and Television" (PDF). Rupkatha Journal on Interdisciplinary Studies in Humanities. 13 (4). doi:10.21659/rupkatha.v13n4.72. S2CID 245780495.

scienceandmediamuseum.org.uk

blog.scienceandmediamuseum.org.uk

Hughes, Beth. "We have discovered the world's first colour moving pictures", National Science and Media Museum blog, 12 September 2012. Retrieved on 1 May 2020.
National Science and Media Museum. "The first colour moving pictures: a timeline", National Science and Media Museum blog, 29 September 2012. Retrieved on 1 May 2020.

scienceandmediamuseum.org.uk

"Robert Paul and the race to invent cinema", National Science and Media Museum, 22 January 2020. Retrieved on 1 May 2020.

sciencemuseumgroup.org.uk

collection.sciencemuseumgroup.org.uk

"Theatrograph Projector No 2 Mark 1", Science Museum Group Collection. Retrieved on 1 May 2020.

semanticscholar.org

api.semanticscholar.org

Alforova, Zoya; Marchenko, Serhii; Kot, Halyna; Medvedieva, Alla; Moussienko, Oksana (December 31, 2021). "Impact of Digital Technologies on the Development of Modern Film Production and Television" (PDF). Rupkatha Journal on Interdisciplinary Studies in Humanities. 13 (4). doi:10.21659/rupkatha.v13n4.72. S2CID 245780495.
Brown, William; Ng, Jenna (2012). "Avatar: Stereoscopic Cinema, Gaseous Perception and Darkness". Animation. 7 (3): 259–271. doi:10.1177/1746847712456254. S2CID 191623277 – via SAGE Journals.
Sobieraj, Sabrina; Kramer, Nicole C. (October 2014). "Do 3D Moviegoers Enjoy Screenings More than 2D Moviegoers?—On the Impact of 3D Fantasy Movie Perception on Enjoyment". Presence: Teleoperators & Virtual Environments. 23 (4): 440–448. doi:10.1162/PRES_a_00210. S2CID 45614699 – via EBSCOhost.
Brown, Simon (2013). "From novelty to normal: 3DTV as special effect". Critical Studies in Television. 8 (3): 33–46. doi:10.7227/CST.8.3.4. S2CID 143003727 – via Gale Academic Onefile.
Higgins, Scott (April 2012). "3D in depth: Coraline, Hugo, and a sustainable aesthetic". Film History. 24 (2): 196. doi:10.2979/filmhistory.24.2.196. S2CID 191488144 – via Gale Academic Onefile.
Belton, John (2012). "Digital 3D cinema: digital cinema's missing novelty phase". Film History. 24 (2): 187. doi:10.2979/filmhistory.24.2.187. S2CID 191964736.
Efrat, Netalee; Didyk, Piotr; Foshey, Mike; Matusik, Woijciech; Levin, Anat (July 2016). "Cinema 3D: large scale automultiscopic display". ACM Transactions on Graphics. 35 (4): 1–12. doi:10.1145/2897824.2925921. hdl:1721.1/111082. S2CID 8196132.
Jackman, Anna Hamilton (2015). "3-D cinema: immersive media technology". GeoJournal. 80 (6): 853–866. Bibcode:2015GeoJo..80..853J. doi:10.1007/s10708-015-9651-5. hdl:10871/18045. S2CID 106731482. ProQuest 1733864094 – via ProQuest.
Terlutter, Ralf; Diehl, Sandra; Koinig, Isabell; Waiguny, Martin K.J (October 2016). "Positive or Negative Effects of Technology Enhancement for Brand Placements? Memory of Brand Placements in 2D, 3D and 4D movies". Media Psychology. 19 (4): 505–533. doi:10.1080/15213269.2016.1142377. S2CID 147421295 – via EBSCOhost.

shmuplations.com

Kasco and the Electro-Mechanical Golden Age (Interview), Classic Videogame Station ODYSSEY, 2001

st-andrews.ac.uk

research-repository.st-andrews.ac.uk

Cowan, Michael (2018). "Interactive media and imperial subjects" (PDF). NECSUS. European Journal of Media Studies. 7 (1): 19.

stephenherbert.co.uk

"Compleat Eadweard Muybridge - Zoetropes".

thebioscope.net

"Colourful stories no. 11 – Kinemacolor in America". June 15, 2008.

theoptilogue.wordpress.com

"A film screening in 1890? And, Up in a Balloon (Maybe). William Friese-Greene: Close-Up, Part 5". The Optilogue. 2022-05-14. Retrieved 2022-05-14.

uspto.gov

pdfpiw.uspto.gov

"Method of and apparatus for producing animated pictures of natural scenery and life". 10 January 1888. Retrieved 29 December 2017.

variety.com

Leo Barraclough (June 23, 2013). "Digital Cinema Conversion Nears End Game". Variety.

victorian-cinema.net

"Wordsworth Donisthorpe: British inventor and political activist". Retrieved 2012-12-17.

web.archive.org

"Up the Nile with Francis Frith" (PDF). Archived from the original (PDF) on 2019-12-30.
BBC Education – Local Heroes Le Prince Biography, BBC, archived on 1999-11-28
"Pioneers of Early Cinema: Louis Aimé Augustin Le Prince (1841-1890?)" (PDF). Archived (PDF) from the original on 2018-04-11.
British Patent (B.P.) no. 6,202 (1899), 22 March 1899, 'Means for taking and exhibiting cinematographic pictures'. http://www.brianpritchard.com/GB189906202A.pdf Archived 21 May 2013 at the Wayback Machine
"Qube Cinema Supports Cinecolor in Its Transition to Digital Cinema in Latin America". qubecinema.com. Archived from the original on 2016-03-11. Retrieved 2017-04-03.
Michael Hurley (2 January 2014). "Studios Abandon Film, Small Theaters Struggle – And There's a happy ending – Indiewire". Indiewire. Archived from the original on 2016-02-01.

widescreenmuseum.com

"kinemacolor-book1". www.widescreenmuseum.com.
Gaumont Chronochrome at the WideScreen Museum. Retrieved 24 June 2016.
Hart, Martin (2003). "The History of Technicolor" Widescreenmuseum.com. Retrieved 2006-07-07.

wikidata.org

Salvage Operations of S.S. Oceana Produced by the Natural Colour Kinematograph Co., Brighton at IMDb

worldcat.org

search.worldcat.org

Aulas, Jean-Jacques; Pfend, Jacques (2000-12-01). "Louis Aimé Augustin Leprince, inventeur et artiste, précurseur du cinéma". 1895. Mille Huit Cent Quatre-vingt-quinze (in French). 32 (32): 9–74. doi:10.4000/1895.110. ISSN 0769-0959.

youtube.com

"1874 Pierre Jules César Janssen - Passage artificiel de Venus sur le Soleil". Magical Motion Museum - YouTube channel. 5 May 2012.
"1886 Ottomar Anschütz - "Elektrischer Schnellseher"". YouTube. 22 October 2011.

History of film technology (English Wikipedia)

ablongman.com

academia.edu

archive.org

billjayonphotography.com

bnf.fr

gallica.bnf.fr

books.google.com

brianpritchard.com

docs.google.com

doi.org

esc.edu

go-gale-com.library.esc.edu

web-p-ebscohost-com.library.esc.edu

journals-sagepub-com.library.esc.edu

espacenet.com

worldwide.espacenet.com

filmcolors.org

gamestudies.org

handle.net

hdl.handle.net

harvard.edu

ui.adsabs.harvard.edu

hathitrust.org

babel.hathitrust.org

imdb.com

indiewire.com

meiermovies.com

newspapers.com

nih.gov

ncbi.nlm.nih.gov

pubmed.ncbi.nlm.nih.gov

nla.gov.au

webarchive.nla.gov.au

onb.ac.at

anno.onb.ac.at

ottomar-anschuetz.de

patents.google.com

precinemahistory.net

proquest.com

proyectoidis.org

qubecinema.com

rollingstone.com

rupkatha.com

scienceandmediamuseum.org.uk

blog.scienceandmediamuseum.org.uk

scienceandmediamuseum.org.uk

sciencemuseumgroup.org.uk

collection.sciencemuseumgroup.org.uk

semanticscholar.org

api.semanticscholar.org

shmuplations.com

st-andrews.ac.uk

research-repository.st-andrews.ac.uk

stephenherbert.co.uk

thebioscope.net

theoptilogue.wordpress.com

uspto.gov

pdfpiw.uspto.gov

variety.com

victorian-cinema.net

web.archive.org

widescreenmuseum.com

wikidata.org

worldcat.org

search.worldcat.org

youtube.com