Hockney–Falco thesis (English Wikipedia)

Falco, Charles (2000-01-01). "Optical Insights into Renaissance Art". Optics and Photonics News. Archived from the original on 2024-12-13. Retrieved 2024-08-20.

adsabs.harvard.edu (Global: 14^th place; English: 9^th place)

ui.adsabs.harvard.edu

Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature. 440 (7081): 134. Bibcode:2006Natur.440..134D. doi:10.1038/440134a. PMID 16525432.
Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American. 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. doi:10.1038/scientificamerican1204-76. PMID 15597983.

archive.org (Global: 6^th place; English: 6^th place)

Ilardi, Vincent (2007). Renaissance Vision, From Spectacles to Telescopes. Memoirs of the American Philosophical Society. American Philosophical Society. pp. 197–9. ISBN 978-0-87169-259-7.

arizona.edu (Global: 1,520^th place; English: 1,044^th place)

fp.optics.arizona.edu

Falco, Charles M. (2015). "The Hockney-Falco Thesis". Art-Optics. Archived from the original on 31 October 2015. Retrieved 18 April 2024.

optics.arizona.edu

Charles Falco. "Objections". Archived from the original on June 25, 2009. Retrieved April 2, 2008.

bnf.fr (Global: 61^st place; English: 357^th place)

gallica.bnf.fr

Jombert, Charles-Antoine (1755). Méthode pour apprendre le dessein (in French). pp. 138–139.

books.google.com (Global: 3^rd place; English: 3^rd place)

Ihde, Don (2008). "Art Precedes Science: or Did the Camera Obscura Invent Modern Science?". In Schramm, Helmar; Schwarte, Ludger; Lazardzig, Jan (eds.). Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century. Walter de Gruyter. pp. 384–393. ISBN 978-3-11-020240-3.
Crombie, Alistair Cameron (1990-01-01). Science, Optics, and Music in Medieval and Early Modern Thought. A&C Black. p. 204. ISBN 978-0-907628-79-8. Archived from the original on 2024-12-13. Retrieved 2024-08-27.
Huerta, Robert D. (2003). Giants of Delft: Johannes Vermeer and the Natural Philosophers : the Parallel Search for Knowledge During the Age of Discovery. Bucknell University Press. ISBN 978-0-8387-5538-9. the book mentions various (previous) studies stating a broad use of technology in the Renaissance and does not refer to the hypothesis and the hype around it at all
Hicks, Carola (2011). Girl in a Green Gown: The History and Mystery of the Arnolfini Portrait. London: Chatto & Windus. ISBN 9780099526896.
Pendergrast, Mark (2009) [2003]. Mirror Mirror: A History of the Human Love Affair with Reflection. Basic Books. ISBN 978-0-7867-2990-6.
Depoorter, Matthias; Abeele, Lieven Van den (2020). Van Eyck: An Optical Revolution. Museum of Fine Arts Ghent. ISBN 978-90-829371-3-8. Archived from the original on 2026-01-03. Retrieved 2024-08-27.

diatrope.com (Global: low place; English: low place)

Stork, David G. "Computer vision and image analysis in the study of art". diatrope.com. Archived from the original on 2023-06-02. Retrieved 2024-04-18.
Christopher W. Tyler, "Rosetta Stoned?" Diatrope.com Archived 2007-09-29 at the Wayback Machine

doi.org (Global: 2^nd place; English: 2^nd place)

Camerota, Filippo (2005). "Looking for an Artificical Eye: On the Borderline between Painting and Topography". Early Science and Medicine. 10 (2): 263–285. doi:10.1163/1573382054088105. ISSN 1383-7427. JSTOR 4130313.
Tsuji, Shigeru (1990). "Brunelleschi and the Camera Obscura: The Discovery of Pictorial Perspective: Art History". Art History. 13 (3): 276. doi:10.1111/j.1467-8365.1990.tb00397.x.
Falco, Charles M. (2007). "Ibn al-Haytham and the Origins of Modern Image Analysis". 9th International Symposium on Signal Processing and Its Applications, 2007. ISSPA 2007. IEEE. pp. 1–2. doi:10.1109/ISSPA.2007.4555635. ISBN 978-1-4244-0778-1. S2CID 25079525.
Partner, Jane (2002). "Review: David Hockney: Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters". Cambridge Quarterly. 31 (4): 345–9. doi:10.1093/camqtly/31.4.345.
Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature. 440 (7081): 134. Bibcode:2006Natur.440..134D. doi:10.1038/440134a. PMID 16525432.
Stork, David G.; Duarte, Marco (2007). "Revisiting computer vision and art". IEEE MultiMedia. 14 (3): 108–9. doi:10.1109/MMUL.2007.62. S2CID 12468200.
Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American. 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. doi:10.1038/scientificamerican1204-76. PMID 15597983.
Dupré, Sven (2005). "Introduction. The Hockney–Falco Thesis: Constraints and Opportunities". Early Science and Medicine. 10 (2): 125–136. doi:10.1163/1573382054088141. JSTOR 4130307. pp. 128–135; quotation from p. 131
Schechner, Sara J. (2005). "Between Knowing and Doing: Mirrors and their Imperfections in the Renaissance". Early Science and Medicine. 10 (2): 137–162. doi:10.1163/1573382054088187. JSTOR 4130308.

imdb.com (Global: 22^nd place; English: 33^rd place)

David Hockney: Secret Knowledge (TV Movie 2002) - IMDb. Retrieved 2024-08-20 – via www.imdb.com.

independent.co.uk (Global: 46^th place; English: 29^th place)

"Arts: Did Ingres use a camera?". The Independent. 1999-06-24. Archived from the original on 2024-08-16. Retrieved 2024-08-16.

jstor.org (Global: 23^rd place; English: 15^th place)

Camerota, Filippo (2005). "Looking for an Artificical Eye: On the Borderline between Painting and Topography". Early Science and Medicine. 10 (2): 263–285. doi:10.1163/1573382054088105. ISSN 1383-7427. JSTOR 4130313.
Dupré, Sven (2005). "Introduction. The Hockney–Falco Thesis: Constraints and Opportunities". Early Science and Medicine. 10 (2): 125–136. doi:10.1163/1573382054088141. JSTOR 4130307. pp. 128–135; quotation from p. 131
Schechner, Sara J. (2005). "Between Knowing and Doing: Mirrors and their Imperfections in the Renaissance". Early Science and Medicine. 10 (2): 137–162. doi:10.1163/1573382054088187. JSTOR 4130308.

mskgent.be (Global: low place; English: low place)

"Van Eyck. An Optical Revolution | MSK Gent". www.mskgent.be. Retrieved 2024-08-23.

nih.gov (Global: 5^th place; English: 5^th place)

pubmed.ncbi.nlm.nih.gov

Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature. 440 (7081): 134. Bibcode:2006Natur.440..134D. doi:10.1038/440134a. PMID 16525432.
Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American. 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. doi:10.1038/scientificamerican1204-76. PMID 15597983.

nytimes.com (Global: 7^th place; English: 7^th place)

Yin, Steph (July 13, 2016). "The Mirrors Behind Rembrandt's Self-Portraits". The New York Times. Retrieved 2018-10-18.

oup.com (Global: 292^nd place; English: 233^rd place)

academic.oup.com

Tsuji, Shigeru (1990). "Brunelleschi and the Camera Obscura: The Discovery of Pictorial Perspective: Art History". Art History. 13 (3): 276. doi:10.1111/j.1467-8365.1990.tb00397.x.

ricoh.com (Global: low place; English: low place)

rii.ricoh.com

Criminisi, Antonio; Stork, David G. (2004). "Did the great masters use optical projections while painting? Perspective comparison of paintings and photographs of Renaissance chandeliers". In Kittler, J.; Petrou, M.; Nixon, M.S. (eds.). Proceedings of the 17th International Conference on Pattern Recognition (PDF). Vol. 4. IEEE. pp. 645–8. ISBN 978-0769521282. Archived from the original (PDF) on 2006-12-29.

semanticscholar.org (Global: 15^th place; English: 8^th place)

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Falco, Charles M. (2007). "Ibn al-Haytham and the Origins of Modern Image Analysis". 9th International Symposium on Signal Processing and Its Applications, 2007. ISSPA 2007. IEEE. pp. 1–2. doi:10.1109/ISSPA.2007.4555635. ISBN 978-1-4244-0778-1. S2CID 25079525.
Stork, David G.; Duarte, Marco (2007). "Revisiting computer vision and art". IEEE MultiMedia. 14 (3): 108–9. doi:10.1109/MMUL.2007.62. S2CID 12468200.

web.archive.org (Global: 1^st place; English: 1^st place)

Crombie, Alistair Cameron (1990-01-01). Science, Optics, and Music in Medieval and Early Modern Thought. A&C Black. p. 204. ISBN 978-0-907628-79-8. Archived from the original on 2024-12-13. Retrieved 2024-08-27.
"Caravaggio and optics - Roberta Lapucci: 9788887815405 - AbeBooks". www.abebooks.co.uk. Archived from the original on 2024-08-21. Retrieved 2024-08-21.
"Arts: Did Ingres use a camera?". The Independent. 1999-06-24. Archived from the original on 2024-08-16. Retrieved 2024-08-16.
Falco, Charles (2000-01-01). "Optical Insights into Renaissance Art". Optics and Photonics News. Archived from the original on 2024-12-13. Retrieved 2024-08-20.
Falco, Charles M. (2015). "The Hockney-Falco Thesis". Art-Optics. Archived from the original on 31 October 2015. Retrieved 18 April 2024.
Criminisi, Antonio; Stork, David G. (2004). "Did the great masters use optical projections while painting? Perspective comparison of paintings and photographs of Renaissance chandeliers". In Kittler, J.; Petrou, M.; Nixon, M.S. (eds.). Proceedings of the 17th International Conference on Pattern Recognition (PDF). Vol. 4. IEEE. pp. 645–8. ISBN 978-0769521282. Archived from the original (PDF) on 2006-12-29.
Stork, David G. "Computer vision and image analysis in the study of art". diatrope.com. Archived from the original on 2023-06-02. Retrieved 2024-04-18.
Christopher W. Tyler, "Rosetta Stoned?" Diatrope.com Archived 2007-09-29 at the Wayback Machine
Charles Falco. "Objections". Archived from the original on June 25, 2009. Retrieved April 2, 2008.
Depoorter, Matthias; Abeele, Lieven Van den (2020). Van Eyck: An Optical Revolution. Museum of Fine Arts Ghent. ISBN 978-90-829371-3-8. Archived from the original on 2026-01-03. Retrieved 2024-08-27.

worldcat.org (Global: 4^th place; English: 4^th place)

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Camerota, Filippo (2005). "Looking for an Artificical Eye: On the Borderline between Painting and Topography". Early Science and Medicine. 10 (2): 263–285. doi:10.1163/1573382054088105. ISSN 1383-7427. JSTOR 4130313.

Hockney–Falco thesis (English Wikipedia)

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