Hockney–Falco thesis (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Hockney–Falco thesis" in English language version.

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8doi.org

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2semanticscholar.org

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2diatrope.com

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2harvard.edu

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2arizona.edu

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1imdb.com

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1mskgent.be

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abebooks.co.uk

"Caravaggio and optics - Roberta Lapucci: 9788887815405 - AbeBooks". www.abebooks.co.uk. Retrieved 2024-08-21.

academia.edu

Falco, Charles (2000-01-01). "Optical Insights into Renaissance Art". Optics and Photonics News.

archive.org

Ilardi, Vincent (2007). Renaissance Vision, From Spectacles to Telescopes. Memoirs of the American Philosophical Society. American Philosophical Society. pp. 197–9. ISBN 978-0-87169-259-7.

arizona.edu

fp.optics.arizona.edu

Falco, Charles M. (2015). "The Hockney-Falco Thesis". Art-Optics. Archived from the original on 31 October 2015. Retrieved 18 April 2024.

optics.arizona.edu

Charles Falco. "Objections". Archived from the original on June 25, 2009. Retrieved April 2, 2008.

bnf.fr

gallica.bnf.fr

Jombert, Charles-Antoine (1755). Méthode pour apprendre le dessein (in French). pp. 138–139.

books.google.com

Ihde, Don (2008). "Art Precedes Science: or Did the Camera Obscura Invent Modern Science?". In Schramm, Helmar; Schwarte, Ludger; Lazardzig, Jan (eds.). Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century. Walter de Gruyter. pp. 384–393. ISBN 978-3-11-020240-3.
Crombie, Alistair Cameron (1990-01-01). Science, Optics, and Music in Medieval and Early Modern Thought. A&C Black. p. 204. ISBN 978-0-907628-79-8.
Huerta, Robert D. (2003). Giants of Delft: Johannes Vermeer and the Natural Philosophers : the Parallel Search for Knowledge During the Age of Discovery. Bucknell University Press. ISBN 978-0-8387-5538-9. the book mentions various (previous) studies stating a broad use of technology in the Renaissance and does not refer to the hypothesis and the hype around it at all
Hicks, Carola (2011). Girl in a Green Gown: The History and Mystery of the Arnolfini Portrait. London: Chatto & Windus. ISBN 9780099526896.
Pendergrast, Mark (2009) [2003]. Mirror Mirror: A History of the Human Love Affair with Reflection. Basic Books. ISBN 978-0-7867-2990-6.
Depoorter, Matthias; Abeele, Lieven Van den (2020). Van Eyck: An Optical Revolution. Museum of Fine Arts Ghent.

diatrope.com

Stork, David G. "Computer vision and image analysis in the study of art". diatrope.com. Archived from the original on 2023-06-02. Retrieved 2024-04-18.
Christopher W. Tyler, "Rosetta Stoned?" Diatrope.com Archived 2007-09-29 at the Wayback Machine

doi.org

Tsuji, Shigeru (1990). "Brunelleschi and the Camera Obscura: The Discovery of Pictorial Perspective: Art History". Art History. 13 (3): 276. doi:10.1111/j.1467-8365.1990.tb00397.x.
Falco, Charles M. (2007). "Ibn al-Haytham and the Origins of Modern Image Analysis". 9th International Symposium on Signal Processing and Its Applications, 2007. ISSPA 2007. IEEE. pp. 1–2. doi:10.1109/ISSPA.2007.4555635. ISBN 978-1-4244-0778-1. S2CID 25079525.
Partner, Jane (2002). "Review: David Hockney: Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters". Cambridge Quarterly. 31 (4): 345–9. doi:10.1093/camqtly/31.4.345.
Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature. 440 (7081): 134. Bibcode:2006Natur.440..134D. doi:10.1038/440134a. PMID 16525432.
Stork, David G.; Duarte, Marco (2007). "Revisiting computer vision and art". IEEE MultiMedia. 14 (3): 108–9. doi:10.1109/MMUL.2007.62. S2CID 12468200.
Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American. 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. doi:10.1038/scientificamerican1204-76. PMID 15597983.
Dupré, Sven (2005). "Introduction. The Hockney–Falco Thesis: Constraints and Opportunities". Early Science and Medicine. 10 (2): 125–136. doi:10.1163/1573382054088141. JSTOR 4130307. pp. 128–135; quotation from p. 131
Schechner, Sara J. (2005). "Between Knowing and Doing: Mirrors and their Imperfections in the Renaissance". Early Science and Medicine. 10 (2): 137–162. doi:10.1163/1573382054088187. JSTOR 4130308.

harvard.edu

ui.adsabs.harvard.edu

Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature. 440 (7081): 134. Bibcode:2006Natur.440..134D. doi:10.1038/440134a. PMID 16525432.
Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American. 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. doi:10.1038/scientificamerican1204-76. PMID 15597983.

imdb.com

David Hockney: Secret Knowledge (TV Movie 2002) - IMDb. Retrieved 2024-08-20 – via www.imdb.com.

independent.co.uk

"Arts: Did Ingres use a camera?". The Independent. 1999-06-24. Retrieved 2024-08-16.

jstor.org

Camerota, Filippo (2005). "Looking for an Artificical Eye: On the Borderline between Painting and Topography". Early Science and Medicine. 10 (2): 263–285. ISSN 1383-7427. JSTOR 4130313.
Dupré, Sven (2005). "Introduction. The Hockney–Falco Thesis: Constraints and Opportunities". Early Science and Medicine. 10 (2): 125–136. doi:10.1163/1573382054088141. JSTOR 4130307. pp. 128–135; quotation from p. 131
Schechner, Sara J. (2005). "Between Knowing and Doing: Mirrors and their Imperfections in the Renaissance". Early Science and Medicine. 10 (2): 137–162. doi:10.1163/1573382054088187. JSTOR 4130308.

mskgent.be

"Van Eyck. An Optical Revolution | MSK Gent". www.mskgent.be. Retrieved 2024-08-23.

nih.gov

pubmed.ncbi.nlm.nih.gov

Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature. 440 (7081): 134. Bibcode:2006Natur.440..134D. doi:10.1038/440134a. PMID 16525432.
Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American. 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. doi:10.1038/scientificamerican1204-76. PMID 15597983.

nytimes.com

Yin, Steph (July 13, 2016). "The Mirrors Behind Rembrandt's Self-Portraits". The New York Times. Retrieved 2018-10-18.

oup.com

academic.oup.com

Tsuji, Shigeru (1990). "Brunelleschi and the Camera Obscura: The Discovery of Pictorial Perspective: Art History". Art History. 13 (3): 276. doi:10.1111/j.1467-8365.1990.tb00397.x.

ricoh.com

rii.ricoh.com

Criminisi, Antonio; Stork, David G. (2004). "Did the great masters use optical projections while painting? Perspective comparison of paintings and photographs of Renaissance chandeliers". In Kittler, J.; Petrou, M.; Nixon, M.S. (eds.). Proceedings of the 17th International Conference on Pattern Recognition (PDF). Vol. 4. IEEE. pp. 645–8. ISBN 978-0769521282. Archived from the original (PDF) on 2006-12-29.

semanticscholar.org

api.semanticscholar.org

Falco, Charles M. (2007). "Ibn al-Haytham and the Origins of Modern Image Analysis". 9th International Symposium on Signal Processing and Its Applications, 2007. ISSPA 2007. IEEE. pp. 1–2. doi:10.1109/ISSPA.2007.4555635. ISBN 978-1-4244-0778-1. S2CID 25079525.
Stork, David G.; Duarte, Marco (2007). "Revisiting computer vision and art". IEEE MultiMedia. 14 (3): 108–9. doi:10.1109/MMUL.2007.62. S2CID 12468200.

web.archive.org

Falco, Charles M. (2015). "The Hockney-Falco Thesis". Art-Optics. Archived from the original on 31 October 2015. Retrieved 18 April 2024.
Criminisi, Antonio; Stork, David G. (2004). "Did the great masters use optical projections while painting? Perspective comparison of paintings and photographs of Renaissance chandeliers". In Kittler, J.; Petrou, M.; Nixon, M.S. (eds.). Proceedings of the 17th International Conference on Pattern Recognition (PDF). Vol. 4. IEEE. pp. 645–8. ISBN 978-0769521282. Archived from the original (PDF) on 2006-12-29.
Stork, David G. "Computer vision and image analysis in the study of art". diatrope.com. Archived from the original on 2023-06-02. Retrieved 2024-04-18.
Christopher W. Tyler, "Rosetta Stoned?" Diatrope.com Archived 2007-09-29 at the Wayback Machine
Charles Falco. "Objections". Archived from the original on June 25, 2009. Retrieved April 2, 2008.

worldcat.org

search.worldcat.org

Camerota, Filippo (2005). "Looking for an Artificical Eye: On the Borderline between Painting and Topography". Early Science and Medicine. 10 (2): 263–285. ISSN 1383-7427. JSTOR 4130313.