Horror film (English Wikipedia)

Rithdee, Kong. "Into the devil's lair". Bangkok Post. Retrieved 19 January 2022.
"Give it up for the ghost". Bangkok Post. Retrieved 5 October 2023.

bbc.com

Barber, Nicholas. "Is horror the most disrespected genre?". BBC. Retrieved 20 December 2021.

berghahnjournals.com

Hasson, Uri; Landesman, Ohad; Knappmeyer, Barbara; Vallines, Ignacio; Rubin, Nava; Heeger, David J. (1 June 2008). "Neurocinematics: The Neuroscience of Film". Projections. 2 (1): 1–26. doi:10.3167/proj.2008.020102. ISSN 1934-9696. S2CID 5680951.

bloody-disgusting.com

Topel, Fred (29 January 2019). "What 'Memory: The Origins of Alien' Reveals About the Sexual Metaphors in the 1979 Film [Interview]". Bloody Disgusting!. Retrieved 22 October 2023.

books.google.com

Lerner, Neil (16 December 2009). Music in the Horror Film: Listening to Fear. Routledge. ISBN 978-1-135-28044-4.
Richards, Andy (21 October 2010). Asian Horror. Oldcastle Books. ISBN 978-1-84243-408-6.
Endres, Kirsten W.; Lauser, Andrea (1 March 2012). Engaging the Spirit World: Popular Beliefs and Practices in Modern Southeast Asia. Berghahn Books. ISBN 978-0-85745-359-4.
Green, Doyle (2005). Mexploitation Cinema: A Critical History of Mexican Vampire, Wrestler, Ape-Man and similar films, 1957-1977. McFarland & Company, Inc. ISBN 0-7864-2201-7.

collider.com

"From 'The Exorcist' to 'Saint Maud': 8 of The Best Religious Horror Movies". Collider. 24 June 2022. Retrieved 30 June 2023.

dnaindia.com

Salvi 2018. Salvi, Pooja (28 October 2018). "Have you ever wondered what the Ramsays are doing? We find out". DNA India.

doi.org

Kuhn, Annette; Westwell, Guy (20 December 2012), "horror film", A Dictionary of Film Studies, Oxford University Press, doi:10.1093/acref/9780199587261.001.0001, ISBN 978-0-19-958726-1, retrieved 20 December 2021
Jancovich 2000, p. 31-32. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 25-26. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 26-27. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 28. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Lizardi, Ryan (31 August 2010). "'Re-Imagining' Hegemony and Misogyny in the Contemporary Slasher Remake". Journal of Popular Film and Television. 38 (3): 113–121. doi:10.1080/01956051003623464. S2CID 191466131.
Carta, Silvio (October 2011). "Orientalism in the Documentary Representation of Culture". Visual Anthropology. 24 (5): 403–420. doi:10.1080/08949468.2011.604592. S2CID 144730190.
McRobert, Neil (November 2015). "Mimesis of Media: Found Footage Cinema and the Horror of the Real". Gothic Studies. 17 (2): 137–150. doi:10.7227/GS.17.2.9.
Hong, Seung Min (June 2010). "Redemptive Fear: A Review of Sacred Terror and Further Analyses of Religious Horror Films". The Journal of Religion and Popular Culture. 22 (2): 6. doi:10.3138/jrpc.22.2.006. ISSN 1703-289X.
Chronister, Kay (1 March 2020). "'My Mother, the Ap': Cambodian Horror Cinema and the Gothic Transformation of a Folkloric Monster". Gothic Studies. 22 (1): 98–113. doi:10.3366/gothic.2020.0040. ISSN 1362-7937. S2CID 216404862.
Ainslie, Mary J. (2016), Siddique, Sophia; Raphael, Raphael (eds.), "Towards a Southeast Asian Model of Horror: Thai Horror Cinema in Malaysia, Urbanization, and Cultural Proximity", Transnational Horror Cinema: Bodies of Excess and the Global Grotesque, London: Palgrave Macmillan UK, pp. 179–203, doi:10.1057/978-1-137-58417-5_9, ISBN 978-1-137-58417-5, retrieved 24 January 2022
Nair 2012, p. 125. Nair, Kartik (2012). "Taste, Taboo, Trash: The Story of the Ramsay Brothers". BioScope. 3 (2): 123–145. doi:10.1177/097492761200300203. S2CID 144146193.
Nair 2012, p. 123. Nair, Kartik (2012). "Taste, Taboo, Trash: The Story of the Ramsay Brothers". BioScope. 3 (2): 123–145. doi:10.1177/097492761200300203. S2CID 144146193.
Nair 2012, p. 127. Nair, Kartik (2012). "Taste, Taboo, Trash: The Story of the Ramsay Brothers". BioScope. 3 (2): 123–145. doi:10.1177/097492761200300203. S2CID 144146193.
Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post‐Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.
Jurgess 2022, p. 88. Jurgess, Todd (2022). "Videotape, Guinea Pig, and the Horror of Privacy". JCMS: Journal of Cinema and Media Studies. 61 (2). Michigan Publishing: 88–109. doi:10.1353/cj.2022.0017. S2CID 246436799.
Jurgess 2022, p. 89. Jurgess, Todd (2022). "Videotape, Guinea Pig, and the Horror of Privacy". JCMS: Journal of Cinema and Media Studies. 61 (2). Michigan Publishing: 88–109. doi:10.1353/cj.2022.0017. S2CID 246436799.
Jurgess 2022, p. 90. Jurgess, Todd (2022). "Videotape, Guinea Pig, and the Horror of Privacy". JCMS: Journal of Cinema and Media Studies. 61 (2). Michigan Publishing: 88–109. doi:10.1353/cj.2022.0017. S2CID 246436799.
Ancuta, Katarzyna (1 June 2011). "Global spectrologies: Contemporary Thai horror films and the globalization of the supernatural". Horror Studies. 2 (1): 131–144. doi:10.1386/host.2.1.131_1.
Ainslie, Mary J. (2016), Siddique, Sophia; Raphael, Raphael (eds.), "Towards a Southeast Asian Model of Horror: Thai Horror Cinema in Malaysia, Urbanization, and Cultural Proximity", Transnational Horror Cinema: Bodies of Excess and the Global Grotesque, London: Palgrave Macmillan UK, pp. 179–203, doi:10.1057/978-1-137-58417-5_9, ISBN 978-1-137-58417-5, retrieved 23 December 2021
Wynter 2016, p. 44. Wynter, Kevin (2016). "An Introduction to the Continental Horror Film". In Siddique, Sophia; Raphael, Raphael (eds.). Transnational Horror Cinema. Bodies of Excess and the Global Grotesque. Palgrave Macmillan. p. 44. doi:10.1057/978-1-137-58417-5. ISBN 978-1-137-58416-8.
Aldana Reyes, Xavier (2017). Spanish Gothic. Palgrave Macmillan. p. 201. doi:10.1057/978-1-137-30601-2. ISBN 978-1-137-30600-5.
Rodríguez Ortega, Vicente; Romero Santos, Rubén (2020). "Spanish Horror Film: Genre, Television and a New Model of Production". In Lewis, I.; Canning, L. (eds.). European Cinema in the Twenty-First Century. p. 331. doi:10.1007/978-3-030-33436-9_18. ISBN 978-3-030-33435-2. S2CID 219469402.
Flores, Silvana (2018). "Entre monstruos, leyendas ancestrales y luchadores populares: La inserción del Santo en el cine fantástico mexicano". Secuencias. Madrid: UAM Ediciones: 17. doi:10.15366/secuencias2018.48.001 (inactive 31 January 2024). hdl:10486/690219. ISSN 1134-6795. S2CID 213113335.{{cite journal}}: CS1 maint: DOI inactive as of January 2024 (link)
Hasson, Uri; Landesman, Ohad; Knappmeyer, Barbara; Vallines, Ignacio; Rubin, Nava; Heeger, David J. (1 June 2008). "Neurocinematics: The Neuroscience of Film". Projections. 2 (1): 1–26. doi:10.3167/proj.2008.020102. ISSN 1934-9696. S2CID 5680951.
Millar, Becky; Lee, Jonny (1 July 2021). "Horror Films and Grief". Emotion Review. 13 (3): 171–182. doi:10.1177/17540739211022815. ISSN 1754-0739. S2CID 235779574.
Bonanca, Iris; Caetano, Marlene; Castelo Branco, NunoA.A.; Ferraria, Renata; Graca, Andreia; Jorge, Ana; Mendes, Ana P; Oliveira, Nadia; Santos, Carolina; Alves-Pereira, Mariana (2014). "Voice acoustic profile of males exposed to occupational infrasound and low-frequency noise". Journal of Laryngology and Voice. 4 (1): 12. doi:10.4103/2230-9748.141460. hdl:10400.26/14507. S2CID 53399379.
Baliatsas, Christos; van Kamp, Irene; van Poll, Ric; Yzermans, Joris (July 2016). "Health effects from low-frequency noise and infrasound in the general population: Is it time to listen? A systematic review of observational studies". Science of the Total Environment. 557–558: 163–169. Bibcode:2016ScTEn.557..163B. doi:10.1016/j.scitotenv.2016.03.065. PMID 26994804.
Prete, Giulia; Fabri, Mara; Foschi, Nicoletta; Brancucci, Alfredo; Tommasi, Luca (4 May 2015). "The 'consonance effect' and the hemispheres: A study on a split-brain patient". Laterality: Asymmetries of Body, Brain and Cognition. 20 (3): 257–269. doi:10.1080/1357650X.2014.959525. PMID 25256169. S2CID 31138548.
Dellacherie, Delphine; Roy, Mathieu; Hugueville, Laurent; Peretz, Isabelle; Samson, Séverine (March 2011). "The effect of musical experience on emotional self-reports and psychophysiological responses to dissonance: Psychophysiology of musical emotion". Psychophysiology. 48 (3): 337–349. doi:10.1111/j.1469-8986.2010.01075.x. PMID 20701708.
Hantke 2007. Hantke, Steffan (2007). "Academic Film Criticism, the Rhetoric of Crisis, and the Current State of American Horror Cinema: Thoughts on Canonicity and Academic Anxiety". College Literature. 34 (4): 191–202. doi:10.1353/lit.2007.0045. S2CID 170518242.
Linz, Daniel G.; Donnerstein, Edward; Penrod, Steven (1988). "Effects of long-term exposure to violent and sexually degrading depictions of women". Journal of Personality and Social Psychology. 55 (5): 758–768. doi:10.1037/0022-3514.55.5.758. ISSN 1939-1315. PMID 3210143.
Clover, Carol J. (1 October 1987). "Her Body, Himself: Gender in the Slasher Film". Representations. 20 (20): 187–228. doi:10.2307/2928507. ISSN 0734-6018. JSTOR 2928507.
Nowell, Richard (2011). "'There's More Than One Way to Lose Your Heart': The American Film Industry, Early Teen Slasher Films, and Female Youth". Cinema Journal. 51 (1): 115–140. doi:10.1353/cj.2011.0073. JSTOR 41342285. S2CID 144874450. Gale A277106285.
Sutton, Travis (9 September 2014), Benshoff, Harry M. (ed.), "Avenging the Body: Disability in the Horror Film", A Companion to the Horror Film (1 ed.), Wiley, pp. 73–89, doi:10.1002/9781118883648.ch5, ISBN 978-0-470-67260-0, retrieved 30 September 2022
Kermode, Mark (2001). "The British censors and horror cinema". In Steve Chibnall, Julian Petley (ed.). British Horror Cinema. Routledge. doi:10.4324/9780203996768. ISBN 978-0-203-99676-8. Retrieved 22 December 2021.
Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post-Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.

elpais.com

Gallón, Angélica (26 August 2022). "¿Qué dice de México que sea el primer país del mundo que más cine de terror consume?". El País.

euppublishing.com

Chronister, Kay (1 March 2020). "'My Mother, the Ap': Cambodian Horror Cinema and the Gothic Transformation of a Folkloric Monster". Gothic Studies. 22 (1): 98–113. doi:10.3366/gothic.2020.0040. ISSN 1362-7937. S2CID 216404862.

ew.com

Spines, Christine. "Chicks dig scary movies". Entertainment Weekly. Retrieved 15 April 2012.

faroutmagazine.co.uk

"The sexual undertones of Clive Barker's 'Hellraiser'". faroutmagazine.co.uk. 1 October 2022. Retrieved 22 October 2023.

firstpost.com

"Tumbbad, starring Sohum Shah, to be the first Indian movie to open Venice Film Festival's Critics' Week". Firstpost. 23 July 2018. Archived from the original on 21 August 2018. Retrieved 21 August 2018.

gale.com

go.gale.com

Nowell, Richard (2011). "'There's More Than One Way to Lose Your Heart': The American Film Industry, Early Teen Slasher Films, and Female Youth". Cinema Journal. 51 (1): 115–140. doi:10.1353/cj.2011.0073. JSTOR 41342285. S2CID 144874450. Gale A277106285.

handle.net

hdl.handle.net

Flores, Silvana (2018). "Entre monstruos, leyendas ancestrales y luchadores populares: La inserción del Santo en el cine fantástico mexicano". Secuencias. Madrid: UAM Ediciones: 17. doi:10.15366/secuencias2018.48.001 (inactive 31 January 2024). hdl:10486/690219. ISSN 1134-6795. S2CID 213113335.{{cite journal}}: CS1 maint: DOI inactive as of January 2024 (link)
Bonanca, Iris; Caetano, Marlene; Castelo Branco, NunoA.A.; Ferraria, Renata; Graca, Andreia; Jorge, Ana; Mendes, Ana P; Oliveira, Nadia; Santos, Carolina; Alves-Pereira, Mariana (2014). "Voice acoustic profile of males exposed to occupational infrasound and low-frequency noise". Journal of Laryngology and Voice. 4 (1): 12. doi:10.4103/2230-9748.141460. hdl:10400.26/14507. S2CID 53399379.

harvard.edu

ui.adsabs.harvard.edu

Baliatsas, Christos; van Kamp, Irene; van Poll, Ric; Yzermans, Joris (July 2016). "Health effects from low-frequency noise and infrasound in the general population: Is it time to listen? A systematic review of observational studies". Science of the Total Environment. 557–558: 163–169. Bibcode:2016ScTEn.557..163B. doi:10.1016/j.scitotenv.2016.03.065. PMID 26994804.

hollywoodreporter.com

Newby, Richard (21 December 2018). "The Strange Appeal of Christmas Horror". The Hollywood Reporter. Archived from the original on 3 December 2023. Retrieved 3 December 2023.
Durkan, Deirdre (1 March 2018). "'Jaws' to 'Get Out': The Only 6 Horror Films Ever Nominated for Oscar's Best Picture". The Hollywood Reporter. Retrieved 20 December 2021.

independent.co.uk

"Film censorship: How moral panic led to a mass ban of 'video nasties'". The Independent. 11 July 2014. Retrieved 22 December 2021.

indiewire.com

Nguyen 2018. Nguyen, Hanh (31 December 2018). "'One Cut of the Dead': A Bootleg of the Japanese Zombie Comedy Mysteriously Appeared on Amazon". IndieWire. Retrieved 2 March 2019.

ingentaconnect.com

Ancuta, Katarzyna (1 June 2011). "Global spectrologies: Contemporary Thai horror films and the globalization of the supernatural". Horror Studies. 2 (1): 131–144. doi:10.1386/host.2.1.131_1.

irishtimes.com

Murphy, Bernice M. "Beyond Midsommar: 'folk horror' in popular fiction". The Irish Times. Retrieved 12 November 2019.

jstor.org

Clover, Carol J. (1 October 1987). "Her Body, Himself: Gender in the Slasher Film". Representations. 20 (20): 187–228. doi:10.2307/2928507. ISSN 0734-6018. JSTOR 2928507.
Nowell, Richard (2011). "'There's More Than One Way to Lose Your Heart': The American Film Industry, Early Teen Slasher Films, and Female Youth". Cinema Journal. 51 (1): 115–140. doi:10.1353/cj.2011.0073. JSTOR 41342285. S2CID 144874450. Gale A277106285.

daily.jstor.org

Hunt, Kristin (28 February 2018). "The End of American Film Censorship". JSTOR Daily. Retrieved 30 June 2022.

kinoeye.org

"Kinoeye | French horror: Jean Rollin - an introduction". www.kinoeye.org. Retrieved 22 October 2023.

manchesterhive.com

Ancuta, Katarzyna (1 November 2015). Ghost skins: Globalising the supernatural in contemporary Thai horror film. Manchester University Press. ISBN 978-1-5261-0297-3.

miskatonicinstitute.com

"Thai Horror Film As An Extension Of Thai Supernaturalism (LA Online)". The Miskatonic Institute of Horror Studies. Retrieved 5 October 2023.

monstrum-society.ca

Rhodes 2018b, p. 97. Rhodes, Gary D. (2018b). ""Horror Film": How the Term Came to Be" (PDF). Monstrum. 1 (1). ISSN 2561-5629. Retrieved 14 October 2022.
Rhodes 2018b, p. 98. Rhodes, Gary D. (2018b). ""Horror Film": How the Term Came to Be" (PDF). Monstrum. 1 (1). ISSN 2561-5629. Retrieved 14 October 2022.
Rhodes 2018b, p. 97-98. Rhodes, Gary D. (2018b). ""Horror Film": How the Term Came to Be" (PDF). Monstrum. 1 (1). ISSN 2561-5629. Retrieved 14 October 2022.

nih.gov

pubmed.ncbi.nlm.nih.gov

Baliatsas, Christos; van Kamp, Irene; van Poll, Ric; Yzermans, Joris (July 2016). "Health effects from low-frequency noise and infrasound in the general population: Is it time to listen? A systematic review of observational studies". Science of the Total Environment. 557–558: 163–169. Bibcode:2016ScTEn.557..163B. doi:10.1016/j.scitotenv.2016.03.065. PMID 26994804.
Prete, Giulia; Fabri, Mara; Foschi, Nicoletta; Brancucci, Alfredo; Tommasi, Luca (4 May 2015). "The 'consonance effect' and the hemispheres: A study on a split-brain patient". Laterality: Asymmetries of Body, Brain and Cognition. 20 (3): 257–269. doi:10.1080/1357650X.2014.959525. PMID 25256169. S2CID 31138548.
Dellacherie, Delphine; Roy, Mathieu; Hugueville, Laurent; Peretz, Isabelle; Samson, Séverine (March 2011). "The effect of musical experience on emotional self-reports and psychophysiological responses to dissonance: Psychophysiology of musical emotion". Psychophysiology. 48 (3): 337–349. doi:10.1111/j.1469-8986.2010.01075.x. PMID 20701708.
Linz, Daniel G.; Donnerstein, Edward; Penrod, Steven (1988). "Effects of long-term exposure to violent and sexually degrading depictions of women". Journal of Personality and Social Psychology. 55 (5): 758–768. doi:10.1037/0022-3514.55.5.758. ISSN 1939-1315. PMID 3210143.

nivel.nl

Baliatsas, Christos; van Kamp, Irene; van Poll, Ric; Yzermans, Joris (July 2016). "Health effects from low-frequency noise and infrasound in the general population: Is it time to listen? A systematic review of observational studies". Science of the Total Environment. 557–558: 163–169. Bibcode:2016ScTEn.557..163B. doi:10.1016/j.scitotenv.2016.03.065. PMID 26994804.

npr.org

Ulaby, Neda (12 December 2015). "Oh Holy Fright: Christmas Horror Movies That Slay". NPR. Archived from the original on 15 November 2023.

oxfordreference.com

Kuhn, Annette; Westwell, Guy (20 December 2012), "horror film", A Dictionary of Film Studies, Oxford University Press, doi:10.1093/acref/9780199587261.001.0001, ISBN 978-0-19-958726-1, retrieved 20 December 2021

pastemagazine.com

"Indonesian Horror: A Beginner's Guide". pastemagazine.com. 7 February 2021. Retrieved 23 December 2021.

popmatters.com

"What Exactly Is a "Psychological" Horror Film?". PopMatters. 31 July 2013. Retrieved 17 August 2018.

ranker.com

"15 Ways You Didn't Even Realize Horror Movies Are Manipulating You into Fear". Ranker. Retrieved 22 November 2019.

religionunplugged.com

"Two New Religious Horror Films Showdown Over Demonic Possession". religionunplugged.com. Retrieved 30 June 2023.

researchgate.net

Rodríguez Ortega, Vicente; Romero Santos, Rubén (2020). "Spanish Horror Film: Genre, Television and a New Model of Production". In Lewis, I.; Canning, L. (eds.). European Cinema in the Twenty-First Century. p. 331. doi:10.1007/978-3-030-33436-9_18. ISBN 978-3-030-33435-2. S2CID 219469402.

rottentomatoes.com

"One Cut of the Dead (Kamera o tomeru na!) (2017)". Rotten Tomatoes. Retrieved 2 March 2019.

screenrant.com

"15 Best Thai Horror Movies". ScreenRant. 17 March 2020. Retrieved 23 December 2021.
"15 Horror Films That Won Major Awards". ScreenRant. 25 February 2020. Retrieved 20 December 2021.

screenslate.com

LaCava 2021. LaCava, Stephanie (7 October 2021). "Julia Ducournau on Titane". Screen Slate. Retrieved 20 January 2021.

semanticscholar.org

api.semanticscholar.org

Jancovich 2000, p. 31-32. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 25-26. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 26-27. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 28. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Lizardi, Ryan (31 August 2010). "'Re-Imagining' Hegemony and Misogyny in the Contemporary Slasher Remake". Journal of Popular Film and Television. 38 (3): 113–121. doi:10.1080/01956051003623464. S2CID 191466131.
Carta, Silvio (October 2011). "Orientalism in the Documentary Representation of Culture". Visual Anthropology. 24 (5): 403–420. doi:10.1080/08949468.2011.604592. S2CID 144730190.
Chronister, Kay (1 March 2020). "'My Mother, the Ap': Cambodian Horror Cinema and the Gothic Transformation of a Folkloric Monster". Gothic Studies. 22 (1): 98–113. doi:10.3366/gothic.2020.0040. ISSN 1362-7937. S2CID 216404862.
Nair 2012, p. 125. Nair, Kartik (2012). "Taste, Taboo, Trash: The Story of the Ramsay Brothers". BioScope. 3 (2): 123–145. doi:10.1177/097492761200300203. S2CID 144146193.
Nair 2012, p. 123. Nair, Kartik (2012). "Taste, Taboo, Trash: The Story of the Ramsay Brothers". BioScope. 3 (2): 123–145. doi:10.1177/097492761200300203. S2CID 144146193.
Nair 2012, p. 127. Nair, Kartik (2012). "Taste, Taboo, Trash: The Story of the Ramsay Brothers". BioScope. 3 (2): 123–145. doi:10.1177/097492761200300203. S2CID 144146193.
Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post‐Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.
Jurgess 2022, p. 88. Jurgess, Todd (2022). "Videotape, Guinea Pig, and the Horror of Privacy". JCMS: Journal of Cinema and Media Studies. 61 (2). Michigan Publishing: 88–109. doi:10.1353/cj.2022.0017. S2CID 246436799.
Jurgess 2022, p. 89. Jurgess, Todd (2022). "Videotape, Guinea Pig, and the Horror of Privacy". JCMS: Journal of Cinema and Media Studies. 61 (2). Michigan Publishing: 88–109. doi:10.1353/cj.2022.0017. S2CID 246436799.
Jurgess 2022, p. 90. Jurgess, Todd (2022). "Videotape, Guinea Pig, and the Horror of Privacy". JCMS: Journal of Cinema and Media Studies. 61 (2). Michigan Publishing: 88–109. doi:10.1353/cj.2022.0017. S2CID 246436799.
Rodríguez Ortega, Vicente; Romero Santos, Rubén (2020). "Spanish Horror Film: Genre, Television and a New Model of Production". In Lewis, I.; Canning, L. (eds.). European Cinema in the Twenty-First Century. p. 331. doi:10.1007/978-3-030-33436-9_18. ISBN 978-3-030-33435-2. S2CID 219469402.
Flores, Silvana (2018). "Entre monstruos, leyendas ancestrales y luchadores populares: La inserción del Santo en el cine fantástico mexicano". Secuencias. Madrid: UAM Ediciones: 17. doi:10.15366/secuencias2018.48.001 (inactive 31 January 2024). hdl:10486/690219. ISSN 1134-6795. S2CID 213113335.{{cite journal}}: CS1 maint: DOI inactive as of January 2024 (link)
Hasson, Uri; Landesman, Ohad; Knappmeyer, Barbara; Vallines, Ignacio; Rubin, Nava; Heeger, David J. (1 June 2008). "Neurocinematics: The Neuroscience of Film". Projections. 2 (1): 1–26. doi:10.3167/proj.2008.020102. ISSN 1934-9696. S2CID 5680951.
Millar, Becky; Lee, Jonny (1 July 2021). "Horror Films and Grief". Emotion Review. 13 (3): 171–182. doi:10.1177/17540739211022815. ISSN 1754-0739. S2CID 235779574.
Bonanca, Iris; Caetano, Marlene; Castelo Branco, NunoA.A.; Ferraria, Renata; Graca, Andreia; Jorge, Ana; Mendes, Ana P; Oliveira, Nadia; Santos, Carolina; Alves-Pereira, Mariana (2014). "Voice acoustic profile of males exposed to occupational infrasound and low-frequency noise". Journal of Laryngology and Voice. 4 (1): 12. doi:10.4103/2230-9748.141460. hdl:10400.26/14507. S2CID 53399379.
Prete, Giulia; Fabri, Mara; Foschi, Nicoletta; Brancucci, Alfredo; Tommasi, Luca (4 May 2015). "The 'consonance effect' and the hemispheres: A study on a split-brain patient". Laterality: Asymmetries of Body, Brain and Cognition. 20 (3): 257–269. doi:10.1080/1357650X.2014.959525. PMID 25256169. S2CID 31138548.
Hantke 2007. Hantke, Steffan (2007). "Academic Film Criticism, the Rhetoric of Crisis, and the Current State of American Horror Cinema: Thoughts on Canonicity and Academic Anxiety". College Literature. 34 (4): 191–202. doi:10.1353/lit.2007.0045. S2CID 170518242.
Nowell, Richard (2011). "'There's More Than One Way to Lose Your Heart': The American Film Industry, Early Teen Slasher Films, and Female Youth". Cinema Journal. 51 (1): 115–140. doi:10.1353/cj.2011.0073. JSTOR 41342285. S2CID 144874450. Gale A277106285.
Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post-Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.

shanghaidaily.com

China Bans Horror Movies – Shanghai Daily, March 2008.

stuff.co.nz

Matthews 2017. Matthews, Philip (30 October 2017). "What are You Afraid of? The New Horror Movie Renaissance". Stuff. Archived from the original on 30 November 2017. Retrieved 21 January 2021.

tandfonline.com

Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post‐Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.
Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post-Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.

tasteofcinema.com

Withers 2016. Withers, Ned Athol (18 January 2016). "The 10 Best Australian Films of The 21st Century". Taste of Cinema. Retrieved 21 January 2021.

taylorfrancis.com

Kermode, Mark (2001). "The British censors and horror cinema". In Steve Chibnall, Julian Petley (ed.). British Horror Cinema. Routledge. doi:10.4324/9780203996768. ISBN 978-0-203-99676-8. Retrieved 22 December 2021.

tci-thaijo.org

so03.tci-thaijo.org

Barker, Thomas (2013). "The Trauma of Post-1998 Indonesian Horror Films". Journal of Letters. 42 (1): 29–60. ISSN 2586-9736.

telegraph.co.uk

Hobbs, Thomas (31 October 2021). "'A living mirror to white brutality': Tony Todd on Candyman's violent (and erotic) horror". The Telegraph. ISSN 0307-1235. Retrieved 22 October 2023.

thailandfoundation.or.th

"Ghosts and Gores: A critical interpretation of Thai horror films and dramas – Thailand Foundation". www.thailandfoundation.or.th. Retrieved 5 October 2023.

the-take.com

"What's the Meaning Behind the Sexual Imagery in "Alien"? | Watch | The Take". What’s the Meaning Behind the Sexual Imagery in “Alien”? | Watch | The Take. 19 May 2015. Retrieved 22 October 2023.

theface.com

"How Thailand mastered supernatural horror films". The Face. 14 January 2022. Retrieved 5 October 2023.

thefreedictionary.com

"Dissonance theory". TheFreeDictionary.com. Retrieved 22 November 2019.
"dissonance", The Free Dictionary, retrieved 22 November 2019

theguardian.com

Hurley, Andrew Michael (28 October 2019). "Devils and debauchery: why we love to be scared by folk horror". The Guardian. ISSN 0261-3077. Retrieved 5 February 2020.
"From Blacula to Get Out: the documentary examining black horror". The Guardian. 7 February 2019. Retrieved 21 December 2021.

thejakartapost.com

"Horror artist Suzanna dies". The Jakarta Post. Archived from the original on 21 October 2008. Retrieved 11 December 2022.

thescriptlab.com

"Supernatural". The Script Lab. 26 March 2011. Retrieved 19 December 2021.

uam.es

revistas.uam.es

Flores, Silvana (2018). "Entre monstruos, leyendas ancestrales y luchadores populares: La inserción del Santo en el cine fantástico mexicano". Secuencias. Madrid: UAM Ediciones: 17. doi:10.15366/secuencias2018.48.001 (inactive 31 January 2024). hdl:10486/690219. ISSN 1134-6795. S2CID 213113335.{{cite journal}}: CS1 maint: DOI inactive as of January 2024 (link)

ucpress.edu

online.ucpress.edu

Clover, Carol J. (1 October 1987). "Her Body, Himself: Gender in the Slasher Film". Representations. 20 (20): 187–228. doi:10.2307/2928507. ISSN 0734-6018. JSTOR 2928507.

unam.mx

ru.atheneadigital.filos.unam.mx

García Ruiz, Pedro Enrique (2019). "El cine de terror mexicano: más que romanticismo y gótico". Cine mexicano y filosofía (PDF). Ciudad de México: Universidad Nacional Autónoma de México. p. 40. ISBN 978-607-30-2039-8.

utpjournals.press

Hong, Seung Min (June 2010). "Redemptive Fear: A Review of Sacred Terror and Further Analyses of Religious Horror Films". The Journal of Religion and Popular Culture. 22 (2): 6. doi:10.3138/jrpc.22.2.006. ISSN 1703-289X.

variety.com

Davis, Clayton (2 October 2020). "Horror and the Academy: 13 Times the Oscars Could Have Embraced the Genre". Variety. Retrieved 20 December 2021.

vice.com

"Looking Back at Britain's Moral Panic Over Slasher Flicks". Vice (magazine). 9 December 2014. Retrieved 22 December 2021.

vogue.in

"The only 6 horror films ever nominated for Best Picture at the Oscars". Vogue India. 8 April 2021. Retrieved 20 December 2021.

web.archive.org

Newby, Richard (21 December 2018). "The Strange Appeal of Christmas Horror". The Hollywood Reporter. Archived from the original on 3 December 2023. Retrieved 3 December 2023.
Ulaby, Neda (12 December 2015). "Oh Holy Fright: Christmas Horror Movies That Slay". NPR. Archived from the original on 15 November 2023.
"Natural Horror Top rated Most Viewed – AllMovie". Allrovi.com. Archived from the original on 7 February 2012. Retrieved 24 April 2012.
"Tumbbad, starring Sohum Shah, to be the first Indian movie to open Venice Film Festival's Critics' Week". Firstpost. 23 July 2018. Archived from the original on 21 August 2018. Retrieved 21 August 2018.
"Horror artist Suzanna dies". The Jakarta Post. Archived from the original on 21 October 2008. Retrieved 11 December 2022.
Matthews 2017. Matthews, Philip (30 October 2017). "What are You Afraid of? The New Horror Movie Renaissance". Stuff. Archived from the original on 30 November 2017. Retrieved 21 January 2021.

wiley.com

onlinelibrary.wiley.com

Sutton, Travis (9 September 2014), Benshoff, Harry M. (ed.), "Avenging the Body: Disability in the Horror Film", A Companion to the Horror Film (1 ed.), Wiley, pp. 73–89, doi:10.1002/9781118883648.ch5, ISBN 978-0-470-67260-0, retrieved 30 September 2022

worldcat.org

Rhodes 2018b, p. 97. Rhodes, Gary D. (2018b). ""Horror Film": How the Term Came to Be" (PDF). Monstrum. 1 (1). ISSN 2561-5629. Retrieved 14 October 2022.
Rhodes 2018b, p. 98. Rhodes, Gary D. (2018b). ""Horror Film": How the Term Came to Be" (PDF). Monstrum. 1 (1). ISSN 2561-5629. Retrieved 14 October 2022.
Rhodes 2018b, p. 97-98. Rhodes, Gary D. (2018b). ""Horror Film": How the Term Came to Be" (PDF). Monstrum. 1 (1). ISSN 2561-5629. Retrieved 14 October 2022.
Jancovich 2000, p. 31-32. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 25-26. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 26-27. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Jancovich 2000, p. 28. Jancovich, Mark (2000). "'A Real Shocker': authenticity, genre and the struggle for distinction". Continuum: Journal of Media & Cultural Studies. 14 (1): 23–35. doi:10.1080/713657675. ISSN 1030-4312. S2CID 144833572.
Rockoff 2003, p. 30. Rockoff, Adam (November–December 2003). "Yuletide Terror". Rue Morgue. No. 36. Marrs Media Inc. ISSN 1481-1103.
Hobbs, Thomas (31 October 2021). "'A living mirror to white brutality': Tony Todd on Candyman's violent (and erotic) horror". The Telegraph. ISSN 0307-1235. Retrieved 22 October 2023.
Hurley, Andrew Michael (28 October 2019). "Devils and debauchery: why we love to be scared by folk horror". The Guardian. ISSN 0261-3077. Retrieved 5 February 2020.
Hong, Seung Min (June 2010). "Redemptive Fear: A Review of Sacred Terror and Further Analyses of Religious Horror Films". The Journal of Religion and Popular Culture. 22 (2): 6. doi:10.3138/jrpc.22.2.006. ISSN 1703-289X.
Clayton, Wickham, ed. (2015). Style and form in the Hollywood slasher film. Basingstoke: Palgrave Macmillan. ISBN 9781137496478. OCLC 927961472.
Chronister, Kay (1 March 2020). "'My Mother, the Ap': Cambodian Horror Cinema and the Gothic Transformation of a Folkloric Monster". Gothic Studies. 22 (1): 98–113. doi:10.3366/gothic.2020.0040. ISSN 1362-7937. S2CID 216404862.
Dhusiya 2014, p. 2. Dhusiya, Mithuraaj (February 2014). "Let the Ghost Speak: A Study of Contemporary Indian Horror Cinema". Wide Screen. 5 (1). ISSN 1757-3920.
Dhusiya 2014, p. 3. Dhusiya, Mithuraaj (February 2014). "Let the Ghost Speak: A Study of Contemporary Indian Horror Cinema". Wide Screen. 5 (1). ISSN 1757-3920.
Barker, Thomas (2013). "The Trauma of Post-1998 Indonesian Horror Films". Journal of Letters. 42 (1): 29–60. ISSN 2586-9736.
Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post‐Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.
Flores, Silvana (2018). "Entre monstruos, leyendas ancestrales y luchadores populares: La inserción del Santo en el cine fantástico mexicano". Secuencias. Madrid: UAM Ediciones: 17. doi:10.15366/secuencias2018.48.001 (inactive 31 January 2024). hdl:10486/690219. ISSN 1134-6795. S2CID 213113335.{{cite journal}}: CS1 maint: DOI inactive as of January 2024 (link)
Hasson, Uri; Landesman, Ohad; Knappmeyer, Barbara; Vallines, Ignacio; Rubin, Nava; Heeger, David J. (1 June 2008). "Neurocinematics: The Neuroscience of Film". Projections. 2 (1): 1–26. doi:10.3167/proj.2008.020102. ISSN 1934-9696. S2CID 5680951.
Millar, Becky; Lee, Jonny (1 July 2021). "Horror Films and Grief". Emotion Review. 13 (3): 171–182. doi:10.1177/17540739211022815. ISSN 1754-0739. S2CID 235779574.
Linz, Daniel G.; Donnerstein, Edward; Penrod, Steven (1988). "Effects of long-term exposure to violent and sexually degrading depictions of women". Journal of Personality and Social Psychology. 55 (5): 758–768. doi:10.1037/0022-3514.55.5.758. ISSN 1939-1315. PMID 3210143.
Clover, Carol J. (1 October 1987). "Her Body, Himself: Gender in the Slasher Film". Representations. 20 (20): 187–228. doi:10.2307/2928507. ISSN 0734-6018. JSTOR 2928507.
Heeren, Katinka van (1 June 2007). "Return of the Kyai: representations of horror, commerce, and censorship in post-Suharto Indonesian film and television". Inter-Asia Cultural Studies. 8 (2): 211–226. doi:10.1080/13583880701238688. ISSN 1464-9373. S2CID 145086314.