Analysis of information sources in references of the Wikipedia article "House music" in English language version.
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{{cite web}}: CS1 maint: deprecated archival service (link)Like Frankfurt, Munich also had a (more indirect) house (Not queer house) and techno pre-history via the Eurodisco sound associated with Giorgio Moroder.
The term 'house music' has become a generic phrase for modern dance-oriented music," says Jones. "At one time the phrase 'old house music' was used to refer to old disco music. Now 'house' is used to describe the new music.
The initial audience started out black and gay in Chicago, but the genre has since attracted Mexicans and whites as well.
The word 'house' comes from a record that you only hear in a certain club. The DJs would search out an import that was as obscure as possible, and that would be a house record. You'd hear a certain record only at the Powerplant, and that was Frankie Knuckles' house record. But you couldn't really be guaranteed an exclusive on an import, 'cos even if there were only 10 or 15 copies in the country, another DJ would track one down. So the DJs came up with the concept of making their own house records. It was like 'hey, I know I've got an exclusive because I made the record.
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Around 1986/7, after the initial explosion of house music in Chicago, it was clear at the time that major record companies were reluctant to market this genre of music, tied to Black American underground club culture, on a mainstream level. Independent Chicago record labels, however, led the onslaught and kept churning out house music in high numbers. Chicago house artists were also very popular in Europe, especially in London, but also cities such as Amsterdam, Berlin, Manchester, Milan, Zurich, and Tel Aviv. ... Eventually major labels began signing many Chicago house artists in the late 1980s, as well as artists from Europe and New York City as the genre grew in popularity.
House music, in particular, is often held up as a kind of banner of cultural diversity owing to its origins in black and Latin discos, where it first found its audience. One could point to the 1980s, when African American producers / DJs, like Frankie Knuckles, Marshall Jefferson or DJ Pierre, began refining the all night dance floor workouts at underground gay and mixed clubs like the legendary Warehouse club in Chicago from which house music derives its name. Or there is DJ Larry Levan, whose residence at New York's Paradise Garage not only defined a distinct subgenre of its own ("garage" is slower and more gospel oriented than "house") but set the tone for today's raves—no alcohol, heavy drug use, a mixed, "up for it crowd" and loud, pulsating music for 15-hour stretches without a break.
house music was born in the black-latino urban gay clubs of the U.S.
Another New York DJ, Frankie Knuckles, moved to Chicago, following an invitation to become the resident DJ at the Warehouse, a gay black club.
Around 1986/7, after the initial explosion of house music in Chicago, it was clear at the time that major record companies were reluctant to market this genre of music, tied to Black American underground club culture, on a mainstream level. Independent Chicago record labels, however, led the onslaught and kept churning out house music in high numbers. Chicago house artists were also very popular in Europe, especially in London, but also cities such as Amsterdam, Berlin, Manchester, Milan, Zurich, and Tel Aviv. ... Eventually major labels began signing many Chicago house artists in the late 1980s, as well as artists from Europe and New York City as the genre grew in popularity.
Reasonexperts Propellerhead Reason tutorials made by Hydlide
The term 'house music' has become a generic phrase for modern dance-oriented music," says Jones. "At one time the phrase 'old house music' was used to refer to old disco music. Now 'house' is used to describe the new music.
The word 'house' comes from a record that you only hear in a certain club. The DJs would search out an import that was as obscure as possible, and that would be a house record. You'd hear a certain record only at the Powerplant, and that was Frankie Knuckles' house record. But you couldn't really be guaranteed an exclusive on an import, 'cos even if there were only 10 or 15 copies in the country, another DJ would track one down. So the DJs came up with the concept of making their own house records. It was like 'hey, I know I've got an exclusive because I made the record.
House music, in particular, is often held up as a kind of banner of cultural diversity owing to its origins in black and Latin discos, where it first found its audience. One could point to the 1980s, when African American producers / DJs, like Frankie Knuckles, Marshall Jefferson or DJ Pierre, began refining the all night dance floor workouts at underground gay and mixed clubs like the legendary Warehouse club in Chicago from which house music derives its name. Or there is DJ Larry Levan, whose residence at New York's Paradise Garage not only defined a distinct subgenre of its own ("garage" is slower and more gospel oriented than "house") but set the tone for today's raves—no alcohol, heavy drug use, a mixed, "up for it crowd" and loud, pulsating music for 15-hour stretches without a break.
house music was born in the black-latino urban gay clubs of the U.S.
Another New York DJ, Frankie Knuckles, moved to Chicago, following an invitation to become the resident DJ at the Warehouse, a gay black club.
The initial audience started out black and gay in Chicago, but the genre has since attracted Mexicans and whites as well.
{{cite web}}: CS1 maint: bot: original URL status unknown (link) The connection was two-sided, as Chicago's house DJ Frankie Knuckles played the song in his club and even suggested its title (see also there).