Hyperpop (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Hyperpop" in English language version.

Last modified: 08:38:22, 9 September 2026 (UTC)

Ref.Un. Ref.Website

Global rank English rank

8136web.archive.org

1^st place

209pitchfork.com

146^th place

88^th place

164vice.com

247^th place

175^th place

81independent.co.uk

46^th place

29^th place

75dazeddigital.com

1,987^th place

1,140^th place

71rollingstone.co.uk

6,677^th place

3,822^nd place

62nytimes.com

7^th place

54billboard.com

20^th place

13^th place

54nme.com

142^nd place

95^th place

53complex.com

439^th place

258^th place

52rollingstone.com

57^th place

39^th place

52theatlantic.com

322^nd place

198^th place

52pastemagazine.com

751^st place

395^th place

32theface.com

6,910^th place

4,013^th place

31kerrang.com

1,294^th place

708^th place

22npr.org

114^th place

75^th place

22stereogum.com

649^th place

330^th place

22junkee.com

8,950^th place

5,004^th place

22papermag.com

2,202^nd place

1,275^th place

21musicradar.com

2,446^th place

1,349^th place

21wired.com

254^th place

178^th place

21worldcat.org

4^th place

21i-d.co

4,612^th place

2,219^th place

21theartnewspaper.com

3,085^th place

1,915^th place

11nobells.blog

low place

11time.com

84^th place

63^rd place

11wsj.com

94^th place

66^th place

11americansongwriter.com

1,822^nd place

885^th place

11consequence.net

714^th place

358^th place

11allmusic.com

27^th place

20^th place

11thequietus.com

1,903^rd place

949^th place

11musictech.com

low place

11thelineofbestfit.com

1,671^st place

830^th place

11ctpublic.org

low place

11southsideweekly.com

low place

11variety.com

21^st place

17^th place

11uproxx.com

1,102^nd place

588^th place

11thefortyfive.com

low place

11kqed.org

4,325^th place

2,181^st place

11transvitae.com

low place

11swedishcharts.com

498^th place

366^th place

11nylon.com

3,501^st place

2,087^th place

11roland.com

low place

11insider.com

1,569^th place

957^th place

11thefader.com

1,039^th place

585^th place

allmusic.com (Global: 27^th place; English: 20^th place)

Phares, Heather. "Sleigh Bells – Biography". AllMusic. Archived from the original on 23 September 2021. Retrieved 23 September 2021.

americansongwriter.com (Global: 1,822^nd place; English: 885^th place)

"A. G. Cook Is Changing Popular Music As We Know It". American Songwriter. 18 September 2020. Archived from the original on 24 October 2021. Retrieved 20 September 2020.

billboard.com (Global: 20^th place; English: 13^th place)

Madden, Emma (1 July 2021). "How Hyperpop Became a Force Capable of Reaching and Rearranging the Mainstream". Billboard. Archived from the original on 21 May 2022. Retrieved 9 October 2023.
Smith, Thomas (17 September 2024). "SOPHIE Honored With Google Doodle on Her Birthday". Billboard. Retrieved 24 July 2025.
"Is Digi-Pop the Newest Hyperpop Wave?". Billboard. 9 September 2026. Retrieved 9 September 2026.
Japan, Billboard (20 June 2022). "Japan's 4s4ki Talks Hyperpop & Connecting With Fellow Artists Though a Shared Sensibility". Billboard. Retrieved 10 January 2026.

complex.com (Global: 439^th place; English: 258^th place)

Press-Reynolds, Kieran (13 August 2020). "Gorgeous Glitches and Nightcored Melodies: The New Generation of SoundCloud Music is Here". Complex. Archived from the original on 20 August 2020. Retrieved 31 March 2026.
Walker, Sophie (4 November 2021). "404 Error, Genre Not Found: The Life Cycle of Internet Scenes". Complex Networks. Archived from the original on 14 May 2022. Retrieved 7 November 2021.
Press-Reynolds, Kieran. "Gorgeous Glitches and Nightcored Melodies: The New Generation of SoundCloud Music is Here". Complex. Archived from the original on 20 May 2021. Retrieved 30 March 2022.

consequence.net (Global: 714^th place; English: 358^th place)

"Sleigh Bells on Their Sixth Album Texis and "Breaking Old Patterns"". Consequence. 9 September 2021. Retrieved 27 July 2025.

ctpublic.org (Global: low place; English: low place)

Pearce, Sheldon (24 April 2025). "Anatomy of a microgenre: Hyperpop's next evolution". Connecticut Public. Retrieved 4 September 2026.

dazeddigital.com (Global: 1,987^th place; English: 1,140^th place)

Yalcinkaya, Günseli (28 January 2022). "Goodbye hyperpop: the rise and fall of the internet's most hated 'genre'". Dazed. Archived from the original on 21 May 2022. Retrieved 20 March 2025.
Dazed (20 February 2023). "5 artists defining New York's indie sleaze revival". Dazed. Retrieved 24 July 2025.
Yalcinkaya, Günseli (17 March 2021). "Hyperpop is the new sound for a post-pandemic world". Dazed. Archived from the original on 15 April 2021. Retrieved 25 July 2025.
Dazed (17 March 2021). "Hyperpop is the new sound for a post-pandemic world". Dazed. Retrieved 20 August 2026.
Dazed (7 April 2025). "Effie is South Korea's first hyperpop hero". Dazed. Retrieved 10 January 2026.

i-d.co (Global: 4,612^th place; English: 2,219^th place)

Bugara, Billy (20 April 2021). "Digicore captures the angst of coming of age during a global pandemic". Vice. Archived from the original on 9 March 2022. Retrieved 29 March 2022.

independent.co.uk (Global: 46^th place; English: 29^th place)

Pritchard, Will (17 December 2020). "Hyperpop or overhyped? The rise of 2020's most maximal sound". The Independent. Archived from the original on 30 December 2020. Retrieved 13 February 2021.

insider.com (Global: 1,569^th place; English: 957^th place)

Press-Reynolds, Kieran. "An 18-year-old invented a new genre of meme-heavy music called 'dariacore' that's like 'pop music on steroids'". Insider. Archived from the original on 21 July 2023. Retrieved 26 December 2022.

junkee.com (Global: 8,950^th place; English: 5,004^th place)

Gilligan, Eilish (18 October 2021). "How The Music From 2011 Is Still Defining Pop Today". Junkee. Archived from the original on 20 October 2021. Retrieved 19 October 2021.
Murphy, Sam (26 February 2021). "Five Years On, Charli XCX & Sophie's 'Vroom Vroom' Still Sounds Like The Future". Junkee.

kerrang.com (Global: 1,294^th place; English: 708^th place)

Chaudhury, Aliya (14 April 2021). "Why hyperpop owes its existence to heavy metal". Kerrang!. Archived from the original on 14 October 2021. Retrieved 15 April 2021.

kqed.org (Global: 4,325^th place; English: 2,181^st place)

Sung, Morgan; Cueva, Maya; Egusa, Chris (18 June 2025). "The Spotify Effect, Pt 2: Micro-Genre Madness | KQED". www.kqed.org. Retrieved 29 July 2025.

musicradar.com (Global: 2,446^th place; English: 1,349^th place)

Musgravepublished, Jon (29 November 2024). ""Its sounds, and the producers responsible for them, have inspired many big developments in mainstream music": Exploding the vibrant components of hyperpop". MusicRadar. Retrieved 25 July 2025.

musictech.com (Global: low place; English: low place)

"Plugins I Actually Use: Max Tundra". MusicTech. Retrieved 30 April 2026.

nme.com (Global: 142^nd place; English: 95^th place)

Jolley, Ben (18 July 2022). "Glaive: hyperpop king on why the genre "will never die" and touring with The Kid LAROI". NME. Archived from the original on 25 July 2023. Retrieved 10 October 2023.
Shutler, Ali (6 September 2023). "Underscores: "I think hyper-pop is officially dead"". NME. Archived from the original on 2 October 2023. Retrieved 9 October 2023.
Jolley, Ben (29 June 2023). "PC Music: the story of the boundary-pushing label in 10 essential tracks". NME. Archived from the original on 11 October 2023. Retrieved 9 October 2023.
Williams, Kyann-Sian (18 December 2020). "The rise and rise of hyperactive subgenre glitchcore". NME. Archived from the original on 1 February 2021. Retrieved 30 March 2022.

nobells.blog (Global: low place; English: low place)

Kieran Press-Reynolds (25 January 2022). "Deep-internet bubbles: How microgenres are taking over SoundCloud". No Bells.

npr.org (Global: 114^th place; English: 75^th place)

Pearce, Sheldon (24 April 2025). "Anatomy of a microgenre: Hyperpop's next evolution". NPR. Retrieved 20 September 2025.
Perez, Miguel (9 July 2025). "10 songs that were hyperpop before the subgenre was born". NPR. Retrieved 27 August 2026.

nylon.com (Global: 3,501^st place; English: 2,087^th place)

Jolley, Ben (8 April 2021). "Meet the Spanish Hyperpop Artists Bringing the '00s Back". nylon.com. Archived from the original on 17 November 2021. Retrieved 15 April 2021.

nytimes.com (Global: 7^th place; English: 7^th place)

Dandridge-Lemco, Ben (10 November 2020). "How Hyperpop, a Small Spotify Playlist, Grew Into a Big Deal". The New York Times. Archived from the original on 14 April 2021. Retrieved 16 November 2020.
Pareles, Jon (30 January 2021). "Sophie, Who Pushed the Boundaries of Pop Music, Dies at 34". The New York Times. Retrieved 14 August 2026.

papermag.com (Global: 2,202^nd place; English: 1,275^th place)

D'Souza, Shaad. "Charli XCX's 'Futurist' Pop Is Just Our Present Dystopia". Paper. Archived from the original on 27 April 2021. Retrieved 14 February 2021.
Dunn, Payton (10 August 2022). "Subculture Party Is Taking Over". Paper Mag.

pastemagazine.com (Global: 751^st place; English: 395^th place)

"The Return of Electroclash". Paste Magazine. Retrieved 25 July 2025.
Feigelson, David (9 February 2024). "The Emergence of Hyper-Rock". Paste. Retrieved 20 August 2025.

pitchfork.com (Global: 146^th place; English: 88^th place)

Minsker, Evan (20 May 2020). "100 gecs Break Down "Money Machine" on Song Exploder". Pitchfork. Retrieved 25 July 2025.
Horowitz, Steven J. (7 September 2021). "This Is Your Brain on 100 gecs". Pitchfork. Retrieved 14 October 2024.
Press-Reynolds, Kieran (3 October 2024). "The Lost Promises of Hyperpoptimism". Pitchfork. Retrieved 30 October 2024.
Cohen, Ian. "Texis – Album Review". Pitchfork. Archived from the original on 20 September 2021. Retrieved 23 September 2021.
Zhang, Cat (25 September 2020). "Why Cringey Remixer Tiagz Is the Most Hated Producer on TikTok". Pitchfork. Retrieved 6 July 2025.
Zhang, Cat (21 December 2020). "The Year in Music on TikTok 2020". Pitchfork. Retrieved 22 February 2026.
Zhang, Cat (19 November 2020). "Is Glitchcore a TikTok Aesthetic, a New Microgenre, or the Latest Iteration of Glitch Art?". Pitchfork. Archived from the original on 8 March 2022. Retrieved 30 March 2022.
Pitchfork (1 October 2024). "The 100 Best Albums of the 2020s So Far". Pitchfork. Retrieved 6 April 2026.
Press-Reynolds, Kieran (9 April 2025). "Remember Jane Remover's Mashup Genre Dariacore? It's Blowing Up in Japan Now". Pitchfork. Retrieved 9 April 2025.

roland.com (Global: low place; English: low place)

articles.roland.com

Shorey, Eric (23 September 2020). "Label to Genre: What is PC Music?". Roland. Retrieved 14 June 2024.

rollingstone.co.uk (Global: 6,677^th place; English: 3,822^nd place)

Cafolla, Anna (17 October 2022). "What does 'hyperpop' mean in 2022?". Rolling Stone UK. Archived from the original on 13 July 2023. Retrieved 13 July 2023.

rollingstone.com (Global: 57^th place; English: 39^th place)

Leight, Elias (6 August 2020). "Alt TikTok Is Music's Latest Scene, and Straight TikTok Has Noticed". Rolling Stone. Archived from the original on 24 January 2022. Retrieved 24 January 2022.
George, Cassidy (22 February 2023). "The Future of Club Life is a Hyperpop Rave Called Subculture". Rolling Stone. Retrieved 30 October 2024.

southsideweekly.com (Global: low place; English: low place)

Vanecko, Bobby (7 April 2022). "Finding Chicago Bop in Today's Hyperpop". South Side Weekly. Retrieved 20 August 2026.

stereogum.com (Global: 649^th place; English: 330^th place)

"Mastered By Guy At The Exchange Turns 20". stereogum.com. 2 September 2022. Retrieved 30 April 2026.
Rettig, James (6 June 2023). "Feeble Little Horse 'Girl With Fish' Review". Album of the Week. Stereogum. Retrieved 15 June 2023.

swedishcharts.com (Global: 498^th place; English: 366^th place)

"Zara Larsson – 'Midnight Sun' (song)", swedishcharts.com

theartnewspaper.com (Global: 3,085^th place; English: 1,915^th place)

Pulver, Andrew (31 December 2021). "Making (air)waves: how artists are finding inspiration through, and on, radio". The Art Newspaper. Retrieved 1 April 2026.

theatlantic.com (Global: 322^nd place; English: 198^th place)

Kornhaber, Spencer (14 February 2021). "Noisy, Ugly, and Addictive". The Atlantic. Archived from the original on 3 March 2021. Retrieved 19 May 2021.
Kornhaber, Spencer (14 February 2021). "What is Hyperpop?". The Atlantic. Archived from the original on 3 March 2021. Retrieved 22 February 2021.

theface.com (Global: 6,910^th place; English: 4,013^th place)

"THE FACE's guide to the American rap underground". The Face. 30 April 2024. Retrieved 24 July 2025.
Shutler, Ali (22 August 2023). "What hyperpop did next". The Face. Archived from the original on 11 October 2023. Retrieved 9 October 2023.

thefader.com (Global: 1,039^th place; English: 585^th place)

Helfand, Raphael (23 May 2022). "Listen to leroy's final mix". The Fader. Archived from the original on 29 December 2022. Retrieved 22 June 2023.

thefortyfive.com (Global: low place; English: low place)

Walker, Sophie (10 February 2021). "The 45 best hyperpop songs of all time". The Forty-Five. Retrieved 25 July 2024.

thelineofbestfit.com (Global: 1,671^st place; English: 830^th place)

Simon, Noah (28 January 2022). "The best hyperpop albums of all time". The Line of Best Fit. Retrieved 27 August 2026.

thequietus.com (Global: 1,903^rd place; English: 949^th place)

Quietus, The (23 August 2023). "The Dreaming: Max Tundra Interviewed". The Quietus. Retrieved 30 April 2026.

time.com (Global: 84^th place; English: 63^rd place)

Crumpton, Taylor. "Maybe We Need Recession Pop Right Now". Time. Archived from the original on 11 April 2025. Retrieved 10 October 2025.

transvitae.com (Global: low place; English: low place)

"Pride Doodle vs. Pride Policy: Google's Mixed Messaging". Transvitae. 1 June 2025. Retrieved 20 April 2026.

uproxx.com (Global: 1,102^nd place; English: 588^th place)

Droke, Carolyn (5 October 2021). "Charli XCX Had A Succinct Response To Pitchfork Re-Scoring Her 2016 'Vroom Vroom' EP". Uproxx. Archived from the original on 10 August 2023. Retrieved 18 March 2022.

variety.com (Global: 21^st place; English: 17^th place)

Amorosi, A.D. (30 January 2021). "Sophie, Grammy-Nominated Avant-Pop Musician, Dies at 34". Variety. Archived from the original on 31 January 2021. Retrieved 31 January 2021.

vice.com (Global: 247^th place; English: 175^th place)

Pachnanda, Aiyush (16 June 2022). "We Asked PC Music Fans: Is Hyperpop Dead?". Vice. Archived from the original on 17 June 2022. Retrieved 20 March 2025.
Enis, Eli (27 October 2020). "This is Hyperpop: A Genre Tag for Genre-less Music". Vice. Archived from the original on 1 November 2020. Retrieved 17 November 2020.
Joyce, Colin (6 August 2018). "Weather Our Dystopia With the Chaos Pop of Laura Les's Noisey Mix". VICE. Retrieved 20 August 2026.
Fenwick, Julie (6 April 2022). "'It's Happening, Slowly but Surely': Who Killed Hyperpop?". Vice. Archived from the original on 26 May 2022. Retrieved 22 May 2022.

web.archive.org (Global: 1^st place; English: 1^st place)

Cafolla, Anna (17 October 2022). "What does 'hyperpop' mean in 2022?". Rolling Stone UK. Archived from the original on 13 July 2023. Retrieved 13 July 2023.
Leight, Elias (6 August 2020). "Alt TikTok Is Music's Latest Scene, and Straight TikTok Has Noticed". Rolling Stone. Archived from the original on 24 January 2022. Retrieved 24 January 2022.
Kornhaber, Spencer (14 February 2021). "Noisy, Ugly, and Addictive". The Atlantic. Archived from the original on 3 March 2021. Retrieved 19 May 2021.
Press-Reynolds, Kieran (13 August 2020). "Gorgeous Glitches and Nightcored Melodies: The New Generation of SoundCloud Music is Here". Complex. Archived from the original on 20 August 2020. Retrieved 31 March 2026.
Yalcinkaya, Günseli (28 January 2022). "Goodbye hyperpop: the rise and fall of the internet's most hated 'genre'". Dazed. Archived from the original on 21 May 2022. Retrieved 20 March 2025.
Pachnanda, Aiyush (16 June 2022). "We Asked PC Music Fans: Is Hyperpop Dead?". Vice. Archived from the original on 17 June 2022. Retrieved 20 March 2025.
Crumpton, Taylor. "Maybe We Need Recession Pop Right Now". Time. Archived from the original on 11 April 2025. Retrieved 10 October 2025.
Pritchard, Will (17 December 2020). "Hyperpop or overhyped? The rise of 2020's most maximal sound". The Independent. Archived from the original on 30 December 2020. Retrieved 13 February 2021.
Enis, Eli (27 October 2020). "This is Hyperpop: A Genre Tag for Genre-less Music". Vice. Archived from the original on 1 November 2020. Retrieved 17 November 2020.
Kornhaber, Spencer (14 February 2021). "What is Hyperpop?". The Atlantic. Archived from the original on 3 March 2021. Retrieved 22 February 2021.
Richardson, Mark (29 December 2020). "Hyperpop's Joyful Too-Muchness". The Wall Street Journal. Archived from the original on 21 February 2021. Retrieved 22 February 2021.
"A. G. Cook Is Changing Popular Music As We Know It". American Songwriter. 18 September 2020. Archived from the original on 24 October 2021. Retrieved 20 September 2020.
Madden, Emma (1 July 2021). "How Hyperpop Became a Force Capable of Reaching and Rearranging the Mainstream". Billboard. Archived from the original on 21 May 2022. Retrieved 9 October 2023.
Dandridge-Lemco, Ben (10 November 2020). "How Hyperpop, a Small Spotify Playlist, Grew Into a Big Deal". The New York Times. Archived from the original on 14 April 2021. Retrieved 16 November 2020.
Cohen, Ian. "Texis – Album Review". Pitchfork. Archived from the original on 20 September 2021. Retrieved 23 September 2021.
Phares, Heather. "Sleigh Bells – Biography". AllMusic. Archived from the original on 23 September 2021. Retrieved 23 September 2021.
Chaudhury, Aliya (14 April 2021). "Why hyperpop owes its existence to heavy metal". Kerrang!. Archived from the original on 14 October 2021. Retrieved 15 April 2021.
Gilligan, Eilish (18 October 2021). "How The Music From 2011 Is Still Defining Pop Today". Junkee. Archived from the original on 20 October 2021. Retrieved 19 October 2021.
Yalcinkaya, Günseli (17 March 2021). "Hyperpop is the new sound for a post-pandemic world". Dazed. Archived from the original on 15 April 2021. Retrieved 25 July 2025.
Walker, Sophie (4 November 2021). "404 Error, Genre Not Found: The Life Cycle of Internet Scenes". Complex Networks. Archived from the original on 14 May 2022. Retrieved 7 November 2021.
Amorosi, A.D. (30 January 2021). "Sophie, Grammy-Nominated Avant-Pop Musician, Dies at 34". Variety. Archived from the original on 31 January 2021. Retrieved 31 January 2021.
Droke, Carolyn (5 October 2021). "Charli XCX Had A Succinct Response To Pitchfork Re-Scoring Her 2016 'Vroom Vroom' EP". Uproxx. Archived from the original on 10 August 2023. Retrieved 18 March 2022.
Fenwick, Julie (6 April 2022). "'It's Happening, Slowly but Surely': Who Killed Hyperpop?". Vice. Archived from the original on 26 May 2022. Retrieved 22 May 2022.
Shutler, Ali (22 August 2023). "What hyperpop did next". The Face. Archived from the original on 11 October 2023. Retrieved 9 October 2023.
D'Souza, Shaad. "Charli XCX's 'Futurist' Pop Is Just Our Present Dystopia". Paper. Archived from the original on 27 April 2021. Retrieved 14 February 2021.
Barshad, Amos. "Please Stop the Hyperpop—Musicians Are Resisting the Internet Micro-Genre". Wired. ISSN 1059-1028. Archived from the original on 11 October 2023. Retrieved 10 October 2023.
Jolley, Ben (18 July 2022). "Glaive: hyperpop king on why the genre "will never die" and touring with The Kid LAROI". NME. Archived from the original on 25 July 2023. Retrieved 10 October 2023.
Shutler, Ali (6 September 2023). "Underscores: "I think hyper-pop is officially dead"". NME. Archived from the original on 2 October 2023. Retrieved 9 October 2023.
Jolley, Ben (29 June 2023). "PC Music: the story of the boundary-pushing label in 10 essential tracks". NME. Archived from the original on 11 October 2023. Retrieved 9 October 2023.
Jolley, Ben (8 April 2021). "Meet the Spanish Hyperpop Artists Bringing the '00s Back". nylon.com. Archived from the original on 17 November 2021. Retrieved 15 April 2021.
Bugara, Billy (20 April 2021). "Digicore captures the angst of coming of age during a global pandemic". Vice. Archived from the original on 9 March 2022. Retrieved 29 March 2022.
Williams, Kyann-Sian (18 December 2020). "The rise and rise of hyperactive subgenre glitchcore". NME. Archived from the original on 1 February 2021. Retrieved 30 March 2022.
Zhang, Cat (19 November 2020). "Is Glitchcore a TikTok Aesthetic, a New Microgenre, or the Latest Iteration of Glitch Art?". Pitchfork. Archived from the original on 8 March 2022. Retrieved 30 March 2022.
Press-Reynolds, Kieran. "Gorgeous Glitches and Nightcored Melodies: The New Generation of SoundCloud Music is Here". Complex. Archived from the original on 20 May 2021. Retrieved 30 March 2022.
Press-Reynolds, Kieran. "An 18-year-old invented a new genre of meme-heavy music called 'dariacore' that's like 'pop music on steroids'". Insider. Archived from the original on 21 July 2023. Retrieved 26 December 2022.
Helfand, Raphael (23 May 2022). "Listen to leroy's final mix". The Fader. Archived from the original on 29 December 2022. Retrieved 22 June 2023.

wired.com (Global: 254^th place; English: 178^th place)

Barshad, Amos. "Please Stop the Hyperpop—Musicians Are Resisting the Internet Micro-Genre". Wired. ISSN 1059-1028. Archived from the original on 11 October 2023. Retrieved 10 October 2023.

worldcat.org (Global: 4^th place; English: 4^th place)

search.worldcat.org

Barshad, Amos. "Please Stop the Hyperpop—Musicians Are Resisting the Internet Micro-Genre". Wired. ISSN 1059-1028. Archived from the original on 11 October 2023. Retrieved 10 October 2023.

wsj.com (Global: 94^th place; English: 66^th place)

Richardson, Mark (29 December 2020). "Hyperpop's Joyful Too-Muchness". The Wall Street Journal. Archived from the original on 21 February 2021. Retrieved 22 February 2021.

Hyperpop (English Wikipedia)

allmusic.com (Global: 27th place; English: 20th place)

americansongwriter.com (Global: 1,822nd place; English: 885th place)

billboard.com (Global: 20th place; English: 13th place)

complex.com (Global: 439th place; English: 258th place)

consequence.net (Global: 714th place; English: 358th place)

ctpublic.org (Global: low place; English: low place)

dazeddigital.com (Global: 1,987th place; English: 1,140th place)

i-d.co (Global: 4,612th place; English: 2,219th place)

independent.co.uk (Global: 46th place; English: 29th place)

insider.com (Global: 1,569th place; English: 957th place)

junkee.com (Global: 8,950th place; English: 5,004th place)

kerrang.com (Global: 1,294th place; English: 708th place)

kqed.org (Global: 4,325th place; English: 2,181st place)

musicradar.com (Global: 2,446th place; English: 1,349th place)

musictech.com (Global: low place; English: low place)

nme.com (Global: 142nd place; English: 95th place)

nobells.blog (Global: low place; English: low place)

npr.org (Global: 114th place; English: 75th place)

nylon.com (Global: 3,501st place; English: 2,087th place)

nytimes.com (Global: 7th place; English: 7th place)

papermag.com (Global: 2,202nd place; English: 1,275th place)

pastemagazine.com (Global: 751st place; English: 395th place)

pitchfork.com (Global: 146th place; English: 88th place)

roland.com (Global: low place; English: low place)

articles.roland.com

rollingstone.co.uk (Global: 6,677th place; English: 3,822nd place)

rollingstone.com (Global: 57th place; English: 39th place)

southsideweekly.com (Global: low place; English: low place)

stereogum.com (Global: 649th place; English: 330th place)

swedishcharts.com (Global: 498th place; English: 366th place)

theartnewspaper.com (Global: 3,085th place; English: 1,915th place)

theatlantic.com (Global: 322nd place; English: 198th place)

theface.com (Global: 6,910th place; English: 4,013th place)

thefader.com (Global: 1,039th place; English: 585th place)

thefortyfive.com (Global: low place; English: low place)

thelineofbestfit.com (Global: 1,671st place; English: 830th place)

thequietus.com (Global: 1,903rd place; English: 949th place)

time.com (Global: 84th place; English: 63rd place)

transvitae.com (Global: low place; English: low place)

uproxx.com (Global: 1,102nd place; English: 588th place)

variety.com (Global: 21st place; English: 17th place)

vice.com (Global: 247th place; English: 175th place)

web.archive.org (Global: 1st place; English: 1st place)

wired.com (Global: 254th place; English: 178th place)

worldcat.org (Global: 4th place; English: 4th place)

search.worldcat.org

wsj.com (Global: 94th place; English: 66th place)

allmusic.com (Global: 27^th place; English: 20^th place)

americansongwriter.com (Global: 1,822^nd place; English: 885^th place)

billboard.com (Global: 20^th place; English: 13^th place)

complex.com (Global: 439^th place; English: 258^th place)

consequence.net (Global: 714^th place; English: 358^th place)

dazeddigital.com (Global: 1,987^th place; English: 1,140^th place)

i-d.co (Global: 4,612^th place; English: 2,219^th place)

independent.co.uk (Global: 46^th place; English: 29^th place)

insider.com (Global: 1,569^th place; English: 957^th place)

junkee.com (Global: 8,950^th place; English: 5,004^th place)

kerrang.com (Global: 1,294^th place; English: 708^th place)

kqed.org (Global: 4,325^th place; English: 2,181^st place)

musicradar.com (Global: 2,446^th place; English: 1,349^th place)

nme.com (Global: 142^nd place; English: 95^th place)

npr.org (Global: 114^th place; English: 75^th place)

nylon.com (Global: 3,501^st place; English: 2,087^th place)

nytimes.com (Global: 7^th place; English: 7^th place)

papermag.com (Global: 2,202^nd place; English: 1,275^th place)

pastemagazine.com (Global: 751^st place; English: 395^th place)

pitchfork.com (Global: 146^th place; English: 88^th place)

rollingstone.co.uk (Global: 6,677^th place; English: 3,822^nd place)

rollingstone.com (Global: 57^th place; English: 39^th place)

stereogum.com (Global: 649^th place; English: 330^th place)

swedishcharts.com (Global: 498^th place; English: 366^th place)

theartnewspaper.com (Global: 3,085^th place; English: 1,915^th place)

theatlantic.com (Global: 322^nd place; English: 198^th place)

theface.com (Global: 6,910^th place; English: 4,013^th place)

thefader.com (Global: 1,039^th place; English: 585^th place)

thelineofbestfit.com (Global: 1,671^st place; English: 830^th place)

thequietus.com (Global: 1,903^rd place; English: 949^th place)

time.com (Global: 84^th place; English: 63^rd place)

uproxx.com (Global: 1,102^nd place; English: 588^th place)

variety.com (Global: 21^st place; English: 17^th place)

vice.com (Global: 247^th place; English: 175^th place)

web.archive.org (Global: 1^st place; English: 1^st place)

wired.com (Global: 254^th place; English: 178^th place)

worldcat.org (Global: 4^th place; English: 4^th place)

wsj.com (Global: 94^th place; English: 66^th place)