Iambic pentameter (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Iambic pentameter" in English language version.

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Kiparsky said there were no such lines in Shakespeare. However, there is at least one: "Give renew'd fire to our extincted Spirits" (Othello II 1), pointed out as an objection to Kiparsky's theory by Groves, Peter L. (1998), Strange Music: The Metre of the English Heroic Line, ELS Monograph Series No.74, Victoria, BC: University of Victoria, ISBN 0-920604-55-2. Thus Hayes's characterization "vanishingly few" seems more accurate.
Nims, John Frederick (1971), Sappho to Valéry: Poems in Translation, Princeton University Press, p. 18, ISBN 0-691-01365-9

ia800708.us.archive.org

Thurneysen, R. (1887). "Der Weg vom dactylischen Hexameter zum epischen Zehnsilber der Franzosen.". Zeitschr. f. rom. Phil. XI.

books.google.com

This line (line 7 of "To Autumn") is used by Timothy Steele as an example of an unvaried line of iambic pentameter, see Steele 1999, p. 5 Steele, Timothy (1999). All the fun's in how you say a thing: an explanation of meter and versification. Ohio University Press. ISBN 978-0-8214-1259-6.
Attridge, Derek (2014) [1982]. The Rhythms of English Poetry. Routledge. ISBN 978-1-317-86951-1.
Easthope, Antony (2013) [2002]. Poetry as Discourse. Taylor & Francis. ISBN 978-1-135-03365-1.
Halpern, Martin (June 1962). "On the Two Chief Metrical Modes in English". PMLA. 77 (3): 177–186. doi:10.2307/460476. JSTOR 460476. S2CID 163571788.
Menichetti, Aldo (1994), "Quelques considérations sur la structure et l'origine de l'«endecasillabo»", in Cerquiglini-Toulet, Jacqueline; Collet, Olivier (eds.), Mélanges de Philologie et de Littérature Médiévales Offerts à Michel Burger, Librairie Droz, p. 225, ISBN 2-600-00017-8, retrieved 2009-09-18
Duffell, Martin J. (2008). A New History of English Meter. Modern Humanities Research Association. ISBN 978-1-905981-91-5.

doi.org

Attridge, Derek (2014) [1982]. The Rhythms of English Poetry. Routledge. ISBN 978-1-317-86951-1.
Easthope, Antony (2013) [2002]. Poetry as Discourse. Taylor & Francis. ISBN 978-1-135-03365-1.
Halpern, Martin (June 1962). "On the Two Chief Metrical Modes in English". PMLA. 77 (3): 177–186. doi:10.2307/460476. JSTOR 460476. S2CID 163571788.
Kiparsky, Paul (1975), "Stress, Syntax, and Meter" (PDF), Language, 51 (3): 576–616, doi:10.2307/412889, JSTOR 412889, retrieved 2011-06-11

jstor.org

Attridge, Derek (2014) [1982]. The Rhythms of English Poetry. Routledge. ISBN 978-1-317-86951-1.
Easthope, Antony (2013) [2002]. Poetry as Discourse. Taylor & Francis. ISBN 978-1-135-03365-1.
Halpern, Martin (June 1962). "On the Two Chief Metrical Modes in English". PMLA. 77 (3): 177–186. doi:10.2307/460476. JSTOR 460476. S2CID 163571788.
Kiparsky, Paul (1975), "Stress, Syntax, and Meter" (PDF), Language, 51 (3): 576–616, doi:10.2307/412889, JSTOR 412889, retrieved 2011-06-11
Duffell, Martin J. (2000). ""The Craft so Long to Lerne": Chaucer's Invention of the Iambic Pentameter". The Chaucer Review, Vol. 34, No. 3 (2000), pp. 269–288.

masterclass.com

"Poetry 101: What Is a Shakespearean Sonnet? Learn About Shakespearean Sonnets With Examples". MasterClass. Master Class. Retrieved 11 November 2020.

nih.gov

kids.niehs.nih.gov

"The Ants Go Marching". National Institute of Environmental Health Sciences. National Institutes of Health. June 8, 2012. Retrieved April 7, 2017.

proquest.com

For a detailed discussion of the varied intonations possible in iambic pentameter, see Cooper, John R. (Fall 1997). "Intonation and iambic pentameter". Papers on Language and Literature. 33 (4): 392–421. reprinted with changes as the first chapter of Cooper, John R. (2009). "Iambic Pentameter". Wit's Voices: Intonation in Seventeenth-century English Poetry. University of Delaware Press. pp. 37–58. ISBN 978-0-87413-059-1.

semanticscholar.org

api.semanticscholar.org

Attridge, Derek (2014) [1982]. The Rhythms of English Poetry. Routledge. ISBN 978-1-317-86951-1.
Easthope, Antony (2013) [2002]. Poetry as Discourse. Taylor & Francis. ISBN 978-1-135-03365-1.
Halpern, Martin (June 1962). "On the Two Chief Metrical Modes in English". PMLA. 77 (3): 177–186. doi:10.2307/460476. JSTOR 460476. S2CID 163571788.

sydneytheatre.com.au

Bartlett, Mike (18 November 2015). "Mike Bartlett on writing King Charles III". Sydney Theatre Company Magazine. Sydney Theatre Company. Archived from the original on 31 July 2017. Retrieved 6 April 2016.

ucla.edu

linguistics.ucla.edu

Kiparsky, Paul (1975), "Stress, Syntax, and Meter" (PDF), Language, 51 (3): 576–616, doi:10.2307/412889, JSTOR 412889, retrieved 2011-06-11

humnet.ucla.edu

Hayes, Bruce (1989), "The Prosodic Hierarchy in Meter" (PDF), Phonetics and Phonology, Volume I: Rhythm and Meter, Academic Press, pp. 201–260, retrieved 2012-07-24

versemeter.wordpress.com

"Iambic pentameter & the principles of metrical variation: Part 2 – radical variations". 15 September 2016.
"Why iambic pentameter?". 13 April 2018.
"Iambic pentameter & the principles of metrical variation: Part 3 – double trochees, hexameters, epic caesuras in shared lines, missing syllables, emphasis on a non-beat syllable & the false choriamb". 10 September 2016.

web.archive.org

Bartlett, Mike (18 November 2015). "Mike Bartlett on writing King Charles III". Sydney Theatre Company Magazine. Sydney Theatre Company. Archived from the original on 31 July 2017. Retrieved 6 April 2016.