Immersive theater (English Wikipedia)

White, Gareth (4 September 2012). "On Immersive Theatre". Theatre Research International. 37 (3): 221–235. doi:10.1017/S0307883312000880.
Sakellaridou, Elizabeth (2014). "Oh My God, Audience Participation! : Some Twenty-First-Century Reflections". Comparative Drama. 48 (1& 2): 13–38. doi:10.1353/cdr.2014.0005. S2CID 145337453.
Evans, Susan (2013). "Personal Beliefs and National Stories: Theater in Museums as a Tool for Exploring Historical Memory". Curator: The Museum Journal. 56 (2): 189–197. doi:10.1111/cura.12019.
Coulombe, Alex; Gochfeld, David; Bradley, Brendan; Laibson, Kevin; Long, Robert; Miletitch, Roman (2021). "Virtual Reality Live Theatre on No Budget: A Model for Independent Theatrical Productions using Open-Source Social VR". ACM SIGGRAPH 2021 Educators Forum. pp. 1–2. doi:10.1145/3450549.3464413. ISBN 9781450383639. S2CID 236980217.
Heritage, Paul (1994). "The Courage to be Happy: Augusto Boal, Legislative Theatre, and the 7th International Festival of the Theatre of the Oppressed". TDR. 38 (3): 25–34. doi:10.2307/1146376. JSTOR 1146376.
Alston, A (2016). "Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion" (PDF). Journal of Contemporary Drama in English. 4 (1): 61–73. doi:10.1515/jcde-2016-0006. S2CID 192772931.

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"dotdotdot: Jeff Wayne's The War of the Worlds: The Immersive Experience". dotdotdot - Jeff Wayne's Musical Version of The War of The Worlds: The Immersive Experience. Retrieved 2019-07-11.

Hill, Libby (2021-03-17). "Producers Guild Awards Announce Innovation Award Nominees". IndieWire. Retrieved 2022-10-06.

Heritage, Paul (1994). "The Courage to be Happy: Augusto Boal, Legislative Theatre, and the 7th International Festival of the Theatre of the Oppressed". TDR. 38 (3): 25–34. doi:10.2307/1146376. JSTOR 1146376.

"War of the Worlds is Coming". London On The Inside. 2019-04-10. Retrieved 2019-07-11.

Proscenium, No (2021-10-10). "Review Rundown: The One Where We Shout 'It's Alive!". Medium. Retrieved 2022-10-06.

"Punchdrunk Work". Punchdrunk. Open Publishing. 2021-05-28. Retrieved 2021-05-28.
"Punchdrunk and Niantic". Punchdrunk. Open Publishing. 2021-05-28. Retrieved 2021-05-28.

Sakellaridou, Elizabeth (2014). "Oh My God, Audience Participation! : Some Twenty-First-Century Reflections". Comparative Drama. 48 (1& 2): 13–38. doi:10.1353/cdr.2014.0005. S2CID 145337453.
Coulombe, Alex; Gochfeld, David; Bradley, Brendan; Laibson, Kevin; Long, Robert; Miletitch, Roman (2021). "Virtual Reality Live Theatre on No Budget: A Model for Independent Theatrical Productions using Open-Source Social VR". ACM SIGGRAPH 2021 Educators Forum. pp. 1–2. doi:10.1145/3450549.3464413. ISBN 9781450383639. S2CID 236980217.
Alston, A (2016). "Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion" (PDF). Journal of Contemporary Drama in English. 4 (1): 61–73. doi:10.1515/jcde-2016-0006. S2CID 192772931.

Take a Trip Through David Byrne’s Mind Smithsonian Magazine. Access February 9, 2023.

"The Rise Of Virtual Hollywood". The Metaculture. 2021-10-09. Retrieved 2022-10-06.
"Stage And Screen: Virtual Creators Take The Next Step". The Metaculture. 2022-10-01. Retrieved 2022-10-06.