Impressionism (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Impressionism" in English language version.

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22web.archive.org

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20worldcat.org

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19thc-artworldwide.org

Murray, Gale (15 March 2018). "Her Paris: Women Artists in the Age of Impressionism". Nineteenth-Century Art Worldwide. 17 (1). doi:10.29411/ncaw.2018.17.1.12.

archive.org

Bomford et al. (1990), pp. 21–27. Bomford, David; Kirby, Jo; Leighton, John; Roy, Ashok (1990). Art in the Making: Impressionism. London: The National Gallery of London. ISBN 0-300-05035-6.
Denvir (1990), p. 133. Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7.
Denvir (1990), p. 194. Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7.
Bomford et al. (1990), p. 209. Bomford, David; Kirby, Jo; Leighton, John; Roy, Ashok (1990). Art in the Making: Impressionism. London: The National Gallery of London. ISBN 0-300-05035-6.
Denvir (1990), p. 32. Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7.
Rewald (1973), p. 323. Rewald, John (1973). The History of Impressionism (4th Revised ed.). New York: The Museum of Modern Art. ISBN 0-87070-360-9.
Denvir 1990, p. 105. Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7.
Rewald (1973), p. 603. Rewald, John (1973). The History of Impressionism (4th Revised ed.). New York: The Museum of Modern Art. ISBN 0-87070-360-9.
Rewald (1973), p. 475–476. Rewald, John (1973). The History of Impressionism (4th Revised ed.). New York: The Museum of Modern Art. ISBN 0-87070-360-9.
Bomford et al. (1990), pp. 39–41. Bomford, David; Kirby, Jo; Leighton, John; Roy, Ashok (1990). Art in the Making: Impressionism. London: The National Gallery of London. ISBN 0-300-05035-6.
Baumann & Karabelnik (1994), p. 112. Baumann, Felix; Karabelnik, eds. (1994). Degas Portraits. London: Merrell Holberton. ISBN 1-85894-014-1.
Barter, Judith A. (1998). Mary Cassatt, Modern Woman (1st ed.). New York: Art Institute of Chicago in association with H.N. Abrams. pp. 63. ISBN 0-8109-4089-2. OCLC 38966030.
Barter, Judith A. (1998). Mary Cassatt, Modern Woman (1st ed.). New York: Art Institute of Chicago in association with H.N. Abrams. pp. 65. ISBN 0-8109-4089-2. OCLC 38966030.
Denvir (1990), p. 140. Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7.
Rewald (1973), p. 591. Rewald, John (1973). The History of Impressionism (4th Revised ed.). New York: The Museum of Modern Art. ISBN 0-87070-360-9.
Denvir (1990), p. 152. Denvir, Bernard (1990). The Thames and Hudson Encyclopaedia of Impressionism. London: Thames and Hudson. ISBN 0-500-20239-7.
Rewald (1973), pp. 476–477. Rewald, John (1973). The History of Impressionism (4th Revised ed.). New York: The Museum of Modern Art. ISBN 0-87070-360-9.
Caramel, Luciano (1988). Medardo Rosso: Impressions in Wax & Bronze: 1882-1906 (First ed.). New York: Kent Fine Arts. pp. 10–15. ISBN 978-1-878607-02-7. Retrieved 18 March 2024.
Warren, Lynne, ed. (2006). "Impressionism". Encyclopedia of Twentieth Century Photography. Vol. 1, A-F Index. New York, NY: Routledge. pp. 778–781. ISBN 978-1-57958-393-4. Retrieved 21 March 2024.

bnf.fr

gallica.bnf.fr

"Exposition du boulevard des Capucines" (in French). 29 April 1874. Archived from the original on 9 January 2022. Retrieved 18 October 2018.

books.google.com

Walther, Ingo F., ed. (1999). Masterpieces of Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day, Part 1 (Centralibros Hispania Edicion y Distribucion, S.A. ed.). Taschen. ISBN 3-8228-7031-5.
Hook, Philip (17 December 2012). The Ultimate Trophy: How The Impressionist Painting Conquered The World (in German). Prestel Verlag. ISBN 978-3-641-08955-9.
White, Harrison C.; White, Cynthia A. (1993). Canvases and Careers: Institutional Change in the French Painting World. University of Chicago Press. p. 116. ISBN 0-226-89487-8. Archived from the original on 12 November 2022..
Wallert, Arie; Hermens, Erma; Peek, Marja (1995). Historical painting techniques, materials, and studio practise: preprints of a symposium, University of Leiden, Netherlands, 26–29 June 1995. Marina Del Rey, Calif: Getty Conservation Institute. p. 159. ISBN 0-89236-322-3.
Stoner & Rushfield (2012), p. 177. Stoner, Joyce Hill; Rushfield, Rebecca Anne (2012). The Conservation of Easel Paintings. London: Routledge. ISBN 978-1-136-00041-6. Archived from the original on 12 November 2022.
Stoner & Rushfield (2012), p. 178. Stoner, Joyce Hill; Rushfield, Rebecca Anne (2012). The Conservation of Easel Paintings. London: Routledge. ISBN 978-1-136-00041-6. Archived from the original on 12 November 2022.
Tinterow, Gary; Loyrette, Henri (1994). Origins of Impressionism. Metropolitan Museum of Art. p. 433. ISBN 9780870997174. Archived from the original on 12 November 2022. Retrieved 6 November 2015.
Keefe, Eugene K.; American University (Washington, D. C.) Foreign Area Studies (1971). Area Handbook for Albania. U.S. Government Printing Office.

britannica.com

"J.M.W. Turner". Britannica. Archived from the original on 30 January 2010. Retrieved 8 December 2018.

culture.gouv.fr

"Joconde : catalogue collectif des collections des musées de France". www.culture.gouv.fr (in French). Archived from the original on 28 December 2017. Retrieved 28 December 2017.

doi.org

The term "impression" indicates the direct impact of surface markers on spiritual perception or experiential cognition.Eisenman, Stephen F. (22 December 2023), "The Intransigent Artist or How the Impressionists Got Their Name", Critical Readings in Impressionism and Post-Impressionism, University of California Press, pp. 149–161, doi:10.2307/jj.8501295.10, ISBN 978-0-520-94044-4, retrieved 14 June 2024
Murray, Gale (15 March 2018). "Her Paris: Women Artists in the Age of Impressionism". Nineteenth-Century Art Worldwide. 17 (1). doi:10.29411/ncaw.2018.17.1.12.
Locheed, Jessica (June 2009). "Beyond the form: the ineffable essence of Degas' sculpture". Sculpture Journal. 18 (1): 86–99. doi:10.3828/sj.18.1.7. ISSN 1366-2724. Retrieved 18 March 2024.
Barbour, Daphne (1995). "Degas's Little Dancer: Not Just a Study in the Nude". Art Journal. 54 (2): 28–32. doi:10.2307/777459. ISSN 0004-3249. JSTOR 777459. Archived from the original on 18 March 2024. Retrieved 18 March 2024.
Portnova, Irina (10 December 2019). "On the meaning and novelty of impressionistic thinking on the example of Russian animalistic sculpture of the late XIX – early XX centuries". Scientific and Analytical Journal Burganov House. The Space of Culture. 15 (4): 82–107. doi:10.36340/2071-6818-2019-15-4-82-107 (inactive 1 November 2024). ISSN 2618-7965.{{cite journal}}: CS1 maint: DOI inactive as of November 2024 (link)
Haefliger, Kathleen; Griffes, Charles Tomlinson (1986). "Piano Music of Charles Tomlinson Griffes". American Music. 4 (4): 481. doi:10.2307/3052237. ISSN 0734-4392. JSTOR 3052237.
Berrong, Richard M. (1 June 2006). "Modes of Literary Impressionism". Genre. 39 (2): 203–228. doi:10.1215/00166928-39-2-203. ISSN 0016-6928.
Boyle-Turner, Caroline (12 December 2017). Post-Impressionism. Oxford Art Online. Oxford University Press. doi:10.1093/gao/9781884446054.article.t068996.
Bullen, Barrie, ed. (8 March 2024). Post-Impressionists in England: The Critical Reception. London: Routledge. doi:10.4324/9781032699707. ISBN 978-1-032-69970-7.

dx.doi.org

The term "impression" indicates the direct impact of surface markers on spiritual perception or experiential cognition.Eisenman, Stephen F. (22 December 2023), "The Intransigent Artist or How the Impressionists Got Their Name", Critical Readings in Impressionism and Post-Impressionism, University of California Press, pp. 149–161, doi:10.2307/jj.8501295.10, ISBN 978-0-520-94044-4, retrieved 14 June 2024
Haefliger, Kathleen; Griffes, Charles Tomlinson (1986). "Piano Music of Charles Tomlinson Griffes". American Music. 4 (4): 481. doi:10.2307/3052237. ISSN 0734-4392. JSTOR 3052237.
Berrong, Richard M. (1 June 2006). "Modes of Literary Impressionism". Genre. 39 (2): 203–228. doi:10.1215/00166928-39-2-203. ISSN 0016-6928.
Boyle-Turner, Caroline (12 December 2017). Post-Impressionism. Oxford Art Online. Oxford University Press. doi:10.1093/gao/9781884446054.article.t068996.

jstor.org

Barbour, Daphne (1995). "Degas's Little Dancer: Not Just a Study in the Nude". Art Journal. 54 (2): 28–32. doi:10.2307/777459. ISSN 0004-3249. JSTOR 777459. Archived from the original on 18 March 2024. Retrieved 18 March 2024.
Kendall, Richard (2012). "Degas's sculpture in the twenty-first century". The Burlington Magazine. 154 (1309): 268–271. ISSN 0007-6287. JSTOR 23232564. Archived from the original on 18 March 2024. Retrieved 18 March 2024.
Haefliger, Kathleen; Griffes, Charles Tomlinson (1986). "Piano Music of Charles Tomlinson Griffes". American Music. 4 (4): 481. doi:10.2307/3052237. ISSN 0734-4392. JSTOR 3052237.

larousse.fr

"Les expositions impressionnistes, Larousse" (in French). Archived from the original on 2 June 2017. Retrieved 18 October 2018.

liverpooluniversitypress.co.uk

Locheed, Jessica (June 2009). "Beyond the form: the ineffable essence of Degas' sculpture". Sculpture Journal. 18 (1): 86–99. doi:10.3828/sj.18.1.7. ISSN 1366-2724. Retrieved 18 March 2024.

metmuseum.org

Voorhies, James. "Post-Impressionism". The Metropolitan Museum of Art.
Samu, Margaret (October 2004). "Impressionism: Art and Modernity". Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Archived from the original on 4 February 2020. Retrieved 29 June 2014. Many of the independent artists chose not to apply the thick golden varnish that painters customarily used to tone down their works.
"Garden at Sainte-Adresse". Metropolitan Museum of Art. Archived from the original on 23 January 2022. Retrieved 11 January 2014.
Daniel, Malcolm (1998). Edgar Degas, Photographer. New York: Metropolitan Museum of Art, distributed by H.N. Abrams. pp. 6, 11–13. ISBN 0-87099-883-8. Archived from the original on 21 March 2024. Retrieved 21 March 2024.

msub.org.rs

"Zbirka slikarstva od 1900. do 1945. godine – Muzej savremene umetnosti u Beogradu". Msub.org.rs. Archived from the original on 24 May 2022. Retrieved 31 May 2022.

nmwa.org

"Berthe Morisot". National Museum of Women in the Arts. Archived from the original on 6 January 2020. Retrieved 18 May 2019.

oclc.org

libmma.contentdm.oclc.org

Distel, Hoog & Moffett (1974), p. 127. Distel, Anne; Hoog, Michel; Moffett, Charles S. (1974). Impressionism; A Centenary Exhibition. New York: Metropolitan Museum of Art. ISBN 0-87099-097-7. Archived from the original on 8 November 2018.
Distel, Hoog & Moffett (1974), p. 190. Distel, Anne; Hoog, Michel; Moffett, Charles S. (1974). Impressionism; A Centenary Exhibition. New York: Metropolitan Museum of Art. ISBN 0-87099-097-7. Archived from the original on 8 November 2018.

phillipscollection.org

"Renoir and the Impressionist Process" (PDF). The Phillips Collection. Archived from the original (PDF) on 5 January 2011. Retrieved 21 May 2011.

politika.rs

Lijeskić, Biljana (5 May 2014). "Српски импресионисти су се уметношћу борили" [Serbian Impressionists fought with art]. politika.rs (in Serbian). Archived from the original on 27 May 2022. Retrieved 27 May 2022.

tate.org.uk

Tate. "Impressionism". Tate. Archived from the original on 30 September 2022. Retrieved 30 September 2022.

taylorfrancis.com

Bullen, Barrie, ed. (8 March 2024). Post-Impressionists in England: The Critical Reception. London: Routledge. doi:10.4324/9781032699707. ISBN 978-1-032-69970-7.

umn.edu

primo.lib.umn.edu

Adler, Kathleen (1990). Perspectives on Morisot (1st ed.). New York: Hudson Hills Press. p. 60. ISBN 1-55595-049-3. Archived from the original on 25 February 2021. Retrieved 28 April 2019.

web.archive.org

Samu, Margaret (October 2004). "Impressionism: Art and Modernity". Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Archived from the original on 4 February 2020. Retrieved 29 June 2014. Many of the independent artists chose not to apply the thick golden varnish that painters customarily used to tone down their works.
Tate. "Impressionism". Tate. Archived from the original on 30 September 2022. Retrieved 30 September 2022.
White, Harrison C.; White, Cynthia A. (1993). Canvases and Careers: Institutional Change in the French Painting World. University of Chicago Press. p. 116. ISBN 0-226-89487-8. Archived from the original on 12 November 2022..
Distel, Hoog & Moffett (1974), p. 127. Distel, Anne; Hoog, Michel; Moffett, Charles S. (1974). Impressionism; A Centenary Exhibition. New York: Metropolitan Museum of Art. ISBN 0-87099-097-7. Archived from the original on 8 November 2018.
Distel, Hoog & Moffett (1974), p. 190. Distel, Anne; Hoog, Michel; Moffett, Charles S. (1974). Impressionism; A Centenary Exhibition. New York: Metropolitan Museum of Art. ISBN 0-87099-097-7. Archived from the original on 8 November 2018.
"Renoir and the Impressionist Process" (PDF). The Phillips Collection. Archived from the original (PDF) on 5 January 2011. Retrieved 21 May 2011.
Stoner & Rushfield (2012), p. 177. Stoner, Joyce Hill; Rushfield, Rebecca Anne (2012). The Conservation of Easel Paintings. London: Routledge. ISBN 978-1-136-00041-6. Archived from the original on 12 November 2022.
Stoner & Rushfield (2012), p. 178. Stoner, Joyce Hill; Rushfield, Rebecca Anne (2012). The Conservation of Easel Paintings. London: Routledge. ISBN 978-1-136-00041-6. Archived from the original on 12 November 2022.
"J.M.W. Turner". Britannica. Archived from the original on 30 January 2010. Retrieved 8 December 2018.
"Garden at Sainte-Adresse". Metropolitan Museum of Art. Archived from the original on 23 January 2022. Retrieved 11 January 2014.
Tinterow, Gary; Loyrette, Henri (1994). Origins of Impressionism. Metropolitan Museum of Art. p. 433. ISBN 9780870997174. Archived from the original on 12 November 2022. Retrieved 6 November 2015.
"Berthe Morisot". National Museum of Women in the Arts. Archived from the original on 6 January 2020. Retrieved 18 May 2019.
Adler, Kathleen (1990). Perspectives on Morisot (1st ed.). New York: Hudson Hills Press. p. 60. ISBN 1-55595-049-3. Archived from the original on 25 February 2021. Retrieved 28 April 2019.
"Exposition du boulevard des Capucines" (in French). 29 April 1874. Archived from the original on 9 January 2022. Retrieved 18 October 2018.
"Les expositions impressionnistes, Larousse" (in French). Archived from the original on 2 June 2017. Retrieved 18 October 2018.
"Joconde : catalogue collectif des collections des musées de France". www.culture.gouv.fr (in French). Archived from the original on 28 December 2017. Retrieved 28 December 2017.
Lijeskić, Biljana (5 May 2014). "Српски импресионисти су се уметношћу борили" [Serbian Impressionists fought with art]. politika.rs (in Serbian). Archived from the original on 27 May 2022. Retrieved 27 May 2022.
"Odnosi Francuskog I Srpskog Impresionizma | Zepter Muzej". Zeptermuseum.rs. 22 February 2016. Archived from the original on 18 March 2016. Retrieved 31 May 2022.
"Zbirka slikarstva od 1900. do 1945. godine – Muzej savremene umetnosti u Beogradu". Msub.org.rs. Archived from the original on 24 May 2022. Retrieved 31 May 2022.
Barbour, Daphne (1995). "Degas's Little Dancer: Not Just a Study in the Nude". Art Journal. 54 (2): 28–32. doi:10.2307/777459. ISSN 0004-3249. JSTOR 777459. Archived from the original on 18 March 2024. Retrieved 18 March 2024.
Kendall, Richard (2012). "Degas's sculpture in the twenty-first century". The Burlington Magazine. 154 (1309): 268–271. ISSN 0007-6287. JSTOR 23232564. Archived from the original on 18 March 2024. Retrieved 18 March 2024.
Daniel, Malcolm (1998). Edgar Degas, Photographer. New York: Metropolitan Museum of Art, distributed by H.N. Abrams. pp. 6, 11–13. ISBN 0-87099-883-8. Archived from the original on 21 March 2024. Retrieved 21 March 2024.

worldcat.org

search.worldcat.org

Huyghe (1973), pp. 13, 16–18. Huyghe, René (1973). Impressionism. New York: Chartwell Books. OCLC 49692648.
Huyghe (1973), pp. 11, 16–17. Huyghe, René (1973). Impressionism. New York: Chartwell Books. OCLC 49692648.
Huyghe (1973), pp. 54, 77, 121. Huyghe, René (1973). Impressionism. New York: Chartwell Books. OCLC 49692648.
Garb (1986), p. 9. Garb, Tamar (1986). Women Impressionists. New York: Rizzoli International Publications. ISBN 0-8478-0757-6. OCLC 14368525.
Chadwick, Whitney (2012). Women, art, and society (Fifth ed.). London: Thames & Hudson. p. 232. ISBN 978-0-500-20405-4. OCLC 792747353.
Garb (1986), p. 6. Garb, Tamar (1986). Women Impressionists. New York: Rizzoli International Publications. ISBN 0-8478-0757-6. OCLC 14368525.
Laurence, Madeline; Kendall, Richard (2017). "Women Artists and Impressionism". Women Artists in Paris, 1850–1900. New York, New Haven: Yale University Press. p. 41. ISBN 978-0-300-22393-4. OCLC 982652244.
Kang, Cindy (2018). Berthe Morisot: Woman Impressionist. New York, NY: Rizzoli Electra. p. 31. ISBN 978-0-8478-6131-6. OCLC 1027042476.
Garb (1986), p. 36. Garb, Tamar (1986). Women Impressionists. New York: Rizzoli International Publications. ISBN 0-8478-0757-6. OCLC 14368525.
Laurence, Madeline; Kendall, Richard (2017). "Women Artists and Impressionism". Women Artists in Paris, 1850–1900. New York, New York: Yale University Press. p. 49. ISBN 978-0-300-22393-4. OCLC 982652244.
Barter, Judith A. (1998). Mary Cassatt, Modern Woman (1st ed.). New York: Art Institute of Chicago in association with H.N. Abrams. pp. 63. ISBN 0-8109-4089-2. OCLC 38966030.
Pfeiffer, Ingrid (2008). "Impressionism Is Feminine: On the Reception of Morisot, Cassatt, Gonzalès, and Bracquemond". Women Impressionists. Frankfurt am Main: Schirn Kunsthalle Frankfurt. p. 22. ISBN 978-3-7757-2079-3. OCLC 183262558.
Barter, Judith A. (1998). Mary Cassatt, Modern Woman (1st ed.). New York: Art Institute of Chicago in association with H.N. Abrams. pp. 65. ISBN 0-8109-4089-2. OCLC 38966030.
Adler, Kathleen (1990). Perspectives on Morisot. Edelstein, T. J., Mount Holyoke College. Art Museum. (1st ed.). New York: Hudson Hills Press. p. 57. ISBN 1-55595-049-3. OCLC 21764484.
Locheed, Jessica (June 2009). "Beyond the form: the ineffable essence of Degas' sculpture". Sculpture Journal. 18 (1): 86–99. doi:10.3828/sj.18.1.7. ISSN 1366-2724. Retrieved 18 March 2024.
Barbour, Daphne (1995). "Degas's Little Dancer: Not Just a Study in the Nude". Art Journal. 54 (2): 28–32. doi:10.2307/777459. ISSN 0004-3249. JSTOR 777459. Archived from the original on 18 March 2024. Retrieved 18 March 2024.
Kendall, Richard (2012). "Degas's sculpture in the twenty-first century". The Burlington Magazine. 154 (1309): 268–271. ISSN 0007-6287. JSTOR 23232564. Archived from the original on 18 March 2024. Retrieved 18 March 2024.
Portnova, Irina (10 December 2019). "On the meaning and novelty of impressionistic thinking on the example of Russian animalistic sculpture of the late XIX – early XX centuries". Scientific and Analytical Journal Burganov House. The Space of Culture. 15 (4): 82–107. doi:10.36340/2071-6818-2019-15-4-82-107 (inactive 1 November 2024). ISSN 2618-7965.{{cite journal}}: CS1 maint: DOI inactive as of November 2024 (link)
Haefliger, Kathleen; Griffes, Charles Tomlinson (1986). "Piano Music of Charles Tomlinson Griffes". American Music. 4 (4): 481. doi:10.2307/3052237. ISSN 0734-4392. JSTOR 3052237.
Berrong, Richard M. (1 June 2006). "Modes of Literary Impressionism". Genre. 39 (2): 203–228. doi:10.1215/00166928-39-2-203. ISSN 0016-6928.

zeptermuseum.rs

"Odnosi Francuskog I Srpskog Impresionizma | Zepter Muzej". Zeptermuseum.rs. 22 February 2016. Archived from the original on 18 March 2016. Retrieved 31 May 2022.