Analysis of information sources in references of the Wikipedia article "Indigo" in English language version.
{{cite web}}: |last= has generic name (help)In 1986 some programmers created a list of color names for a unix system known as X11. Having no background in color theory, they placed indigo as a dark purple. This list was later used by HTML and CSS standards that remain in place to this day. These standards are used by millions of designers and digital artists such that the color name indigo is now strongly associated with dark purple or violet. As such, a few programmers accidentally repurposed a color name that was known to civilizations for thousands of years. ...Note the difference between Web Indigo and Indigo. This standard color name is completely detached from the traditional color. This misrepresentation resulted from the random selection by a programmer working on an operating system in 1986.
Newton denoted by the name of "indigo" the tint of the spectrum lying between "blue" and "violet." Von Bezold, in his work on color, rejects the term, justifying his objection by observing that the pigment indigo is a much darker hue than the spectrum tint. Prof. O. N. Rood, who follows Von Bezold in rejecting the term, brings forward the further objection that the tint of the pigment indigo more nearly corresponds in hue (though it is darker) with the cyan-blue region lying between green and blue. By comparing the tints of indigo pigment, both dry and wet, with the spectrum, and by means of Maxwell's disks, it appears that the hue of indigo is almost identical with that of Prussian blue, and certainly does not lie on the violet side of "blue." Indigo in the dry lump, if scraped, has, however, a more violet tint; but if fractured or powdered, or dissolved, its tint is distinctly greenish. Prof. Rood considers that artificial ultramarine corresponds much more nearly to the true tint of the spectrum at the point usually termed "indigo," and he therefore proposes to substitute the term "ultramarine" in its place, the color of the artificial pigment being thereby intended.
{{cite web}}: |last= has generic name (help)In 1986 some programmers created a list of color names for a unix system known as X11. Having no background in color theory, they placed indigo as a dark purple. This list was later used by HTML and CSS standards that remain in place to this day. These standards are used by millions of designers and digital artists such that the color name indigo is now strongly associated with dark purple or violet. As such, a few programmers accidentally repurposed a color name that was known to civilizations for thousands of years. ...Note the difference between Web Indigo and Indigo. This standard color name is completely detached from the traditional color. This misrepresentation resulted from the random selection by a programmer working on an operating system in 1986.
{{cite web}}: CS1 maint: unfit URL (link)[better source needed]Newton denoted by the name of "indigo" the tint of the spectrum lying between "blue" and "violet." Von Bezold, in his work on color, rejects the term, justifying his objection by observing that the pigment indigo is a much darker hue than the spectrum tint. Prof. O. N. Rood, who follows Von Bezold in rejecting the term, brings forward the further objection that the tint of the pigment indigo more nearly corresponds in hue (though it is darker) with the cyan-blue region lying between green and blue. By comparing the tints of indigo pigment, both dry and wet, with the spectrum, and by means of Maxwell's disks, it appears that the hue of indigo is almost identical with that of Prussian blue, and certainly does not lie on the violet side of "blue." Indigo in the dry lump, if scraped, has, however, a more violet tint; but if fractured or powdered, or dissolved, its tint is distinctly greenish. Prof. Rood considers that artificial ultramarine corresponds much more nearly to the true tint of the spectrum at the point usually termed "indigo," and he therefore proposes to substitute the term "ultramarine" in its place, the color of the artificial pigment being thereby intended.