University of Southern California: Ingolf Dahl Archive, accessed June 1, 2010
books.google.com
Google Books: "Brass Quintet", accessed June 1, 2010; Linick, 104–107
cbdna.org
Commissioned by the College Band Directors National Association. Linick, 348–350, 398–400; College Band Directors National Association: "Sinfonietta for Concert Band – Ingolf Dahl, 1961", accessed June 20, 2010
Schwartz 1999: Michael Tilson Thomas later commissioned and recorded a version for orchestra. "Like all of Dahl's music, the piece contains both flawless craft and a large measure of poetry." Schwartz, Steve (1999). "Defining Dahl: The Music of Ingolf Dahl – review". ClassicalNet. Retrieved January 17, 2022.
Schwartz 1999: "May be the closest thing to a Dahl hit, the 'Intermezzo' movement having been used as a signature piece for Armed Forces Radio". Schwartz, Steve (1999). "Defining Dahl: The Music of Ingolf Dahl – review". ClassicalNet. Retrieved January 17, 2022.
Schwartz 1999: "The music's emotional world, particularly the first two movements, overflows with a wistfulness Stravinsky lacks. The finale opens everything up. Rhythmically lively – almost as manic as Martinů – it's a melodic and dancing delight." Schwartz, Steve (1999). "Defining Dahl: The Music of Ingolf Dahl – review". ClassicalNet. Retrieved January 17, 2022.
Schwartz 1999: "The score,...while fully in a neo-classic idiom, manages to avoid its clichés. Yet the score displays positive virtues as well: a grave beauty, really interesting textural shifts, and an even-handed distribution of interest throughout the orchestra. Finally, there's an almost indefinable sense of mastery....Little in it shakes you by the scruff of the neck. Its beauty steals over you." Schwartz, Steve (1999). "Defining Dahl: The Music of Ingolf Dahl – review". ClassicalNet. Retrieved January 17, 2022.
gf.org
Guggenheim Foundation: "Ingolf Dahl"Archived 2010-06-13 at the Wayback Machine, accessed June 1, 2010. Linick mentions another Guggenheim Fellowship in 1960, but it does not appear in the records of the Guggenheim Foundation. Linick, 226, 355
"Local Piano Debut for Robert Drumm", The New York Times, October 13, 1962, accessed May 31, 2010. "This proved to be a densely written work in a style reminiscent of much Central-European music of the nineteen-twenties. One heard, here and there, a certain Brahmsian influence, distilled in much the same way that Schonberg [sic] did in his early piano pieces."
Guggenheim Foundation: "Ingolf Dahl"Archived 2010-06-13 at the Wayback Machine, accessed June 1, 2010. Linick mentions another Guggenheim Fellowship in 1960, but it does not appear in the records of the Guggenheim Foundation. Linick, 226, 355
