Intelligent dance music (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Intelligent dance music" in English language version.

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allmusic.com

anglepoised.com

stream.anglepoised.com

  • "The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tangerine Dream) but this is beside the point. To claim ascendancy of one source over another is to deny the labyrinthine entwinements of culture: rooted in political history + the development of science + technology, yet tilting at the boundaries of society + language." Toop, David, in the Artificial Intelligence II sleeve notes Archived 7 July 2011 at the Wayback Machine.

exclaim.ca

factmag.com

furious.com

  • "Aphex Twin interview- Perfect Sound Forever". Furious.com. Archived from the original on 11 June 2008. Retrieved 5 September 2020.
  • Pozo, Carlos M. (September 1999). "Matmos interview". Furious.com. Archived from the original on 6 May 2021. Retrieved 4 June 2021. That said, I belong to the weblist called "IDM" and occasionally enjoy the discussions there, because I like some of the artists who get lassoed into that category (not to mention that we, occasionally, are lumped into that category too), and because you can occasionally find out about interesting records on that list. Like any other community, it allows for networking and exchange of information which is really useful and productive and powerful- but like any community, it always needs to define itself through exclusion, clique-ishness and the fashioning of some "other" excluded terms: rock music, women, noise, "real" dance music. I've noticed that whenever discussions drift towards anything about gender or sexuality on that list the cluelessness factor jumps off the chart. Matmos is IDM if that only means "might be talked about on the IDM list"- but I don't endorse that term "intelligent dance music" because it's laughable.

groups.google.com

igloomag.com

  • Winfield, Adam (24 November 2007). "Is IDM Dead?". Igloo Magazine. Archived from the original on 1 February 2020. Retrieved 1 February 2020.
  • Winfield, Adam (24 November 2007). "Is IDM Dead?". igloo magazine. Archived from the original on 15 December 2014. Retrieved 16 November 2014. …use of the idiom was initiated online with the conception of the IDM mailing list in 1993, which functioned as a forum for discussion on leading IDM artists and Artificial Intelligence. Incidentally, when I questioned Mike Paradinas (μ-Ziq) on his feelings towards the term, he bluntly answered: 'No one uses or used it in UK. Only Americans ever used the term. It was invented by Alan Parry who set up the IDM mailing list'.
  • Winfield, Adam (24 November 2007). "Is IDM Dead?". igloo magazine. Archived from the original on 15 December 2014. Retrieved 16 November 2014.

junkmedia.org

  • "'No one really listens to IDM over here,' says Mike Paradinas from his home in Worchester, UK. 'You just say stuff like the Aphex Twin, and they might have heard of him.' It's a bold statement for Paradinas, who, along with friends and contemporaries like Richard James (Aphex Twin) and LFO, was one of that genre's defining artists in London's fertile dance music community of the early 1990s." "'No one says IDM in England? No, only on message boards when they're talking to Americans!" Ben Stirling (2003), Junkmedia.org Archived 24 May 2011 at the Wayback Machine, published 28 July 2003.

list.co.uk

mpiii.com

newyorker.com

residentadvisor.net

resynthesize.com

elists.resynthesize.com

stylusmagazine.com

theguardian.com

  • Cardew, Ben (3 July 2017). "Machines of loving grace: how Artificial Intelligence helped techno grow up". The Guardian. Archived from the original on 29 October 2021. Retrieved 1 February 2020.

vice.com

web.archive.org

  • Cardew, Ben (3 July 2017). "Machines of loving grace: how Artificial Intelligence helped techno grow up". The Guardian. Archived from the original on 29 October 2021. Retrieved 1 February 2020.
  • Winfield, Adam (24 November 2007). "Is IDM Dead?". Igloo Magazine. Archived from the original on 1 February 2020. Retrieved 1 February 2020.
  • "The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tangerine Dream) but this is beside the point. To claim ascendancy of one source over another is to deny the labyrinthine entwinements of culture: rooted in political history + the development of science + technology, yet tilting at the boundaries of society + language." Toop, David, in the Artificial Intelligence II sleeve notes Archived 7 July 2011 at the Wayback Machine.
  • Pollard, Vincent. "Translator". Exclaim!. Archived from the original on 20 June 2017. Retrieved 28 April 2017.
  • "IDM". AllMusic. Archived from the original on 23 December 2014. Retrieved 20 January 2013.
  • Hobbes, DJ (26 February 2013). "Clubbers' Decktionary: IDM aka Intelligent Dance Music". The List. Archived from the original on 12 August 2017. Retrieved 6 June 2017.
  • Winfield, Adam (24 November 2007). "Is IDM Dead?". igloo magazine. Archived from the original on 15 December 2014. Retrieved 16 November 2014. …use of the idiom was initiated online with the conception of the IDM mailing list in 1993, which functioned as a forum for discussion on leading IDM artists and Artificial Intelligence. Incidentally, when I questioned Mike Paradinas (μ-Ziq) on his feelings towards the term, he bluntly answered: 'No one uses or used it in UK. Only Americans ever used the term. It was invented by Alan Parry who set up the IDM mailing list'.
  • "'No one really listens to IDM over here,' says Mike Paradinas from his home in Worchester, UK. 'You just say stuff like the Aphex Twin, and they might have heard of him.' It's a bold statement for Paradinas, who, along with friends and contemporaries like Richard James (Aphex Twin) and LFO, was one of that genre's defining artists in London's fertile dance music community of the early 1990s." "'No one says IDM in England? No, only on message boards when they're talking to Americans!" Ben Stirling (2003), Junkmedia.org Archived 24 May 2011 at the Wayback Machine, published 28 July 2003.
  • Frere-Jones, Sasha (6 October 2014). "The Pleasure Principle. Aphex Twin smooths out his edges". The New Yorker. Archived from the original on 17 December 2014. Retrieved 8 December 2014.
  • "Ambient House". AllMusic. Archived from the original on 22 February 2015. Retrieved 15 November 2014.
  • …the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation 'Artificial Intelligence', which became a milestone… it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene. Birke S. (2007), "Label Profile: Warp Records", The Independent (UK), Music Magazine (supplement), newspaper article published 2/11/07
  • "Coil _The Snow_ EP - rec.music.industrial | Google Groups". Archived from the original on 4 November 2012. Retrieved 28 July 2016.
  • "MiniREVIEWS galore (No hardcore please, we're Finnish). - alt.rave | Google Groups". Archived from the original on 4 November 2012. Retrieved 28 July 2016.
  • "List announcement: IDM - alt.rave | Google Groups". Archived from the original on 4 November 2012. Retrieved 28 July 2016.
  • ""Can Dumb People Enjoy IDM, Too?", the first post to the IDM list". Archived from the original on 17 November 2007. Retrieved 26 January 2011.
  • ""Re: Can Dumb People Enjoy IDM, Too?" post from Brian Behlendorf to the IDM list". Archived from the original on 18 November 2007. Retrieved 26 January 2011.
  • Fintoni, Laurent (1 March 2018). "Going to Miami: How IDM conquered the USA". Fact Magazine. Archived from the original on 19 December 2022. Retrieved 19 December 2022.
  • Erlewine, Stephen Thomas. "Kid A – Radiohead". AllMusic. Archived from the original on 3 June 2012. Retrieved 8 September 2011.
  • Winfield, Adam (24 November 2007). "Is IDM Dead?". igloo magazine. Archived from the original on 15 December 2014. Retrieved 16 November 2014.
  • IDM page Archived 23 December 2014 at the Wayback Machine at AllMusic
  • "Aphex Twin interview- Perfect Sound Forever". Furious.com. Archived from the original on 11 June 2008. Retrieved 5 September 2020.
  • Dave Segal (20 November 2003). "Rephlexions!: A Braindance Compilation". Stylusmagazine.com. Archived from the original on 11 March 2007. Retrieved 5 September 2020.
  • "Kid606 Ultrahang festival". Archived from the original on 30 September 2007. Retrieved 5 September 2020.
  • Pozo, Carlos M. (September 1999). "Matmos interview". Furious.com. Archived from the original on 6 May 2021. Retrieved 4 June 2021. That said, I belong to the weblist called "IDM" and occasionally enjoy the discussions there, because I like some of the artists who get lassoed into that category (not to mention that we, occasionally, are lumped into that category too), and because you can occasionally find out about interesting records on that list. Like any other community, it allows for networking and exchange of information which is really useful and productive and powerful- but like any community, it always needs to define itself through exclusion, clique-ishness and the fashioning of some "other" excluded terms: rock music, women, noise, "real" dance music. I've noticed that whenever discussions drift towards anything about gender or sexuality on that list the cluelessness factor jumps off the chart. Matmos is IDM if that only means "might be talked about on the IDM list"- but I don't endorse that term "intelligent dance music" because it's laughable.
  • Muggs, Joe (6 June 2016). "Review: Autechre - NTS Sessions 1-4". Resident Advisor. Archived from the original on 26 May 2020. Retrieved 18 May 2018.
  • Sam Davies (1 August 2018). "The IDM List Gave Intelligent Dance Music Its Name and Geeky Legacy". Vice. Archived from the original on 2 May 2020. Retrieved 3 May 2020.