Internet art (English Wikipedia)

Klink, Patrick (1999). "Daring Digital Artist". UB Today. Buffalo: The University at Buffalo. Archived from the original on March 4, 2016. Retrieved December 21, 2011.

collegeart.org

artjournal.collegeart.org

Flanagan, Mary (2000). "navigating the narrative in space: gender and spatiality in virtual worlds". Art Journal. New York: The College Art Association. Retrieved December 21, 2011.

doi.org

Ippolito, Jon (2002-10-01). "Ten Myths of Internet Art". Leonardo. 35 (5): 485–498. doi:10.1162/002409402320774312. ISSN 0024-094X. S2CID 57564573.
Boyd, D. M.; N. B. Ellison (2007). "Social Network Sites: Definition, History, and Scholarship". Journal of Computer-Mediated Communication. 13 (1): 210–230. doi:10.1111/j.1083-6101.2007.00393.x. S2CID 52810295. Retrieved 20 November 2012.
Christou, Elisavet (2018-07-01). "Internet Art, Google and Artistic Practice". Electronic Workshops in Computing. doi:10.14236/ewic/EVA2018.23. {{cite journal}}: Cite journal requires |journal= (help)

files.wordpress.com

emajartjournal.files.wordpress.com

Toby Juliff, Travis Cox (2015). "The post-display condition of contemporary computer art" (PDF). EMaj. 8.

fondation-langlois.org

Chandler, Annmarie; Neumark, Norie (2005). At a Distance: Precursors to Art and Activism on the Internet. Cambridge, Massachusetts: MIT Press. ISBN 0-262-03328-3.
Langill, Caroline (2009). "Electronic media in 1974". Shifting Polarities. Montreal: The Daniel Langlois Foundation for Art, Science, and Technology. Retrieved September 21, 2010.

fourninetyone.com

Schneider, B. "From Clubs to Affinity: The Decentralization of Art on the Internet". 491. Archived from the original on 7 July 2012. Retrieved 20 November 2012.

highsnobiety.com

Amarca, Nico (March 1, 2016). "From Bucket Hats to Pokémon: Breaking Down Yung Lean's Style". High Snobiety. Retrieved May 24, 2020.

indiana.edu

jcmc.indiana.edu

Boyd, D. M.; N. B. Ellison (2007). "Social Network Sites: Definition, History, and Scholarship". Journal of Computer-Mediated Communication. 13 (1): 210–230. doi:10.1111/j.1083-6101.2007.00393.x. S2CID 52810295. Retrieved 20 November 2012.

newyorker.com

Goldsmith, Kenneth (2015-03-10). "Post-Internet Poetry Comes of Age". The New Yorker. Retrieved 2016-09-14.

normill.ca

White, Norman T. "Plissure du Texte". The NorMill. Retrieved September 21, 2010. (Unedited transcript including organizational discussion.)

nytimes.com

movies2.nytimes.com

The Whitney Biennial 2000. See also "Now Anyone Can Be in the Whitney Biennial" in The New York Times (March 23, 2000), and "The Whitney Speaks: It Is Art" in Wired Magazine (March 23, 2000).

nytimes.com

Cotter, Holland (2002). "Never Mind the Art Police, These Six Matter". The New York Times. New York. Retrieved December 21, 2011.

rhizome.org

anthology.rhizome.org

"NET ART ANTHOLOGY: Reabracadabra". NET ART ANTHOLOGY: Reabracadabra. 2016-10-27. Retrieved 2020-12-26.
"NET ART ANTHOLOGY: Nine Eyes of Google Street View". NET ART ANTHOLOGY: Nine Eyes of Google Street View. 2016-10-27. Retrieved 2020-11-16.

rhizome.org

Connor, Michael (November 1, 2013). "What's Postinternet Got to do with Net Art?". Rhizome.

semanticscholar.org

api.semanticscholar.org

Ippolito, Jon (2002-10-01). "Ten Myths of Internet Art". Leonardo. 35 (5): 485–498. doi:10.1162/002409402320774312. ISSN 0024-094X. S2CID 57564573.
Boyd, D. M.; N. B. Ellison (2007). "Social Network Sites: Definition, History, and Scholarship". Journal of Computer-Mediated Communication. 13 (1): 210–230. doi:10.1111/j.1083-6101.2007.00393.x. S2CID 52810295. Retrieved 20 November 2012.

theguardian.com

Snapes, Laura (February 19, 2020). "Pop star, producer or pariah? The conflicted brilliance of Grimes". The Guardian.

thing.net

we-make-money-not-art.com

"Interview with Marisa Olson". 28 March 2008.

web.archive.org

Klink, Patrick (1999). "Daring Digital Artist". UB Today. Buffalo: The University at Buffalo. Archived from the original on March 4, 2016. Retrieved December 21, 2011.
Schneider, B. "From Clubs to Affinity: The Decentralization of Art on the Internet". 491. Archived from the original on 7 July 2012. Retrieved 20 November 2012.

whitney.org

The Whitney Biennial 2000. See also "Now Anyone Can Be in the Whitney Biennial" in The New York Times (March 23, 2000), and "The Whitney Speaks: It Is Art" in Wired Magazine (March 23, 2000).

wired.com

The Whitney Biennial 2000. See also "Now Anyone Can Be in the Whitney Biennial" in The New York Times (March 23, 2000), and "The Whitney Speaks: It Is Art" in Wired Magazine (March 23, 2000).
"Want to See Some Really Sick Art?" in Wired Magazine (June 27, 2001).

worldcat.org

search.worldcat.org

Ippolito, Jon (2002-10-01). "Ten Myths of Internet Art". Leonardo. 35 (5): 485–498. doi:10.1162/002409402320774312. ISSN 0024-094X. S2CID 57564573.
Moss, Cecelia Laurel (2015). Expanded Internet Art and the Informational Milieu. Ann Arbor. p. 1. ISBN 978-1-339-32982-6.{{cite book}}: CS1 maint: location missing publisher (link)</5-Arts Net> In the 1990s, email based mailing lists provided net artists with a community for online discourse that broke boundaries between critical and generative dialogues. The email format allowed instant expression, however limited to text and simple graphic based communication, with an international scope.<5-arts net>Greene, Rachel. (2004). Internet art. New York, N.Y.: Thames & Hudson. pp. 73–74. ISBN 0-500-20376-8. OCLC 56809770.

worldcat.org

Moss, Cecelia Laurel (2015). Expanded Internet Art and the Informational Milieu. Ann Arbor. p. 1. ISBN 978-1-339-32982-6.{{cite book}}: CS1 maint: location missing publisher (link)</5-Arts Net> In the 1990s, email based mailing lists provided net artists with a community for online discourse that broke boundaries between critical and generative dialogues. The email format allowed instant expression, however limited to text and simple graphic based communication, with an international scope.<5-arts net>Greene, Rachel. (2004). Internet art. New York, N.Y.: Thames & Hudson. pp. 73–74. ISBN 0-500-20376-8. OCLC 56809770.