Iris (opera) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Iris (opera)" in English language version.

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almanac-gherardo-casaglia.com

art.com

  • Caruson created the role of Kyoto. See photo of Caruson in costume. Retrieved 11 August 2015. For a list of Caruson's performances, see Marcocci, Roberto. "Caruson Guglielmo". La voce antica (in Italian). Retrieved 11 August 2015. From a review of Verdi's Otello in the Teatro Regio (Parma): "The baritone Caruson, Iago, is a pure, most intelligent artist, accenting in a truly exceptional way, but has limited vocal means. On successive evenings he was greatly applauded, since he possesses the secret of real singing, sadly abandoned in our days." ("Il baritono Caruson, Jago, è pure artista intelligentissimo, accenta in modo veramente eccezionale, ma dispone di limitati mezzi vocali. Nelle sere successive sarà maggiormente applaudito, perché possiede il segreto del vero canto purtroppo ai dì nostri abbandonato.") Source: Valerio Cervetti (ed.). "Altre voci : Carnevale 1894–95". Giulio Ferrarini (in Italian). La Casa della Musica. Retrieved 11 August 2015.

books.google.com

  • Mallach, Alan (2002). Pietro Mascagni and his Operas. Northeastern University Press. p. 127 and note. ISBN 9781555535247. Retrieved 28 January 2011.

lacasadellamusica.it

  • Caruson created the role of Kyoto. See photo of Caruson in costume. Retrieved 11 August 2015. For a list of Caruson's performances, see Marcocci, Roberto. "Caruson Guglielmo". La voce antica (in Italian). Retrieved 11 August 2015. From a review of Verdi's Otello in the Teatro Regio (Parma): "The baritone Caruson, Iago, is a pure, most intelligent artist, accenting in a truly exceptional way, but has limited vocal means. On successive evenings he was greatly applauded, since he possesses the secret of real singing, sadly abandoned in our days." ("Il baritono Caruson, Jago, è pure artista intelligentissimo, accenta in modo veramente eccezionale, ma dispone di limitati mezzi vocali. Nelle sere successive sarà maggiormente applaudito, perché possiede il segreto del vero canto purtroppo ai dì nostri abbandonato.") Source: Valerio Cervetti (ed.). "Altre voci : Carnevale 1894–95". Giulio Ferrarini (in Italian). La Casa della Musica. Retrieved 11 August 2015.

lavoceantica.it

  • Caruson created the role of Kyoto. See photo of Caruson in costume. Retrieved 11 August 2015. For a list of Caruson's performances, see Marcocci, Roberto. "Caruson Guglielmo". La voce antica (in Italian). Retrieved 11 August 2015. From a review of Verdi's Otello in the Teatro Regio (Parma): "The baritone Caruson, Iago, is a pure, most intelligent artist, accenting in a truly exceptional way, but has limited vocal means. On successive evenings he was greatly applauded, since he possesses the secret of real singing, sadly abandoned in our days." ("Il baritono Caruson, Jago, è pure artista intelligentissimo, accenta in modo veramente eccezionale, ma dispone di limitati mezzi vocali. Nelle sere successive sarà maggiormente applaudito, perché possiede il segreto del vero canto purtroppo ai dì nostri abbandonato.") Source: Valerio Cervetti (ed.). "Altre voci : Carnevale 1894–95". Giulio Ferrarini (in Italian). La Casa della Musica. Retrieved 11 August 2015.