Irmologion (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Irmologion" in English language version.

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See also the 18th-century manuscript of an Irmologion kalophonikon in Athens (MIET, Historical and Palaeographical Archive, Ms. Pezarou 15) and in Birmingham (Mingana Collechtion, Ms. Gr. 6). Germanos Hieromonachos; Panagiotes the New Chrysaphes; Petros Bereketes; Anastasios Skete; Balasios Iereos; Petros Peloponnesios; Petros Byzantios. "Athens, Ιστορικό και Παλαιογραφικό Αρχείο (ΙΠΑ), MIET, Ms. Pezarou 15, fol. 220v-229r". Heirmologion kalophonikon in an Anthologia of Psaltic Art (late 18th century). Athens: Μορφωτικό Ίδρυμα Εθνικής Τράπεζας. Archived from the original on 4 March 2016. Retrieved 29 September 2012. "University of Birmingham, Cadbury Research Library, Ms. Mingana Gr. 6". Heirmologion kalophonikon organised in oktoechos order in exegetic neumatic notation (Middle Byzantine) with compositions by Balasios Iereos, Petros Bereketis, Ioannes the Protopsaltes, Petros Peloponnesios, and Georgios of Crete (about 1800).

bl.uk (Global: 1,234^th place; English: 779^th place)

See the current edition of Petros Peloponnesios' Katavasies (GB-Lbl Ms. Add.16971) by Chourmouzios (1825) which is also used in other Orthodox traditions and their editions. Petros Peloponnesios. "London, British Library, Ms. Add. 16971". Katavasiai (Heirmologion argon), Prosomoia, and an incomplete Anthology for the Divine Liturgies (18th century). British Library. Archived from the original on 27 March 2021. Retrieved 3 May 2012. Petros Peloponnesios the Lampadarios; Petros Byzantios (1825). Chourmouzios Chartophylakos (ed.). Εἱρμολόγιον τῶν καταβασιῶν Πέτρου τοῦ Πελοποννησίου μετὰ τοῦ συντόμου Εἱρμολογίου Πέτρου Πρωτοψάλτου τοῦ Βυζαντίου: ἐξηγημένα κατὰ τὴν νέαν τῆς Μουσικῆς μέθοδον μετὰ προσθήκης ἰκανών μαθημάτων, ὧν ἐστεροῦντο εἰς τὸ παλαιόν. ἐπιθεωρηθέντα ἤδη, καὶ ἀκριβῶς διορθωθέντα παρὰ τοῦ Διδασκάλου Χουρμουζίου Χαρτοφύλακος. Constantinople: Isaac De Castro.

books.google.com (Global: 3^rd place; English: 3^rd place)

Peter Jeffery (2001), Harris (2004). Jeffery, Peter (2001). "The Earliest Oktōēchoi: The Role of Jerusalem and Palestine in the Beginnings of Modal Ordering". The Study of Medieval Chant: Paths and Bridges, East and West; In Honor of Kenneth Levy. Woodbridge, Suffolk: Boydell Press. pp. 147–209. ISBN 0-85115-800-5. Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160.

doi.org (Global: 2^nd place; English: 2^nd place)

Simon Harris (2004). A fully notated office menaion was written in Novgorod during the 12th century (RUS-Mim Sin. 159-168), obviously to control the impact of a Slavonic re-translation on the system of melodies (the heirmoi and the akrosticha). Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160. "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 159". Old Church Slavonic Mineya služebnaya for September with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century). "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 168". Old Church Slavonic Mineya služebnaya for August with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century).
Peter Jeffery (2001), Harris (2004). Jeffery, Peter (2001). "The Earliest Oktōēchoi: The Role of Jerusalem and Palestine in the Beginnings of Modal Ordering". The Study of Medieval Chant: Paths and Bridges, East and West; In Honor of Kenneth Levy. Woodbridge, Suffolk: Boydell Press. pp. 147–209. ISBN 0-85115-800-5. Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160.
Gerda Wolfram (2003), Enrica Follieri (1961). Wolfram, Gerda (2003). "Der Beitrag des Theodoros Studites zur byzantinischen Hymnographie". Jahrbuch der Österreichischen Byzantinistik. 53: 117–125. doi:10.1553/joeb53s117. ISBN 3-7001-3172-0.

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It is possible to identify the texts with the repertory of avtomela and irmoi made by the friends of music in Constantinople, at least as far as these texts are still in use until the present day. "Αὐτόμελα καὶ εἱρμοὶ κατ᾽ ἤχων". Friends of Music of Constantinople Club.

ipamiet.gr (Global: low place; English: low place)

See also the 18th-century manuscript of an Irmologion kalophonikon in Athens (MIET, Historical and Palaeographical Archive, Ms. Pezarou 15) and in Birmingham (Mingana Collechtion, Ms. Gr. 6). Germanos Hieromonachos; Panagiotes the New Chrysaphes; Petros Bereketes; Anastasios Skete; Balasios Iereos; Petros Peloponnesios; Petros Byzantios. "Athens, Ιστορικό και Παλαιογραφικό Αρχείο (ΙΠΑ), MIET, Ms. Pezarou 15, fol. 220v-229r". Heirmologion kalophonikon in an Anthologia of Psaltic Art (late 18th century). Athens: Μορφωτικό Ίδρυμα Εθνικής Τράπεζας. Archived from the original on 4 March 2016. Retrieved 29 September 2012. "University of Birmingham, Cadbury Research Library, Ms. Mingana Gr. 6". Heirmologion kalophonikon organised in oktoechos order in exegetic neumatic notation (Middle Byzantine) with compositions by Balasios Iereos, Petros Bereketis, Ioannes the Protopsaltes, Petros Peloponnesios, and Georgios of Crete (about 1800).

jstor.org (Global: 26^th place; English: 20^th place)

Simon Harris (2004). A fully notated office menaion was written in Novgorod during the 12th century (RUS-Mim Sin. 159-168), obviously to control the impact of a Slavonic re-translation on the system of melodies (the heirmoi and the akrosticha). Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160. "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 159". Old Church Slavonic Mineya služebnaya for September with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century). "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 168". Old Church Slavonic Mineya služebnaya for August with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century).
Peter Jeffery (2001), Harris (2004). Jeffery, Peter (2001). "The Earliest Oktōēchoi: The Role of Jerusalem and Palestine in the Beginnings of Modal Ordering". The Study of Medieval Chant: Paths and Bridges, East and West; In Honor of Kenneth Levy. Woodbridge, Suffolk: Boydell Press. pp. 147–209. ISBN 0-85115-800-5. Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160.

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cimagl.saxo.ku.dk

See Jørgen Raasted's study (1969) of the oldest papyrus fragments of the tropologion. Raasted, Jørgen (1969). "Observations on the Manuscript Tradition of Byzantine Music, I: A List of Heirmos Call-Numbers, based on Eustratiades's Edition of the Heirmologion" (PDF). Cahiers de l'Institut du Moyen-Âge grec et latin. 1: 3–12.
The Russian translation into Old Church Slavonic (Školnik 1994) can be distinct from the earlier one at Ohrid, that the latter tried not to change the irmoi, but thus, a litterate translation of the hymns was not possible (Dagmar 2001). Školnik, Irina; Školnik, Marina (1994). "Echos in the Byzantine-Russian Heirmologion. An Experience of Comparative Research" (PDF). Cahiers de l'Institut du Moyen-Âge grec et latin. 64: 3–17. Christians, Dagmar, ed. (2001). Die Notation von Stichera und Kanones im Gottesdienstmenäum für den Monat Dezember nach der Hs. GIM Sin. 162: Verzeichnis der Musterstrophen und ihrer Neumenstruktur. Patristica Slavica. Vol. 9. Wiesbaden: Westdt. Verl. ISBN 3-531-05129-6.

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The Iadgari has survived as the oldes tropologion (Frøyshov 2012), while there are only fragments of Greek tropologia (Troelsgård 2009). Frøyshov, Stig Simeon R. (2012). "The Georgian Witness to the Jerusalem Liturgy: New Sources and Studies". In Bert Groen; Stefanos Alexopoulos; Steven Hawkes-Teeples (eds.). Inquiries into Eastern Christian Worship: Selected Papers of the Second International Congress of the Society of Oriental Liturgy (Rome, 17–21 September 2008). Eastern Christian Studies. Vol. 12. Leuven, Paris, Walpole: Peeters. pp. 227–267. Troelsgård, Christian (2009). "A New Source for the Early Octoechos? Papyrus Vindobonensis G 19.934 and its musical implications" (PDF). Proceedings of the 1st International Conference of the ASBMH. 1st International Conference of the ASBMH, 2007: Byzantine Musical Culture. Pittsburgh. pp. 668–679.

semanticscholar.org (Global: 11^th place; English: 8^th place)

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Simon Harris (2004). A fully notated office menaion was written in Novgorod during the 12th century (RUS-Mim Sin. 159-168), obviously to control the impact of a Slavonic re-translation on the system of melodies (the heirmoi and the akrosticha). Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160. "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 159". Old Church Slavonic Mineya služebnaya for September with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century). "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 168". Old Church Slavonic Mineya služebnaya for August with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century).
Peter Jeffery (2001), Harris (2004). Jeffery, Peter (2001). "The Earliest Oktōēchoi: The Role of Jerusalem and Palestine in the Beginnings of Modal Ordering". The Study of Medieval Chant: Paths and Bridges, East and West; In Honor of Kenneth Levy. Woodbridge, Suffolk: Boydell Press. pp. 147–209. ISBN 0-85115-800-5. Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160.

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Simon Harris (2004). A fully notated office menaion was written in Novgorod during the 12th century (RUS-Mim Sin. 159-168), obviously to control the impact of a Slavonic re-translation on the system of melodies (the heirmoi and the akrosticha). Harris, Simon (2004). "The 'Kanon' and the Heirmologion". Music & Letters. 85 (2): 175–197. doi:10.1093/ml/85.2.175. JSTOR 3526092. S2CID 194034160. "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 159". Old Church Slavonic Mineya služebnaya for September with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century). "Moscow, Gosudarstvenniy istoričesky muzey (Государственный исторический музей), Ms. Sin. 168". Old Church Slavonic Mineya služebnaya for August with troparia, stichera, kondaks and akrosticha with znamennaya notation written at a scriptorium of Novgorod (12th century).

uoc.gr (Global: 9,599^th place; English: low place)

anemi.lib.uoc.gr

See the current edition of Petros Peloponnesios' Katavasies (GB-Lbl Ms. Add.16971) by Chourmouzios (1825) which is also used in other Orthodox traditions and their editions. Petros Peloponnesios. "London, British Library, Ms. Add. 16971". Katavasiai (Heirmologion argon), Prosomoia, and an incomplete Anthology for the Divine Liturgies (18th century). British Library. Archived from the original on 27 March 2021. Retrieved 3 May 2012. Petros Peloponnesios the Lampadarios; Petros Byzantios (1825). Chourmouzios Chartophylakos (ed.). Εἱρμολόγιον τῶν καταβασιῶν Πέτρου τοῦ Πελοποννησίου μετὰ τοῦ συντόμου Εἱρμολογίου Πέτρου Πρωτοψάλτου τοῦ Βυζαντίου: ἐξηγημένα κατὰ τὴν νέαν τῆς Μουσικῆς μέθοδον μετὰ προσθήκης ἰκανών μαθημάτων, ὧν ἐστεροῦντο εἰς τὸ παλαιόν. ἐπιθεωρηθέντα ἤδη, καὶ ἀκριβῶς διορθωθέντα παρὰ τοῦ Διδασκάλου Χουρμουζίου Χαρτοφύλακος. Constantinople: Isaac De Castro.
Todorov's Bulgarian edition (1992) includes a Bulgarian version of Petros Peloponnesios' Katavasies in calendaric order, the troparia have to be sung from a textbook Miney, while other Anthologies (Phokaeos 1978, Sarafov 1912) have to be used in combination with an Irmologion (Chourmouzios 1825). Todorov, Manasij Pop, ed. (1992). Псалтикиина Утренна (reprint ed.). Sofia: Sinodalno Izdatelstvo. Sarafov, Petĕr V. (1912). Рѫководство за практическото и теоретическо изучване на восточната църковна музика [includes an Anthology dedicated to Ioan Kukuzel with Menaion, a Voskresnik, and an Anthology for Utrenna and the Divine Liturgies]. Sofia: Peter Gluškov. pp. 478–630. Petros Peloponnesios the Lampadarios; Petros Byzantios (1825). Chourmouzios Chartophylakos (ed.). Εἱρμολόγιον τῶν καταβασιῶν Πέτρου τοῦ Πελοποννησίου μετὰ τοῦ συντόμου Εἱρμολογίου Πέτρου Πρωτοψάλτου τοῦ Βυζαντίου: ἐξηγημένα κατὰ τὴν νέαν τῆς Μουσικῆς μέθοδον μετὰ προσθήκης ἰκανών μαθημάτων, ὧν ἐστεροῦντο εἰς τὸ παλαιόν. ἐπιθεωρηθέντα ἤδη, καὶ ἀκριβῶς διορθωθέντα παρὰ τοῦ Διδασκάλου Χουρμουζίου Χαρτοφύλακος. Constantinople: Isaac De Castro.

wdl.org (Global: 1,424^th place; English: 1,680^th place)

See the Rozniki Irmolog at the National Library of Petrozavodsk. "Old Believers' Irmolog "Rozniki" with kryuki notation". Petrozavodsk: National Library of Karelia. 1550–1625.

web.archive.org (Global: 1^st place; English: 1^st place)

See the current edition of Petros Peloponnesios' Katavasies (GB-Lbl Ms. Add.16971) by Chourmouzios (1825) which is also used in other Orthodox traditions and their editions. Petros Peloponnesios. "London, British Library, Ms. Add. 16971". Katavasiai (Heirmologion argon), Prosomoia, and an incomplete Anthology for the Divine Liturgies (18th century). British Library. Archived from the original on 27 March 2021. Retrieved 3 May 2012. Petros Peloponnesios the Lampadarios; Petros Byzantios (1825). Chourmouzios Chartophylakos (ed.). Εἱρμολόγιον τῶν καταβασιῶν Πέτρου τοῦ Πελοποννησίου μετὰ τοῦ συντόμου Εἱρμολογίου Πέτρου Πρωτοψάλτου τοῦ Βυζαντίου: ἐξηγημένα κατὰ τὴν νέαν τῆς Μουσικῆς μέθοδον μετὰ προσθήκης ἰκανών μαθημάτων, ὧν ἐστεροῦντο εἰς τὸ παλαιόν. ἐπιθεωρηθέντα ἤδη, καὶ ἀκριβῶς διορθωθέντα παρὰ τοῦ Διδασκάλου Χουρμουζίου Χαρτοφύλακος. Constantinople: Isaac De Castro.
See also the 18th-century manuscript of an Irmologion kalophonikon in Athens (MIET, Historical and Palaeographical Archive, Ms. Pezarou 15) and in Birmingham (Mingana Collechtion, Ms. Gr. 6). Germanos Hieromonachos; Panagiotes the New Chrysaphes; Petros Bereketes; Anastasios Skete; Balasios Iereos; Petros Peloponnesios; Petros Byzantios. "Athens, Ιστορικό και Παλαιογραφικό Αρχείο (ΙΠΑ), MIET, Ms. Pezarou 15, fol. 220v-229r". Heirmologion kalophonikon in an Anthologia of Psaltic Art (late 18th century). Athens: Μορφωτικό Ίδρυμα Εθνικής Τράπεζας. Archived from the original on 4 March 2016. Retrieved 29 September 2012. "University of Birmingham, Cadbury Research Library, Ms. Mingana Gr. 6". Heirmologion kalophonikon organised in oktoechos order in exegetic neumatic notation (Middle Byzantine) with compositions by Balasios Iereos, Petros Bereketis, Ioannes the Protopsaltes, Petros Peloponnesios, and Georgios of Crete (about 1800).

Irmologion (English Wikipedia)

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