Islamic art (English Wikipedia)

J. M. Bloom; S. S. Blair (2009). Grove Encyclopedia of Islamic Art and Architecture, Vol. II. New York: Oxford University Press. pp. vii. ISBN 978-0-19-530991-1.
J. Bloom; S. Blair (2009). Grove Encyclopedia of Islamic Art. New York: Oxford University Press, Inc. pp. 192 and 207. ISBN 978-0-19-530991-1.
Salim Ayduz; Ibrahim Kalin; Caner Dagli (2014). The Oxford Encyclopedia of Philosophy, Science, and Technology in Islam. Oxford University Press. ISBN 978-0-19-981257-8. Figural representation is virtually unused in Islamic art because of Islam's strong antagonism of idolatry. It was important for Muslim scholars and artists to find a style of art that represented the Islamic ideals of unity (tawhid) and order without figural representation. Geometric patterns perfectly suited this goal.
Endnote 111 in Roman glass: reflections on cultural change, Fleming, Stuart. see also endnote 110 for Jewish glassworkers
Baer, Eva (1983). Metalwork in Medieval Islamic Art. SUNY Press. pp. whole book. ISBN 978-0-87395-602-4.
Bloom, Jonathan M.; Blair, Sheila S., eds. (2009). "Architecture". The Grove Encyclopedia of Islamic Art and Architecture. Vol. 1. Oxford University Press. pp. 68–71. ISBN 9780195309911.
Fowden, Garth (2004). Qusayr 'Amra: Art and the Umayyad Elite in Late Antique Syria. University of California Press. ISBN 978-0-520-23665-3.

britannica.com

Blair, Shirley S.; Bloom, Jonathan M. (2003). "The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field" (PDF). The Art Bulletin. 85 (1): 152–184. doi:10.2307/3177331. JSTOR 3177331.
Henderson, J.; McLoughlin, S. D.; McPhail, D. S. (2004). "Radical changes in Islamic glass technology: evidence for conservatism and experimentation with new glass recipes from early and middle Islamic Raqqa, Syria". Archaeometry. 46 (3): 439–68. doi:10.1111/j.1475-4754.2004.00167.x.

Backhouse, Tim. "Only God is Perfect". Islamic and Geometric Art. Retrieved 25 August 2009.

"One group of painters followed a hedonistic orientation toward a festive representation of events and personages, luxurious ornamentation, and wealth of figures and colors; this is illustrated by the miniatures of the Golestān of 1556-57 and the love scenes by the artist ʿAbdallāh in the Būstān of 1575-76 (...). The other group of miniaturists preferred naive genre scenes illustrating folk characteristics, as in the Toḥfat al-aḥrār of the 1670s." "History of art in Iran. viii. Islamic Central Asia". Encyclopaedia Iranica. Retrieved 2021-10-17.^{[failed verification]}

Louvre, Suaire de St-Josse Archived 2011-06-23 at the Wayback Machine. Exhibited as no. 4 in Arts, 74.

"Figural Representation in Islamic Art". The Metropolitan Museum of Art.
"Base of a ewer with Zodiac medallions [Iran] (91.1.530)". Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, July 2011; see also on astrology, Carboni, Stefano. Following the Stars: Images of the Zodiac in Islamic Art. (New York: The Metropolitan Museum of Art, 1997), 16. The inscription reads: "Bi-l-yumn wa al-baraka…" meaning "With bliss and divine grace…"

Bondak, Marwa (2017-04-25). "Islamic Art History: An Influential Period". Mozaico. Retrieved 26 May 2017.

Melikian, Souren (December 5, 2008). "Qatar's Museum of Islamic Art: Despite flaws, a house of masterpieces". International Herald Tribune. Retrieved September 6, 2011. This is a European construct of the 19th century that gained wide acceptance following a display of Les Arts Musulmans at the old Trocadero palace in Paris during the 1889 Exposition Universelle. The idea of "Islamic art" has even less substance than the notion of "Christian art" from the British Isles to Germany to Russia during the 1000 years separating the reigns of Charlemagne and Queen Victoria might have.
Melikian, Souren (April 24, 2004). "Toward a clearer vision of 'Islamic' art". International Herald Tribune. Retrieved September 6, 2011.

Thompson, Muhammad; Begum, Nasima. "Islamic Textile Art: Anomalies in Kilims". Salon du Tapis d'Orient. TurkoTek. Retrieved 25 August 2009.

Suarez, Michael F. (2010). "38 The History of the Book in the Muslim World". The Oxford companion to the book. Oxford and New York: Oxford University Press. pp. 331ff. ISBN 9780198606536. OCLC 50238944.