Jacob Adriaensz Backer (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Jacob Adriaensz Backer" in English language version.

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archive.org (Global: 6^th place; English: 6^th place)

Rose, Hugh James (1857). "Bakker, James". A New General Biographical Dictionary. Vol. 3 BAH–BEE. London: B. Fellowes et al. p. 45.

William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts (1965). Drawings: collection of Milton McGreevy. Archetype Publications. p. 23. From 1632 to 1634, he studied with Rembrandt
Christopher Wright (1992). The world's master paintings. Routledge. p. 298. ISBN 9780415022408. Backer was one of the most independent pupils of Rembrandt
Paul Huys Janssen, Werner Sumowski (1992). The Hoogsteder Exhibition of Rembrandt's Academy. Hoogsteder & Hoogsteder. p. 89. Backer proved susceptible to Rembrandt's style for, as the leading artist, he was all the rage.

He completely finished, in one day, the half length portrait of a lady in full dress, even so early, that she was able to return the same day back to Haarlem with the painting; cited 50 years later in (in Dutch) Jakob Bakker biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature