Auchmutey, Jim (November 12, 2006). "Finding Uncle Remus". accessatlanta.com. Archived from the original on February 14, 2012. Retrieved November 17, 2008.
"Harlem Is Heaven", Variety (New York, N.Y.), June 7, 1932, page 20. Retrieved January 30, 2018.
doi.org
Bayor, Ronald H. (1988). "Roads to Racial Segregation: Atlanta in the Twentieth Century". Journal of Urban History. 15 (1): 3–21. doi:10.1177/009614428801500101. S2CID144988189.
In a 15 October 1946 article in the Atlanta Constitution, columnist Harold Martin noted that to bring Baskett to Atlanta, where he would not have been allowed to participate in any of the festivities, "would cause him many embarrassments, for his feelings are the same as any man's." The modern claim that no Atlanta hotel would give Baskett accommodation is false: there were several black-owned hotels in Atlanta at the time, including the Savoy and the McKay. Atlanta's Black-Owned Hotels: A History.
Murfin, Patrick (March 21, 2013). "An Oscar for Uncle Remus". Heretic, Rebel, a Thing to Flout. Retrieved June 26, 2020.
semanticscholar.org
api.semanticscholar.org
Bayor, Ronald H. (1988). "Roads to Racial Segregation: Atlanta in the Twentieth Century". Journal of Urban History. 15 (1): 3–21. doi:10.1177/009614428801500101. S2CID144988189.
As Jim Korkis notes, "Song of the South came out in 1946 and there was no balance of media images... African American performers often portrayed comic roles where their characters were described as lazy, slow-witted, easily scared or flustered, subservient and worse. That image was what the American public was seeing and accepting as the norm for African Americans." Jim Korkis, "The Sad Song of the South", USA Today (accessed 24 August 2013)
Auchmutey, Jim (November 12, 2006). "Finding Uncle Remus". accessatlanta.com. Archived from the original on February 14, 2012. Retrieved November 17, 2008.
