James Figg (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "James Figg" in English language version.

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archive.org

artscouncil.org.uk

bareknuckleboxinghalloffame.com

books.google.com

britishmuseum.org

  • "[Print] Jack Broughton: Prize Fighter". The British Museum. Retrieved 12 June 2022. Curator's comments: Elizabeth Einberg (personal communication, March 2011) suggests that the subject is likely to be James Figg rather than John Broughton. She also suggests that although the head in the painting was certainly the work of Hogarth, the landscape background was painted by George Lambert, and the body of the sitter perhaps by a third artist. Tony Gee (July 2016) also has some doubts as to whether the subject is actually Broughton.

britishnewspaperarchive.co.uk

  • "The Company at Mr. Figg's". Ipswich Journal. 10 June 1727. p. 3. Retrieved 3 April 2019 – via The British Newspaper Archive.
  • "London October 15". Ipswich Journal. 10 October 1730. p. 4. Retrieved 1 April 2019 – via The British Newspaper Archive.
  • "Yesterday a Prize was fought". Caledonian Mercury. 9 December 1731. p. 3. Retrieved 1 April 2019 – via The British Newspaper Archive.
  • "London, Dec. 4". Stamford Mercury. 9 December 1731. p. 5. Retrieved 3 April 2019 – via The British Newspaper Archive.
  • "London". Derby Mercury. 19 December 1734. p. 4. Retrieved 3 April 2019 – via The British Newspaper Archive.
  • "London, Oct 2". Newcastle Courant. 11 October 1729. p. 1. Retrieved 1 April 2019 – via The British Newspaper Archive.

doi.org

handle.net

hdl.handle.net

ibhof.com

  • "James Figg". International Boxing Hall of Fame. Retrieved 12 June 2022.

imamuseum.org

collection.imamuseum.org

  • "A Midnight Modern Conversation". Indianapolis Museum of Art. Retrieved 12 June 2022. It is 4:00 a.m. in a clubroom said to be St. John's Coffee-house, Shire Lane, London. The candles are burning out on a night consigned to drinking, and the revelers betray every state of drunkenness from rowdiness to stupefaction. In spite of Hogarth's admonition in his caption—"Think not to find one meant resemblance there, we lash the Vices but the Persons spare"—Hogarth's audience took delight in associating individuals in the print with various reprobates in London society.

jstor.org

  • Borg 2004, p. 35 Borg, Alan (2004). "The Monarch of Marylebone Plains: James Figg's Place in 18th-Century British Art". The British Art Journal. 5 (3): 35–36. JSTOR 41614575.
  • Brailsford 1982, p. 45 Brailsford, Dennis (1982). "Sporting Days in Eighteenth Century England". Journal of Sport History. 9 (3): 41–54. JSTOR 43609260.
  • Roberts 1977, p. 249 Roberts, Randy (1977). "Eighteenth Century Boxing". Journal of Sport History. 4 (3): 246–259. JSTOR 43610520.
  • Borg 2004, p. 36 Borg, Alan (2004). "The Monarch of Marylebone Plains: James Figg's Place in 18th-Century British Art". The British Art Journal. 5 (3): 35–36. JSTOR 41614575.
  • Johnson 1996, p. 334 Johnson, Christopher (1996). "'British Championism': Early Pugilism and the Works of Fielding". The Review of English Studies. 47 (187): 331–351. doi:10.1093/res/XLVII.187.331. JSTOR 518283.
  • Roberts 1977, p. 250 Roberts, Randy (1977). "Eighteenth Century Boxing". Journal of Sport History. 4 (3): 246–259. JSTOR 43610520.
  • Roberts 1977, p. 248 Roberts, Randy (1977). "Eighteenth Century Boxing". Journal of Sport History. 4 (3): 246–259. JSTOR 43610520.

oxforddnb.com

oxonblueplaques.org.uk

  • "James FIGG (1684–1734)". Oxfordshire Blue Plaques. Retrieved 17 August 2023.

stmarylebone.org

web.archive.org