Jazz (English Wikipedia)

"The primary instrument for a cultural music expression was a long narrow African drum. It came in various sized from three to eight feet long and had previously been banned in the South by whites. Other instruments used were the triangle, a jawbone, and early ancestors to the banjo. Many types of dances were performed in Congo Square, including the 'flat-footed-shuffle' and the 'Bamboula.'" African American Registry. Archived December 2, 2014, at the Wayback Machine

afr.com

Michael Bailey (May 1, 2018). "Jacob Collier review: Youtuber gets Gen Y into jazz". The Australian Financial Review. Retrieved May 16, 2018.

allaboutjazz.com

"All About Jazz". Archived from the original on August 5, 2010. Retrieved March 13, 2011.

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americandialect.org

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archive.org

Cooke, Mervyn; Horn, David G. (2002). The Cambridge Companion to Jazz. New York: Cambridge University Press. pp. 1, 6. ISBN 978-0-5216-6388-5.
Baraka, Amiri (1999). Blues People: Negro Music in White America. Harper Perennial. ISBN 978-0-6881-8474-2.
Davis, Miles & Troupe, Quincy (1990). Miles: The Autobiography. Simon & Schuster. ISBN 0-6716-3504-2.
Baraka, Amiri (2000). The LeRoi Jones/Amiri Baraka reader (2nd ed.). Thunder's Mouth Press. p. 42. ISBN 978-1-5602-5238-2.
Larkin, Philip (2004). Jazz Writings. Continuum. p. 94. ISBN 978-0-8264-7699-9.
Cooke 1999, pp. 7–9. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 14–17, 27–28. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Roberts, John Storm (1999). Latin Jazz. New York: Schirmer Books. pp. 12, 16. ISBN 978-0-0286-4681-7.
Cooke 1999, pp. 28, 47. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 28–29. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, p. 78. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 41–42. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 11–14. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 47, 50. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 38, 56. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, p. 44. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, p. 54. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 82–83, 100–103. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 56–59, 78–79, 66–70. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Wynn, Neil A., ed. (2007). Cross the Water Blues: African American music in Europe (1 ed.). Jackson, MS: University Press of Mississippi. p. 67. ISBN 978-1-6047-3546-8.
Crow, Bill (1990). Jazz Anecdotes. New York: Oxford University Press.
Trynka, Paul (2003). The Sax & Brass Book. Hal Leonard Corporation. pp. 45, 48–49. ISBN 0-8793-0737-4.
James, Clive (2007). Cultural Amnesia: Necessary Memories from History and the Arts. W.W. Norton & Company. p. 163. ISBN 978-0-3930-6116-1.
Gridley, Mark C. (1994), Ron Wynn (ed.), All Music Guide to Jazz, M. Erlewine, V. Bogdanov, San Francisco: Miller Freeman, pp. 11–12, ISBN 0-8793-0308-5

biblio.com

Gridley, Mark C. (2000). Jazz Styles: History & Analysis (7th ed.). Upper Saddle River, NJ: Prentice Hall. pp. 72–73. ISBN 978-0-1302-1227-6.

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Hennessey, Thomas (1973). From Jazz to Swing: Black Jazz Musicians and Their Music, 1917–1935 (Ph.D. dissertation). Northwestern University. p. 470.
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Berendt, Joachim Ernst (1964). The New Jazz Book. P. Owen. p. 278. Retrieved August 4, 2013.
Cayton, Andrew R.L.; Sisson, Richard; Zacher, Chris, eds. (2006). The American Midwest: An Interpretive Encyclopedia. Indiana University Press. p. 569. ISBN 978-0-2530-0349-2.
The Big Bands - 4th Edition George T. Simon. Schirmer Trade Books, London, 2012 ISBN 978-0-8571-2812-6 "Shep Fields Biography" on Books.google.com
Hearn, Lafcadio (August 3, 2017). Delphi Complete Works of Lafcadio Hearn. Delphi Classics. pp. 4079–. ISBN 978-1-7865-6090-2. Retrieved January 2, 2019.
Martin, Henry; Waters, Keith (2005). Jazz: The First 100 Years. Thomson Wadsworth. p. 55. ISBN 978-0-5346-2804-8.
Scott, Emmett J. (1919). "Chapter XXI: Negro Music That Stirred France". Scott's Official History of the American Negro in the World War. Chicago: Homewood Press. ISBN 978-0-2436-2721-9. Retrieved June 19, 2017. {{cite book}}: ISBN / Date incompatibility (help)
Encyclopedia of music in the 20th Century. Stacey, Lee. Henderson, Lol Editors. Routledge Taylor and Francis Group London 2014 p. 379 Guy Lombardo Biography on Google Books
Continuum Encyclopedia of Popular Music of the World Volume 8- Genres North America. Horn, David. Shephard, John Editors. Bloombury Publishing 2012 p. 472 "Armstrong and Lombardo did not view their worlds as diametrically opposed, nor did many other contemporary musicians of the 1930s. ...Lombardo himself always took great pride in the number of black orchestras that imitated his style." Guy lombardo band popularity on Google Books

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"Jazz". Encyclopædia Britannica. Retrieved September 2, 2022.

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cnx.org

Catherine Schmidt-Jones (2006). "Ragtime". Connexions. Retrieved October 18, 2007.

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Corbin, Ian Marcus (December 7, 2012). "A jazz mass? The vexing legacy of Mary Lou Williams". Commonweal. Vol. 139, no. 12. pp. 13–15. Retrieved November 1, 2020.

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Marin, Reva (December 2015). "Representations of Identity in Jewish Jazz Autobiography". Canadian Review of American Studies. 45 (3): 323–353. doi:10.3138/cras.2015.s10. ISSN 0007-7720. S2CID 162673161.
Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4): 305–16. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
DeVeaux, Scott (1991). "Constructing the Jazz Tradition: Jazz Historiography". Black American Literature Forum. 25 (3): 525–560. doi:10.2307/3041812. ISSN 0148-6179. JSTOR 3041812.
Dunkel, Mario (2015). "W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era". Popular Music and Society. 38 (2): 122–139. doi:10.1080/03007766.2014.994320. S2CID 191480580.
Jackson, Jeffrey (2002). "Making Jazz French: The Reception of Jazz Music in Paris, 1927–1934". French Historical Studies. 25 (1): 149–170. doi:10.1215/00161071-25-1-149. S2CID 161520728.
Rosenthal, David H. (1988). "Hard Bop and Its Critics". The Black Perspective in Music. 16 (1): 21–29. doi:10.2307/1215124. ISSN 0090-7790. JSTOR 1215124.
Yudkin, Jeremy (2012). "The Naming of Names: "Flamenco Sketches" or "All Blues"? Identifying the Last Two Tracks on Miles Davis's Classic Album Kind of Blue". The Musical Quarterly. 95 (1): 15–35. doi:10.1093/musqtl/gds006.

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drumbook.org

Jazz Drum Lessons Archived October 27, 2010, at the Wayback Machine – Drumbook.org

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fzmw.de

Elsdon 2003 Elsdon, Peter (2003). "Review: The Cambridge Companion to Jazz, edited by Mervyn Cooke and David Horn". Zeitschrift für Musikwissenschaft (6): 159–175. Archived from the original on November 1, 2013. Retrieved April 30, 2013.

haaretz.com

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hr57.org

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irishtimes.com

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jstor.org

Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4): 305–16. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
DeVeaux, Scott (1991). "Constructing the Jazz Tradition: Jazz Historiography". Black American Literature Forum. 25 (3): 525–560. doi:10.2307/3041812. ISSN 0148-6179. JSTOR 3041812.
Rosenthal, David H. (1988). "Hard Bop and Its Critics". The Black Perspective in Music. 16 (1): 21–29. doi:10.2307/1215124. ISSN 0090-7790. JSTOR 1215124.

latimes.com

Oliver, Myrna (April 28, 1999). "Melba Liston; Jazz Trombonist, Composer". Los Angeles Times.
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Versace, Angelo (April 30, 2013). "The Evolution of Sacred Jazz as Reflected in the Music of Mary Lou Williams, Duke Ellington, John Coltrane and Recognized Contemporary Sacred Jazz Artists". Open Access Dissertations. University of Miami. Retrieved March 28, 2020.

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Dunkel, Mario (2015). "W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era". Popular Music and Society. 38 (2): 122–139. doi:10.1080/03007766.2014.994320. S2CID 191480580.
Jackson, Jeffrey (2002). "Making Jazz French: The Reception of Jazz Music in Paris, 1927–1934". French Historical Studies. 25 (1): 149–170. doi:10.1215/00161071-25-1-149. S2CID 161520728.

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Wilton, Dave (April 6, 2015). "The Baseball Origin of 'Jazz'". OxfordDictionaries.com. Oxford University Press. Archived from the original on April 7, 2015. Retrieved June 20, 2016.
Seagrove, Gordon (July 11, 1915). "Blues is Jazz and Jazz Is Blues" (PDF). Chicago Daily Tribune. Archived from the original (PDF) on January 30, 2012. Retrieved November 4, 2011 – via Paris-Sorbonne University. Archived at Observatoire Musical Français, Paris-Sorbonne University.
Elsdon 2003 Elsdon, Peter (2003). "Review: The Cambridge Companion to Jazz, edited by Mervyn Cooke and David Horn". Zeitschrift für Musikwissenschaft (6): 159–175. Archived from the original on November 1, 2013. Retrieved April 30, 2013.
Jazz Drum Lessons Archived October 27, 2010, at the Wayback Machine – Drumbook.org
"Jazz Inc.: The bottom line threatens the creative line in corporate America's approach to music". Archived from the original on July 20, 2001. Retrieved July 20, 2001. by Andrew Gilbert, Metro Times, December 23, 1998.
"Nine Jews Who Changed the Sound of Jazz". Haaretz. Archived from the original on November 13, 2021. Retrieved November 13, 2021.
"'Body and Soul' doc explores links between jazz and Jews". Chicago Tribune. February 6, 2018. Archived from the original on November 13, 2021. Retrieved November 13, 2021.
Starr, Larry, and Christopher Waterman. "Popular Jazz and Swing: America's Original Art Form" (Archived February 3, 2017, at the Wayback Machine). IIP Digital. Oxford University Press, 26 July 2008.
Criswell, Chad. "What Is a Jazz Band?". Archived from the original on July 28, 2014. Retrieved July 25, 2014.
Gates, Henry Louis Jr. (January 2, 2013). "How Many Slaves Landed in the U.S.?". The African Americans: Many Rivers to Cross. PBS. Archived from the original on September 21, 2015.
"The primary instrument for a cultural music expression was a long narrow African drum. It came in various sized from three to eight feet long and had previously been banned in the South by whites. Other instruments used were the triangle, a jawbone, and early ancestors to the banjo. Many types of dances were performed in Congo Square, including the 'flat-footed-shuffle' and the 'Bamboula.'" African American Registry. Archived December 2, 2014, at the Wayback Machine
"The First Ragtime Records (1897–1903)". Archived from the original on December 1, 2010. Retrieved October 18, 2007.
Floyd Levin (1911). "Jim Europe's 369th Infantry "Hellfighters" Band". The Red Hot Archive. Archived from the original on August 18, 2016. Retrieved October 24, 2007.
"The Evolution of Differing Blues Styles". How To Play Blues Guitar. Archived from the original on July 19, 2010. Retrieved August 11, 2008.
"Original Creole Orchestra". The Red Hot Archive. Archived from the original on November 5, 2019. Retrieved October 23, 2007.
"The characters". Archived from the original on January 4, 2022. Retrieved January 13, 2016.
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Schoenherr, Steven. "Recording Technology History". history.sandiego.edu. Archived from the original on March 12, 2010. Retrieved December 24, 2008.
"Kid Ory". The Red Hot Archive. Archived from the original on August 27, 2013. Retrieved October 29, 2007.
"Bessie Smith". The Red Hot Archive. Archived from the original on October 16, 2007. Retrieved October 29, 2007.
"Jazz Musicians – Duke Ellington". Theory Jazz. Archived from the original on September 3, 2015. Retrieved July 14, 2009.
"Ed Lang and his Orchestra". redhotjazz.com. Archived from the original on April 10, 2008. Retrieved March 28, 2008.
Moore, Kevin (2007) "History and Discography of Irakere". Timba.com. Archived March 26, 2013, at the Wayback Machine
Bair, Jeff (2003: 5). Cyclic Patterns in John Coltrane's Melodic Vocabulary as Influenced by Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns: An Analysis of Selected Improvisations Archived August 16, 2017, at the Wayback Machine. PhD Thesis. University of North Texas.
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Kalouti, Noor, et al. (July 11, 2016), "6 Genre-Bending Artists Fusing Jazz with Electronic Music" Archived July 13, 2019, at the Wayback Machine, Soundfly.
Larkin, Cormac (October 13, 2015),"Who Can Keep up with Mark Guiliana?" Archived November 4, 2020, at the Wayback Machine The Irish Times.
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HR-57 Center HR-57 Center for the Preservation of Jazz and Blues, with the six-point mandate. Archived September 18, 2008, at the Wayback Machine
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