Jazz (English Wikipedia)

"The primary instrument for a cultural music expression was a long narrow African drum. It came in various sized from three to eight feet long and had previously been banned in the South by whites. Other instruments used were the triangle, a jawbone, and early ancestors to the banjo. Many types of dances were performed in Congo Square, including the 'flat-footed-shuffle' and the 'Bamboula.'" African American Registry. Archived December 2, 2014, at the Wayback Machine

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Michael Bailey (May 1, 2018). "Jacob Collier review: Youtuber gets Gen Y into jazz". The Australian Financial Review. Retrieved May 16, 2018.

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"All About Jazz". Archived from the original on August 5, 2010. Retrieved March 13, 2011.

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Cooke, Mervyn; Horn, David G. (2002). The Cambridge Companion to Jazz. New York: Cambridge University Press. pp. 1, 6. ISBN 978-0-5216-6388-5.
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Davis, Miles; Troupe, Quincy (1990). Miles: The Autobiography. Simon & Schuster. ISBN 0-6716-3504-2.
Baraka, Amiri (2000). The LeRoi Jones/Amiri Baraka reader (2nd ed.). Thunder's Mouth Press. p. 42. ISBN 978-1-5602-5238-2.
Larkin, Philip (2004). Jazz Writings. Continuum. p. 94. ISBN 978-0-8264-7699-9.
Cooke 1999, pp. 7–9. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 14–17, 27–28. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Roberts, John Storm (1999). Latin Jazz. New York: Schirmer Books. pp. 12, 16. ISBN 978-0-0286-4681-7.
Cooke 1999, pp. 28, 47. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 28–29. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, p. 78. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 41–42. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 11–14. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 47, 50. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 38, 56. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, p. 44. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, p. 54. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 82–83, 100–103. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Cooke 1999, pp. 56–59, 78–79, 66–70. Cooke, Mervyn (1999). Jazz. London: Thames and Hudson. ISBN 978-0-5002-0318-7..
Wynn, Neil A., ed. (2007). Cross the Water Blues: African American music in Europe (1 ed.). Jackson, MS: University Press of Mississippi. p. 67. ISBN 978-1-6047-3546-8.
Crow, Bill (1990). Jazz Anecdotes. New York: Oxford University Press.
Trynka, Paul (2003). The Sax & Brass Book. Hal Leonard Corporation. pp. 45, 48–49. ISBN 0-8793-0737-4.
James, Clive (2007). Cultural Amnesia: Necessary Memories from History and the Arts. W.W. Norton & Company. p. 163. ISBN 978-0-3930-6116-1.
Gridley, Mark C. (1994), Ron Wynn (ed.), All Music Guide to Jazz, M. Erlewine, V. Bogdanov, San Francisco: Miller Freeman, pp. 11–12, ISBN 0-8793-0308-5

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Hennessey, Thomas (1973). From Jazz to Swing: Black Jazz Musicians and Their Music, 1917–1935 (Ph.D. dissertation). Northwestern University. p. 470.
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Scott, Emmett J. (1919). "Chapter XXI: Negro Music That Stirred France". Scott's Official History of the American Negro in the World War. Chicago: Homewood Press. ISBN 978-0-2436-2721-9. Retrieved June 19, 2017. {{cite book}}: ISBN / Date incompatibility (help)
Encyclopedia of music in the 20th Century. Stacey, Lee. Henderson, Lol Editors. Routledge Taylor and Francis Group London 2014 p. 379 Guy Lombardo Biography on Google Books
Continuum Encyclopedia of Popular Music of the World Volume 8- Genres North America. Horn, David. Shephard, John Editors. Bloombury Publishing 2012 p. 472 "Armstrong and Lombardo did not view their worlds as diametrically opposed, nor did many other contemporary musicians of the 1930s. ...Lombardo himself always took great pride in the number of black orchestras that imitated his style." Guy lombardo band popularity on Google Books

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worldcat.org (Global: 5^th place; English: 5^th place)

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wsj.com (Global: 79^th place; English: 65^th place)

Blumenfeld, Larry (June 11, 2010). "A Saxophonist's Reverberant Sound". The Wall Street Journal. Retrieved January 14, 2018. It's hard to overstate [Coleman's] influence. He's affected more than one generation, as much as anyone since John Coltrane ... It's not just that you can connect the dots by playing seven or 11 beats. What sits behind his influence is this global perspective on music and life. He has a point of view of what he does and why he does it.

wtju.net (Global: low place; English: low place)

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