Jazz Age (English Wikipedia)

Rodgers 1997. Rodgers, Andrew (August 27, 1997). "The Genna Brothers". Chicago Tribune. Chicago, Illinois. Archived from the original on December 13, 2019. Retrieved December 13, 2019.

doi.org (Global: 2^nd place; English: 2^nd place)

Roth 1952, pp. 305, 312. Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Roth 1952, p. 306. Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Biocca 1990, p. 1. Biocca, Frank (1990). "Media and Perceptual Shifts: Early Radio and the Clash of Musical Cultures". The Journal of Popular Culture. 24 (2). Hoboken, New Jersey: Wiley-Blackwell: 1–15. doi:10.1111/j.0022-3840.1990.2402_1.x.
Roth 1952, p. 312: "It is here that we find one of the white, or European, influences upon American Negro music; it is the central one, I think, and the one which has the most to do with the birth of jazz. We may call it⁠—as I have called it heretofore⁠—the instrumentalizing of the human voice." Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Dunkel 2015, p. 123. Dunkel, Mario (2015). "W.C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era". Popular Music and Society. 38 (2). United Kingdom: Taylor and Francis: 122–139. doi:10.1080/03007766.2014.994320. S2CID 191480580.
Chevan 2002, p. 201. Chevan, David (2002). "Musical Literacy and Jazz Musicians in the 1910s and 1920s" (PDF). Current Musicology. No. 71–73. New York: Columbia University Libraries. doi:10.7916/cm.v0i71-73.4825. Archived (PDF) from the original on February 25, 2021. Retrieved November 21, 2021.
Biocca 1990, p. 3. Biocca, Frank (1990). "Media and Perceptual Shifts: Early Radio and the Clash of Musical Cultures". The Journal of Popular Culture. 24 (2). Hoboken, New Jersey: Wiley-Blackwell: 1–15. doi:10.1111/j.0022-3840.1990.2402_1.x.
Barlow 1995, p. 327. Barlow, William (January 1, 1995). "Black Music on Radio During the Jazz Age". African American Review. 29 (2). St. Louis, Missouri: Modern Language Association: 325–328. doi:10.2307/3042311. JSTOR 3042311.
Savran 2006, p. 461. Savran, David (2006). "The Search for America's Soul: Theatre in the Jazz Age". Theatre Journal. 58 (3). Baltimore, Maryland: Johns Hopkins University Press: 459–476. doi:10.1353/tj.2006.0171. JSTOR 25069871. S2CID 192117168.
Barlow 1995, pp. 326–327. Barlow, William (January 1, 1995). "Black Music on Radio During the Jazz Age". African American Review. 29 (2). St. Louis, Missouri: Modern Language Association: 325–328. doi:10.2307/3042311. JSTOR 3042311.
Berger 1947, p. 463: "Calling jazz an 'agency of the devil,' the pastor of the Calvary Baptist Church in New York said in 1926: 'Jazz, with its . . . appeal to the sensuous, should be stamped out.' The rector of the Episcopal Church of the Ascension in New York said in 1922: 'Jazz is retrogression. It is going to the African jungle for our music.'" Berger, Morroe (October 1947). "Jazz: Resistance to the Diffusion of a Culture-Pattern". The Journal of Negro History. 32 (4). Washington, D.C.: Association for the Study of African American Life and History: 461–494. doi:10.2307/2714928. JSTOR 2714928. S2CID 149563657.
Ward 2004, pp. 458–460. Ward, Larry F. (December 2004). "Bessie". Notes. 61 (2). Middleton, Wisconsin: Music Library Association. doi:10.1353/not.2004.0171. JSTOR 4487383. S2CID 201766523.
McCann 2008, p. 3. McCann, Paul (2008). "Performing Primitivism: Disarming the Social Threat of Jazz in Narrative Fiction of the Early Sixties". The Journal of Popular Culture. 41 (4). Hoboken, New Jersey: Wiley-Blackwell. doi:10.1111/J.1540-5931.2008.00541.X.
Berger 1947, p. 463: "Those who opposed jazz with no qualification whatever saw in it an appeal to sensuousness, a return to primitive forms, and described it as the music of persons without any training." Berger, Morroe (October 1947). "Jazz: Resistance to the Diffusion of a Culture-Pattern". The Journal of Negro History. 32 (4). Washington, D.C.: Association for the Study of African American Life and History: 461–494. doi:10.2307/2714928. JSTOR 2714928. S2CID 149563657.
Barlow 1995, p. 325. Barlow, William (January 1, 1995). "Black Music on Radio During the Jazz Age". African American Review. 29 (2). St. Louis, Missouri: Modern Language Association: 325–328. doi:10.2307/3042311. JSTOR 3042311.
Kater, Michael (April 1, 1988). "The Jazz Experience in Weimar Germany". German History. 6 (2). Oxford University Press: 145–158. doi:10.1093/gh/6.2.145. American Jazz was imported into Germany in the early 1920s...some two to five years after it had entered Britain or France...genuine American Jazz musicians (such as)... Mike Danzi embarked on a German tour with American bandleader Alex Hyde before deciding to make Berlin his permanent European base....As the great majority of German musicians still found jazz very difficult to master, it was Americans and a few Englishmen who came to dominate the jazz scene of the Roaring Twenties...
Jackson 2002, pp. 149–170. Jackson, Jeffrey (2002). "Making Jazz French: The Reception of Jazz Music in Paris, 1927–1934". French Historical Studies. 25 (1). Durham, North Carolina: Duke University Press: 149–170. doi:10.1215/00161071-25-1-149. S2CID 161520728.
Biocca 1990, p. 9. Biocca, Frank (1990). "Media and Perceptual Shifts: Early Radio and the Clash of Musical Cultures". The Journal of Popular Culture. 24 (2). Hoboken, New Jersey: Wiley-Blackwell: 1–15. doi:10.1111/j.0022-3840.1990.2402_1.x.

jstor.org (Global: 26^th place; English: 20^th place)

Roth 1952, pp. 305, 312. Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Roth 1952, p. 306. Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Roth 1952, p. 312: "It is here that we find one of the white, or European, influences upon American Negro music; it is the central one, I think, and the one which has the most to do with the birth of jazz. We may call it⁠—as I have called it heretofore⁠—the instrumentalizing of the human voice." Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Barlow 1995, p. 327. Barlow, William (January 1, 1995). "Black Music on Radio During the Jazz Age". African American Review. 29 (2). St. Louis, Missouri: Modern Language Association: 325–328. doi:10.2307/3042311. JSTOR 3042311.
Savran 2006, p. 461. Savran, David (2006). "The Search for America's Soul: Theatre in the Jazz Age". Theatre Journal. 58 (3). Baltimore, Maryland: Johns Hopkins University Press: 459–476. doi:10.1353/tj.2006.0171. JSTOR 25069871. S2CID 192117168.
Barlow 1995, pp. 326–327. Barlow, William (January 1, 1995). "Black Music on Radio During the Jazz Age". African American Review. 29 (2). St. Louis, Missouri: Modern Language Association: 325–328. doi:10.2307/3042311. JSTOR 3042311.
Berger 1947, p. 463: "Calling jazz an 'agency of the devil,' the pastor of the Calvary Baptist Church in New York said in 1926: 'Jazz, with its . . . appeal to the sensuous, should be stamped out.' The rector of the Episcopal Church of the Ascension in New York said in 1922: 'Jazz is retrogression. It is going to the African jungle for our music.'" Berger, Morroe (October 1947). "Jazz: Resistance to the Diffusion of a Culture-Pattern". The Journal of Negro History. 32 (4). Washington, D.C.: Association for the Study of African American Life and History: 461–494. doi:10.2307/2714928. JSTOR 2714928. S2CID 149563657.
Ward 2004, pp. 458–460. Ward, Larry F. (December 2004). "Bessie". Notes. 61 (2). Middleton, Wisconsin: Music Library Association. doi:10.1353/not.2004.0171. JSTOR 4487383. S2CID 201766523.
Berger 1947, p. 463: "Those who opposed jazz with no qualification whatever saw in it an appeal to sensuousness, a return to primitive forms, and described it as the music of persons without any training." Berger, Morroe (October 1947). "Jazz: Resistance to the Diffusion of a Culture-Pattern". The Journal of Negro History. 32 (4). Washington, D.C.: Association for the Study of African American Life and History: 461–494. doi:10.2307/2714928. JSTOR 2714928. S2CID 149563657.
Barlow 1995, p. 325. Barlow, William (January 1, 1995). "Black Music on Radio During the Jazz Age". African American Review. 29 (2). St. Louis, Missouri: Modern Language Association: 325–328. doi:10.2307/3042311. JSTOR 3042311.

loc.gov (Global: 70^th place; English: 63^rd place)

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Ward & Burns 2001, p. 10; Schuller 1968, p. 3. Ward, Geoffrey C.; Burns, Ken (2001). Jazz: A History of America's Music (1st ed.). New York: Pimlico. ISBN 978-0-679-76539-4 – via Internet Archive. Schuller, Gunther (1968). Early Jazz: Its Roots and Musical Development. New York: Oxford University Press. LCCN 68-17610 – via Internet Archive.
Okrent 2010, p. 321. Okrent, Daniel (April 30, 2010). Last Call: The Rise and Fall of Prohibition. New York: Scribner. ISBN 978-0-7432-7702-0. LCCN 2009051127 – via Google Books.
Okrent 2010, p. 360. Okrent, Daniel (April 30, 2010). Last Call: The Rise and Fall of Prohibition. New York: Scribner. ISBN 978-0-7432-7702-0. LCCN 2009051127 – via Google Books.
Okrent 2010, pp. 207–210. Okrent, Daniel (April 30, 2010). Last Call: The Rise and Fall of Prohibition. New York: Scribner. ISBN 978-0-7432-7702-0. LCCN 2009051127 – via Google Books.
Okrent 2010, p. 212: "Another barrier fell with the arrival of the 'black and tans,' integrated cabarets and nightclubs, usually in black neighborhoods and usually featuring leading African-American jazz musicians." Okrent, Daniel (April 30, 2010). Last Call: The Rise and Fall of Prohibition. New York: Scribner. ISBN 978-0-7432-7702-0. LCCN 2009051127 – via Google Books.
Okrent 2010, p. 264: "Each of the thirty-two thousand speakeasies in New York probably paid a beat cop five dollars a day to keep the taps and the cash register open." Okrent, Daniel (April 30, 2010). Last Call: The Rise and Fall of Prohibition. New York: Scribner. ISBN 978-0-7432-7702-0. LCCN 2009051127 – via Google Books.
Okrent 2010, p. 201. Okrent, Daniel (April 30, 2010). Last Call: The Rise and Fall of Prohibition. New York: Scribner. ISBN 978-0-7432-7702-0. LCCN 2009051127 – via Google Books.
Schuller 1968, p. 91. Schuller, Gunther (1968). Early Jazz: Its Roots and Musical Development. New York: Oxford University Press. LCCN 68-17610 – via Internet Archive.
Schuller 1968, p. 93. Schuller, Gunther (1968). Early Jazz: Its Roots and Musical Development. New York: Oxford University Press. LCCN 68-17610 – via Internet Archive.
Schuller 1968, p. 88. Schuller, Gunther (1968). Early Jazz: Its Roots and Musical Development. New York: Oxford University Press. LCCN 68-17610 – via Internet Archive.
Fass 1977, p. 22. Fass, Paula S. (1977). The Damned and the Beautiful: American Youth in the 1920s. New York: Oxford University Press. ISBN 978-0-19-502148-6. LCCN 76-42644 – via Internet Archive.

lyonandturnbull.com (Global: low place; English: low place)

McKay 2005, p. 121–122; Shearer 2018. McKay, George (2005). Circular Breathing: The Cultural Politics of Jazz in Britain. Durham, North Carolina: Duke University Press. ISBN 978-0-8223-8728-2 – via Google Books. Shearer, Carly (April 24, 2018). "The Threat of Jazz: John Bulloch Souter's 'The Breakdown'". Edinburgh, Scotland: Lyon & Turnbull. Archived from the original on November 22, 2021. Retrieved November 21, 2021.

news.google.com (Global: 59^th place; English: 45^th place)

"Obituaries: Shep Fields Dies -noted bandleader". The Telegraph. February 24, 1981.

npr.org (Global: 92^nd place; English: 72^nd place)

Wilson 2007. Wilson, Nancy (December 19, 2007). "Fletcher Henderson: 'Architect of Swing'". NPR's Jazz Profiles. Washington, D.C.: National Public Radio (NPR). Archived from the original on April 21, 2018. Retrieved November 21, 2021.

nps.gov (Global: 135^th place; English: 105^th place)

Orleans. "Jazz Origins in New Orleans - New Orleans Jazz National Historical Park (U.S. National Park Service)". www.nps.gov. Retrieved June 5, 2024.

nwu.edu (Global: low place; English: low place)

acns.nwu.edu

Germuska 1995. Germuska, Joe (October 17, 1995). "The Map". Evanston, Illinois: Northwestern University. Archived from the original on December 10, 1997. Derived from Berendt, Joachim-Ernst (1992). The Jazz Book: From Ragtime to Fusion and Beyond. Chicago, Illinois: Lawrence Hill Books. ISBN 9781556520990. Archived from the original on July 18, 2022. Retrieved November 22, 2021 – via Google Books.

nytimes.com (Global: 7^th place; English: 7^th place)

"SHEP FIELDS, LEADER OF BIG BAND KNOWEN FOR RIPPLING RYTHEM (Published 1981)". The New York Times. February 24, 1981. Retrieved October 28, 2020.

semanticscholar.org (Global: 11^th place; English: 8^th place)

api.semanticscholar.org

Dunkel 2015, p. 123. Dunkel, Mario (2015). "W.C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era". Popular Music and Society. 38 (2). United Kingdom: Taylor and Francis: 122–139. doi:10.1080/03007766.2014.994320. S2CID 191480580.
Savran 2006, p. 461. Savran, David (2006). "The Search for America's Soul: Theatre in the Jazz Age". Theatre Journal. 58 (3). Baltimore, Maryland: Johns Hopkins University Press: 459–476. doi:10.1353/tj.2006.0171. JSTOR 25069871. S2CID 192117168.
Berger 1947, p. 463: "Calling jazz an 'agency of the devil,' the pastor of the Calvary Baptist Church in New York said in 1926: 'Jazz, with its . . . appeal to the sensuous, should be stamped out.' The rector of the Episcopal Church of the Ascension in New York said in 1922: 'Jazz is retrogression. It is going to the African jungle for our music.'" Berger, Morroe (October 1947). "Jazz: Resistance to the Diffusion of a Culture-Pattern". The Journal of Negro History. 32 (4). Washington, D.C.: Association for the Study of African American Life and History: 461–494. doi:10.2307/2714928. JSTOR 2714928. S2CID 149563657.
Ward 2004, pp. 458–460. Ward, Larry F. (December 2004). "Bessie". Notes. 61 (2). Middleton, Wisconsin: Music Library Association. doi:10.1353/not.2004.0171. JSTOR 4487383. S2CID 201766523.
Berger 1947, p. 463: "Those who opposed jazz with no qualification whatever saw in it an appeal to sensuousness, a return to primitive forms, and described it as the music of persons without any training." Berger, Morroe (October 1947). "Jazz: Resistance to the Diffusion of a Culture-Pattern". The Journal of Negro History. 32 (4). Washington, D.C.: Association for the Study of African American Life and History: 461–494. doi:10.2307/2714928. JSTOR 2714928. S2CID 149563657.
Jackson 2002, pp. 149–170. Jackson, Jeffrey (2002). "Making Jazz French: The Reception of Jazz Music in Paris, 1927–1934". French Historical Studies. 25 (1). Durham, North Carolina: Duke University Press: 149–170. doi:10.1215/00161071-25-1-149. S2CID 161520728.

si.edu (Global: 340^th place; English: 295^th place)

nmaahc.si.edu

"Bessie Smith". National Museum of African American History and Culture. Retrieved June 5, 2024.

smithsonianmag.com (Global: 503^rd place; English: 364^th place)

Berg 1978, p. 217; Henderson 2013. Berg, A. Scott (1978). Max Perkins: Editor of Genius. New York: Simon & Schuster. ISBN 0-671-82719-7 – via Internet Archive. Henderson, Amy (May 10, 2013). "What the Great Gatsby Got Right About the Jazz Age". Smithsonian Magazine. Washington, D.C.: Smithsonian Institution. Archived from the original on February 6, 2020. Retrieved November 21, 2021.

sundaymagazine.org (Global: low place; English: low place)

Hershey, Burnet (June 25, 1922). "Jazz Latitude". The New York Times. pp. T5. Archived from the original on June 26, 2022. Retrieved June 27, 2022.

umn.edu (Global: 1,266^th place; English: 860^th place)

d.umn.edu

"jazzlib". www.d.umn.edu. Retrieved June 5, 2024.

volusiagig.com (Global: low place; English: low place)

Chevan 2002, p. 201. Chevan, David (2002). "Musical Literacy and Jazz Musicians in the 1910s and 1920s" (PDF). Current Musicology. No. 71–73. New York: Columbia University Libraries. doi:10.7916/cm.v0i71-73.4825. Archived (PDF) from the original on February 25, 2021. Retrieved November 21, 2021.

web.archive.org (Global: 1^st place; English: 1^st place)

Berg 1978, p. 217; Henderson 2013. Berg, A. Scott (1978). Max Perkins: Editor of Genius. New York: Simon & Schuster. ISBN 0-671-82719-7 – via Internet Archive. Henderson, Amy (May 10, 2013). "What the Great Gatsby Got Right About the Jazz Age". Smithsonian Magazine. Washington, D.C.: Smithsonian Institution. Archived from the original on February 6, 2020. Retrieved November 21, 2021.
Germuska 1995. Germuska, Joe (October 17, 1995). "The Map". Evanston, Illinois: Northwestern University. Archived from the original on December 10, 1997. Derived from Berendt, Joachim-Ernst (1992). The Jazz Book: From Ragtime to Fusion and Beyond. Chicago, Illinois: Lawrence Hill Books. ISBN 9781556520990. Archived from the original on July 18, 2022. Retrieved November 22, 2021 – via Google Books.
Rodgers 1997. Rodgers, Andrew (August 27, 1997). "The Genna Brothers". Chicago Tribune. Chicago, Illinois. Archived from the original on December 13, 2019. Retrieved December 13, 2019.
Wilson 2007. Wilson, Nancy (December 19, 2007). "Fletcher Henderson: 'Architect of Swing'". NPR's Jazz Profiles. Washington, D.C.: National Public Radio (NPR). Archived from the original on April 21, 2018. Retrieved November 21, 2021.
Chevan 2002, p. 201. Chevan, David (2002). "Musical Literacy and Jazz Musicians in the 1910s and 1920s" (PDF). Current Musicology. No. 71–73. New York: Columbia University Libraries. doi:10.7916/cm.v0i71-73.4825. Archived (PDF) from the original on February 25, 2021. Retrieved November 21, 2021.
Hershey, Burnet (June 25, 1922). "Jazz Latitude". The New York Times. pp. T5. Archived from the original on June 26, 2022. Retrieved June 27, 2022.
Wynn 2007, p. 67. Wynn, Neil A., ed. (2007). Cross the Water Blues: African American Music in Europe (1st ed.). Jackson, Mississippi: University Press of Mississippi. ISBN 978-1-60473-546-8. Archived from the original on July 18, 2022. Retrieved November 22, 2021 – via Google Books.
McKay 2005, p. 121–122; Shearer 2018. McKay, George (2005). Circular Breathing: The Cultural Politics of Jazz in Britain. Durham, North Carolina: Duke University Press. ISBN 978-0-8223-8728-2 – via Google Books. Shearer, Carly (April 24, 2018). "The Threat of Jazz: John Bulloch Souter's 'The Breakdown'". Edinburgh, Scotland: Lyon & Turnbull. Archived from the original on November 22, 2021. Retrieved November 21, 2021.

worldcat.org (Global: 5^th place; English: 5^th place)

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Roth 1952, pp. 305, 312. Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Roth 1952, p. 306. Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.
Roth 1952, p. 312: "It is here that we find one of the white, or European, influences upon American Negro music; it is the central one, I think, and the one which has the most to do with the birth of jazz. We may call it⁠—as I have called it heretofore⁠—the instrumentalizing of the human voice." Roth, Russell (1952). "On the Instrumental Origins of Jazz". American Quarterly. 4 (4). Baltimore, Maryland: Johns Hopkins University Press: 305–316. doi:10.2307/3031415. ISSN 0003-0678. JSTOR 3031415.

Jazz Age (English Wikipedia)

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