Analysis of information sources in references of the Wikipedia article "Jim Jarmusch" in English language version.
... minimalist director who found fame with 1984's Stranger Than Paradise ...
And then my band Bad Rabbit made some recordings for the museum sequences in the film. In the existing file I just didn't find things that were exactly right for that, so we decided to record some of our own. ... Well, we have two tracks on the soundtrack record that are in the film, and then we have an EP with those two plus two more that are going to come out with the film, ...
We grew up near, not in, Akron, Ohio, in an idyllic area that seemed eons away from the stinky, grimy "Rubber Capital of the World." And our father worked for B.F. Goodrich, not Goodyear.
But then 1992's "Somewhere in California", which won the Cannes Film Festival's short-film Palme D'Or, offers the delicious spectacle of [Iggy Pop] and [Tom Waits] meeting in some remote dumpy bar, with Iggy playing the shaggy, eager-to-please puppy while the edgy Waits finds ways to take constant umbrage.
He's never seen Obi-Wan Kenobi spar with Darth Vader, or Rhett Butler pop off to Scarlett.
Jim Jarmusch, the art-house filmmaker who helped spark a renaissance in independent film, refuses to actually sit through some of the classics of American cinema.
"I pledge I will go to my grave having never seen Gone with the Wind or any Star Wars film," Jarmusch says. "Just to be obstinate. No other good reason."
It's a typical stance from a moviemaker who stubbornly creates films that critics often complain are too long, too meandering, and too often in black and white.
We were called Bad Rabbit, but now we're called Sqürl.
They formed in 2009 to record the soundtrack [of] The Limits of Control for the director's film of the same name. ... The band later changed its name to Sqürl.
Sqürl, Jarmusch's self-described "enthusiastically marginal" band with drummer Carter Logan — who is also a producer on Jarmusch's films — and engineer Shane Stoneback, coalesced to create music for Jarmusch's 2009 film The Limits of Control.
We grew up near, not in, Akron, Ohio, in an idyllic area that seemed eons away from the stinky, grimy "Rubber Capital of the World." And our father worked for B.F. Goodrich, not Goodyear.
... minimalist director who found fame with 1984's Stranger Than Paradise ...
But then 1992's "Somewhere in California", which won the Cannes Film Festival's short-film Palme D'Or, offers the delicious spectacle of [Iggy Pop] and [Tom Waits] meeting in some remote dumpy bar, with Iggy playing the shaggy, eager-to-please puppy while the edgy Waits finds ways to take constant umbrage.
We were called Bad Rabbit, but now we're called Sqürl.
And then my band Bad Rabbit made some recordings for the museum sequences in the film. In the existing file I just didn't find things that were exactly right for that, so we decided to record some of our own. ... Well, we have two tracks on the soundtrack record that are in the film, and then we have an EP with those two plus two more that are going to come out with the film, ...
Sqürl, Jarmusch's self-described "enthusiastically marginal" band with drummer Carter Logan — who is also a producer on Jarmusch's films — and engineer Shane Stoneback, coalesced to create music for Jarmusch's 2009 film The Limits of Control.
They formed in 2009 to record the soundtrack [of] The Limits of Control for the director's film of the same name. ... The band later changed its name to Sqürl.
In reverse, North American directors started to absorb the influence of European road cinema, usually mediated by the 'American' films by Wim Wenders and Werner Herzog (Stroszek, 1977). The most influential representative of this trend in recent times is Jim Jarmusch, starting with his Stranger than Paradise from 1984.
