Johannes Brahms (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Johannes Brahms" in English language version.

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8doi.org

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6archive.org

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5worldcat.org

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4jstor.org

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2books.google.com

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2semanticscholar.org

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1nybooks.com

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1schumann-portal.de

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1naxos.com

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1youtube.com

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1stanford.edu

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1hamburg.de

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1researchgate.net

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1bayern.de

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archive.org

Musgrave 1985, p. 80. Musgrave, Michael (1985). The Music of Brahms. Oxford: Routledge & Kegan Paul. ISBN 978-0-7100-9776-7.
Fisk, Josiah; Nichols, Jeff, eds. (1997). Composers On Music: Eight Centuries of Writings. University Press of New England. pp. 134–135. ISBN 978-1-55553-279-6.
Musgrave 1985, p. 269. Musgrave, Michael (1985). The Music of Brahms. Oxford: Routledge & Kegan Paul. ISBN 978-0-7100-9776-7.
Musgrave 1985, 269–270. Musgrave, Michael (1985). The Music of Brahms. Oxford: Routledge & Kegan Paul. ISBN 978-0-7100-9776-7.
Frisch 1984, 164–165, partly quoting Webern's 1912 essay "Schoenberg's Music".
Bozarth and Frisch 2001, §6: "Influence and reception"; Musgrave 1985, 269–270. Musgrave, Michael (1985). The Music of Brahms. Oxford: Routledge & Kegan Paul. ISBN 978-0-7100-9776-7.

bayern.de

stmwfk.bayern.de

"Johannes Brahms hält Einzug in die Walhalla". Bayerisches Staatsministerium für Wissenschaft, Forschung und Kunst. 14 September 2000. Retrieved 23 April 2008.

books.google.com

Musgrave, Michael (September 2001). A Brahms Reader. Yale University Press. ISBN 978-0-300-09199-1.
Dietrich, Albert Hermann; Widmann, J. V. (2000). Recollections of Johannes Brahms. Minerva Group. ISBN 978-0-89875-141-3. OCLC 50646747. Retrieved 8 October 2017 – via Google Books.

doi.org

Swafford 2001, passim. Swafford, Jan (2001). "Did the Young Brahms Play Piano in Waterfront Bars?". 19th-Century Music. 24 (3): 268–275. doi:10.1525/ncm.2001.24.3.268. ISSN 0148-2076. JSTOR 10.1525/ncm.2001.24.3.268.
Lamb 1975, pp. 869–870 Lamb, Andrew (October 1975). "Brahms and Johann Strauss". The Musical Times. 116 (1592): 869–871. doi:10.2307/959201. JSTOR 959201.
Bond 1971, p. 898. Bond, Ann (1971). "Brahms Chorale Preludes, Op. 122". The Musical Times. 112 (1543): 898–900. doi:10.2307/955537. JSTOR 955537.
Münster, Robert (2020). "Bernhard und Luise Scholz im Briefwechsel mit Max Kalbeck und Johannes Brahms". In Thomas Hauschke (ed.). Johannes Brahms: Beiträge zu seiner Biographie (in German). Vienna: Hollitzer Verlag. pp. 153–230. doi:10.2307/j.ctv1cdxfs0.14. ISBN 978-3-99012-880-0. S2CID 243190598.
Litzmann, Berthold (1 February 1903). "Clara Schumann von Berthold Litzmann. Erster Band, Mädchenjahre". The Musical Times. 44 (720): 113. doi:10.2307/903152. ISSN 0027-4666. JSTOR 903152.
Biba, Otto (January 1983). "Ausstellung 'Johannes Brahms in Wien' im Musik Verein". Österreichische Musikzeitschrift. 38 (4–5). doi:10.7767/omz.1983.38.45.254a. S2CID 163496436.
Cai, Camilla (1989). "Brahms's Pianos and the Performance of His Late Works". Performance Practice Review. 2 (1): 59. doi:10.5642/perfpr.198902.01.3. ISSN 1044-1638.
Scott, Ann Besser (1995). "Thematic transmutation in the music of Brahms: A matter of musical alchemy". Journal of Musicological Research. 15 (2): 177–206. doi:10.1080/01411899508574717. ISSN 0141-1896.

hamburg.de

"Stadt Hamburg Ehrenbürger" website: Dr. phil. h.c. Johannes Brahms (1833–1897) (in German) Retrieved 14 October 2019

jstor.org

Swafford 2001, passim. Swafford, Jan (2001). "Did the Young Brahms Play Piano in Waterfront Bars?". 19th-Century Music. 24 (3): 268–275. doi:10.1525/ncm.2001.24.3.268. ISSN 0148-2076. JSTOR 10.1525/ncm.2001.24.3.268.
Lamb 1975, pp. 869–870 Lamb, Andrew (October 1975). "Brahms and Johann Strauss". The Musical Times. 116 (1592): 869–871. doi:10.2307/959201. JSTOR 959201.
Bond 1971, p. 898. Bond, Ann (1971). "Brahms Chorale Preludes, Op. 122". The Musical Times. 112 (1543): 898–900. doi:10.2307/955537. JSTOR 955537.
Litzmann, Berthold (1 February 1903). "Clara Schumann von Berthold Litzmann. Erster Band, Mädchenjahre". The Musical Times. 44 (720): 113. doi:10.2307/903152. ISSN 0027-4666. JSTOR 903152.

musee-orsay.fr

"Max Klinger / Johannes Brahms: Engraving, Music and Fantasy". Musée d'Orsay. Archived from the original on 17 April 2021. Retrieved 2 March 2021.

naxos.com

Pascall 2004. Pascall, Robert (January 2004). BRAHMS, J.: Symphony No. 1 - Tragic Overture - Academic Festival Overture. Naxos (Media notes). Marin Alsop, conductor; Simon Fowler, photographer. Watford Colosseum, Watford, UK. Retrieved 29 March 2025.

nybooks.com

Including tales allegedly told by Brahms himself to Clara Schumann and others; see Jan Swafford, "'Aimez-Vous Brahms': An Exchange", The New York Review of Books 18 March 1999, accessed 1 July 2018.

nytimes.com

Tommasini, Anthony (21 January 2011). "The Greatest". The New York Times.

researchgate.net

Bozarth, George S. ""Paths Not Taken: The" Lost" Works of Johannes Brahms."". researchgate.net. Music Review 1989. p. 186. According to the estimate of Alwin Cranz, a boyhood friend of Brahms, the composer destroyed more than twenty string quartets before publishing the Quartets in C minor and A minor

schumann-portal.de

Hofmann & Hofmann 2010, p. 40; "Brahms House", on website of the Schumann Portal, accessed 22 December 2016. Hofmann, Kurt; Hofmann, Renate (2010). Brahms Museum Hamburg: Exhibition Guide. Translated by Trefor Smith. Hamburg: Johannes-Brahms-Gesellschaft.

semanticscholar.org

api.semanticscholar.org

Münster, Robert (2020). "Bernhard und Luise Scholz im Briefwechsel mit Max Kalbeck und Johannes Brahms". In Thomas Hauschke (ed.). Johannes Brahms: Beiträge zu seiner Biographie (in German). Vienna: Hollitzer Verlag. pp. 153–230. doi:10.2307/j.ctv1cdxfs0.14. ISBN 978-3-99012-880-0. S2CID 243190598.
Biba, Otto (January 1983). "Ausstellung 'Johannes Brahms in Wien' im Musik Verein". Österreichische Musikzeitschrift. 38 (4–5). doi:10.7767/omz.1983.38.45.254a. S2CID 163496436.

stanford.edu

ccrma.stanford.edu

J. Brahms plays excerpt of Hungarian Dance No. 1 (2:10) on YouTube Analysts and scholars remain divided as to whether the voice that introduces the piece is that of Wangemann or of Brahms. A "denoised" version of the recording was produced at Stanford University. "Brahms at the Piano" by Jonathan Berger (CCRMA, Stanford University)

viennatouristguide.at

Zentralfriedhof group 32a, details

web.archive.org

"Max Klinger / Johannes Brahms: Engraving, Music and Fantasy". Musée d'Orsay. Archived from the original on 17 April 2021. Retrieved 2 March 2021.

worldcat.org

search.worldcat.org

Swafford 2001, passim. Swafford, Jan (2001). "Did the Young Brahms Play Piano in Waterfront Bars?". 19th-Century Music. 24 (3): 268–275. doi:10.1525/ncm.2001.24.3.268. ISSN 0148-2076. JSTOR 10.1525/ncm.2001.24.3.268.
Dietrich, Albert Hermann; Widmann, J. V. (2000). Recollections of Johannes Brahms. Minerva Group. ISBN 978-0-89875-141-3. OCLC 50646747. Retrieved 8 October 2017 – via Google Books.
Litzmann, Berthold (1 February 1903). "Clara Schumann von Berthold Litzmann. Erster Band, Mädchenjahre". The Musical Times. 44 (720): 113. doi:10.2307/903152. ISSN 0027-4666. JSTOR 903152.
Cai, Camilla (1989). "Brahms's Pianos and the Performance of His Late Works". Performance Practice Review. 2 (1): 59. doi:10.5642/perfpr.198902.01.3. ISSN 1044-1638.
Scott, Ann Besser (1995). "Thematic transmutation in the music of Brahms: A matter of musical alchemy". Journal of Musicological Research. 15 (2): 177–206. doi:10.1080/01411899508574717. ISSN 0141-1896.

youtube.com

J. Brahms plays excerpt of Hungarian Dance No. 1 (2:10) on YouTube Analysts and scholars remain divided as to whether the voice that introduces the piece is that of Wangemann or of Brahms. A "denoised" version of the recording was produced at Stanford University. "Brahms at the Piano" by Jonathan Berger (CCRMA, Stanford University)