Julie Elias (author) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Julie Elias (author)" in English language version.

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  • Wallach, Kerry. "Weimar Jewish Chic: Jewish Women and Fashion in 1920s Germany". Fashion journalist Julie Elias was a notable exception among Jewish fashion writers insofar as her work appeared not only in general publications, but also sometimes was aimed at Weimar Jewish readerships. On occasion, Elias (1866–1943, born Levi) brought mainstream fashion to the Jewish masses.13 One article about the new, longer silhouettes of 1929 appeared in Das jüdische Magazin [The Jewish Magazine], a shortlived Berlin publication; an image of Elias reinforced the connections between the current styles, which may have appealed to Jewish readerships insofar as they were somewhat more conservative, and the fact that a Jewish woman was describing them in a Jewish publication.14 Still, Elias is better known for her contributions to the mainstream fashion magazines Die Dame and Styl, and to the Berliner Tageblatt. Though her articles for general periodicals rarely touched on topics pertaining to Jewish fashion, they sometimes alluded to subjects that Elias inflected with Jewishness in other ways, perhaps the most significant of which was food.

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  • "Julie Elias's Fashionable Cuisine". Leo Baeck Institute. Retrieved 2022-02-06. Published in the Weimar Era, Julie Elias's Das Neue Kochbuch was a "guidebook through fine cuisine" and seemingly intended for stylish entertaining. Throughout her introduction, Elias emphasized the combination of style with gourmet taste. A Berlin fashion journalist, Julie Elias's reviews and commentary of Weimar fashion were published in both mainstream and Jewish publications.

nga.gov

  • "Artist Info Julius Elias German, 1861 - 1927". www.nga.gov. Retrieved 2022-02-06. Elias died in 1927. His wife, Julie, and son, Ludwig, left Germany in 1938 due to the Nazi restrictions on Jewish residents and settled in Norway, where they were able to extend their residency permits for several years. However, the situation became complicated after the invasion of the Nazis in December 1940. The art works in Julius? collection proved invaluable at this time, due to the difficulty in removing money from German accounts. Several works were sold through lawyers or dealers to pay for living expenses. Julie, who was quite ill at the time, managed to avoid being sent to an internment camp, and stayed with friends until her death on 21 August 1943. Because of her delicate state, she was never told the truth about her son?that he had been deported with some 500 other Jews from Denmark to Auschwitz in 1942.

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