Karla Caves (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Karla Caves" in English language version.

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Dehejia, Vidya (1972). Early Buddhist rock temples; a chronology. -. Ithaca, N.Y.: Cornell University Press. pp. 177–178. ISBN 978-0-8014-0651-5. Paleographically, a date roughly between AD 50-70 is probable for the inscriptions recording the donation of various portions of the caitya. The cave was certainly completed before the engraving of the Nahapana inscription which records the grant of a village to the monks at Karle. If Nahapana had anything to do with the construction or even the completion of the caitya, this would surely have been mentioned.
Senart, A. EPIGRAPHIA INDICA VOL 7 (in Portuguese). MANAGER OF PUBLICATIONS, DELHI. pp. 48–49.
The cave temples of India, Fergusson, James, W.H. Allen &Co p.267ff (Public domain text)
Dehejia, Vidya (1972). Early Buddhist rock temples; a chronology. -. Ithaca, N.Y.: Cornell University Press. pp. 177–178. ISBN 978-0-8014-0651-5.
Text adapted from public domain History of Indian and Eastern architecture by Fergusson, James, 1910 p.142ff
Epigraphia Indica Vol.18 p.326 Inscription No1
Epigraphia Indica Vol.18 p.326 Inscription No2
Epigraphia Indica Vol.7, Hultzsch, E. pp.48-49
Epigraphia Indica Vol.18 p.328 Inscription No10
Epigraphia Indica Vol.18 p.326-328 and Epigraphia Indica Vol.7 Epigraphia Indica Vol.7 p.53-54
Epigraphia Indica Vol.7 p.53-54 Inscription No.7
Epigraphia Indica Vol.7 p.55-56 Inscription No.10 and Epigraphia Indica Vol.18 p.327 Inscription No.7 differ on the content of this inscription. Here, Epigraphia Indica Vol.7 was chosen, as Epigraphia Indica Vol.18 only mentions an inscription similar to that of pillar No.3, a possible mixup.
Epigraphia Indica Vol.18 p.326 Inscription No 4
Epigraphia Indica Vol.18 p.327 Inscription No6
Epigraphia Indica Vol.18 p.326 Inscription No3
Epigraphia Indica Vol.7, Hultzsch, E. p.58
Senart, E. EPIGRAPHIA INDICA VOL 7 (in Portuguese). MANAGER OF PUBLICATIONS, DELHI. pp. 61–62.
Fergusson, James; Burgess, James. The cave temples of India. London : Allen. pp. 268–269.
Part of inscription No.10 of Ushavadata, Cave No.10, Nasik in Epigraphia Indica p.78-79
Fergusson, James; Burgess, James (1880). The cave temples of India. London : Allen. pp. 348–360.

asi.nic.in

"Karla Caves". NIC. Retrieved 19 May 2012.

books.google.com

Keay, John (2000). India: A History. New York, USA: Grove Press. pp. 123–127. ISBN 0-8021-3797-0.
Le, Huu Phuoc (2010). Buddhist Architecture. Grafikol. p. 108. ISBN 9780984404308.
Miller, Barbara Stoler. The Powers of Art: Patronage in Indian Culture. Oxford University Press. pp. 41–42. This chapel was excavated, as I have demonstrated elsewhere, in the period between AD 50-70
Miller, Barbara Stoler. The Powers of Art: Patronage in Indian Culture. Oxford University Press. p. 40. Six pillar inscriptions along the right row reveal that they were donated by various individuals; three were from Yavanas (Greeks), and one from a trader's association.
Miller, Barbara Stoler. The Powers of Art: Patronage in Indian Culture. Oxford University Press. pp. 40–42.
Barrett, Douglas E. (1958). A Guide to the Karla Caves. Bhulabhai Memorial Institute. p. 8.
"The claim of Bhutapala, the merchant (sethi) from Vejayanti, that he completed this stone mansion, the finest in all of India (jambudipamhi utamam selaghara parinithapitam), is intriguing. He makes this claim in an inscription at the left end of the veranda. It is possible that he refers to the many-storeyed mansion in relief on the walls of the veranda when he speaks of the finest selaghara in all of Jambudvipa; on the other hand, the word ghara has clearly been used by the carpenter Sami to indicate the chaitya as a whole. If Bhutapala's claim relates to the chaitya itself, it is probable that he arrived on the scene at the critical period when the chaitya was in its finishing stages, and helped to complete it with numerous small donations" Miller, Barbara Stoler. The Powers of Art: Patronage in Indian Culture. Oxford University Press. pp. 41–42.
World Heritage Monuments and Related Edifices in India, Volume 1 ʻAlī Jāvīd, Tabassum Javeed, Algora Publishing, 2008 p.42
Southern India: A Guide to Monuments Sites & Museums, by George Michell, Roli Books Private Limited, 1 mai 2013 p.72
Spink, Walter M. (2005). Ajanta: Painting, sculpture, architecture. BRILL. p. 1. ISBN 900414983X.
Ancient India, Ramesh Chandra Majumdar, Motilal Banarsidass Publ., 1977 p.225
Miller, Barbara Stoler. The Powers of Art: Patronage in Indian Culture. Oxford University Press. p. 40. Six pillar inscriptions along the right row reveal that they were donated by various individuals; three were from Yavanas (Greeks), and one from a trader's association.
Buddhist Architecture, by Huu Phuoc Le, Grafikol, 2010 p.108
Some Early Dynasties of South India, by Sudhakar Chattopadhyaya p.83
p.40
Sharma, Ramesh Chandra (1994). Bharhut Sculptures. Abhinav Publications. p. 51. ISBN 9788170173083.
Bharne, Vinayak; Krusche, Krupali (18 September 2014). Rediscovering the Hindu Temple: The Sacred Architecture and Urbanism of India. Cambridge Scholars Publishing. pp. 79–81. ISBN 978-1-4438-6734-4.

culturalindia.net

"Cave Architecture". Retrieved 15 February 2007.

iastate.edu

public.iastate.edu

"Later Andhra Period India". Retrieved 24 January 2007.

jstor.org

Verardi, Giovanni; Paparatti, Elio (2005). "From Early to Late Tapa Sardār: A Tentative Chronology". East and West. 55 (1/4): 437. ISSN 0012-8376.
Verardi, Giovanni; Paparatti, Elio (2005). "From Early to Late Tapa Sardār: A Tentative Chronology". East and West. 55 (1/4): 437. ISSN 0012-8376.

worldcat.org

search.worldcat.org

Verardi, Giovanni; Paparatti, Elio (2005). "From Early to Late Tapa Sardār: A Tentative Chronology". East and West. 55 (1/4): 437. ISSN 0012-8376.
Verardi, Giovanni; Paparatti, Elio (2005). "From Early to Late Tapa Sardār: A Tentative Chronology". East and West. 55 (1/4): 437. ISSN 0012-8376.