Analysis of information sources in references of the Wikipedia article "Killing of Walter Scott" in English language version.
The response was staggering—comments expressing hatred and violence toward Slager shocked Voshart, who was convinced the video was an example of police corruption at its worst. [...] It's during this process that he discovered something no one else had seen: There was something in frame 394 that challenged the accepted narrative of what transpired between Slager and Scott, and could potentially even help Slager's defense. [...] Directed by Rich Williamson, 'Frame 394' is about Voshart's moral dilemma of what to do with this potential key evidence.
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has generic name (help)It [Frame 394] had its World Premiere at the Hot Docs Canadian International Documentary Film Festival in Toronto in May 2016.
Voshart's work drastically impacted the officer's trial. [...] Hundreds of miles away, in his Toronto apartment, Voshart, a then-28-year-old cinematographer who had recently been toying with video stabilization, thought he could unravel the mystery of the Taser and help get Slager indicted. [...] By then, Voshart had made the footage so clear that as Slager reached to unholster his gun, Scott could be seen holding what looked like Slager's Taser—potentially enough to make Slager fear for his life and maybe meet the grounds needed to use lethal force.
{{cite news}}
: |author=
has generic name (help)It [Frame 394] had its World Premiere at the Hot Docs Canadian International Documentary Film Festival in Toronto in May 2016.
The response was staggering—comments expressing hatred and violence toward Slager shocked Voshart, who was convinced the video was an example of police corruption at its worst. [...] It's during this process that he discovered something no one else had seen: There was something in frame 394 that challenged the accepted narrative of what transpired between Slager and Scott, and could potentially even help Slager's defense. [...] Directed by Rich Williamson, 'Frame 394' is about Voshart's moral dilemma of what to do with this potential key evidence.
Voshart's work drastically impacted the officer's trial. [...] Hundreds of miles away, in his Toronto apartment, Voshart, a then-28-year-old cinematographer who had recently been toying with video stabilization, thought he could unravel the mystery of the Taser and help get Slager indicted. [...] By then, Voshart had made the footage so clear that as Slager reached to unholster his gun, Scott could be seen holding what looked like Slager's Taser—potentially enough to make Slager fear for his life and maybe meet the grounds needed to use lethal force.
Voshart's work drastically impacted the officer's trial. [...] Hundreds of miles away, in his Toronto apartment, Voshart, a then-28-year-old cinematographer who had recently been toying with video stabilization, thought he could unravel the mystery of the Taser and help get Slager indicted. [...] By then, Voshart had made the footage so clear that as Slager reached to unholster his gun, Scott could be seen holding what looked like Slager's Taser—potentially enough to make Slager fear for his life and maybe meet the grounds needed to use lethal force.