La Vie (painting) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "La Vie (painting)" in English language version.

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artnews.org

All citations from Becht-Jördens, Gereon & Wehmeier, Peter M.: ‘Touch me not!’ A gesture of detachment in Picasso’s La Vie as symbol of his self-concept as an artist Archived 2014-07-14 at the Wayback Machine

bcn.cat

colleccio.museupicasso.bcn.cat

books.google.com

McNeese, Tim (2006). Pablo Picasso. New York: Infobase Publishing. pp. 36–37. ISBN 978-0-7910-8843-2.
Cf. Becht-Jördens, Gereon & Wehmeier, Peter M.: Picasso und die christliche Ikonographie. Mutterbeziehung und künstlerische Position. Dietrich Reimer, Berlin 2003, pp. 14-180, esp. pp. 14-19; pp. 44-45. ISBN 3 496 01272-2

cleveland.com

Litt, Steven (December 21, 2012). "The Cleveland Museum of Art probes the mysteries of Pablo Picasso's "La Vie" in its first special "Focus" exhibition". The Plain Dealer. Retrieved November 24, 2016.
Rezension: The Cleveland Museum of Art probes the mysteries of Pablo Picasso’s „La Vie“ in its first special „Focus“ exhibition.

clevelandart.org

"Collections/Search results: La Vie, 1903". Cleveland Museum of Art. Retrieved 2014-03-18.

navigart.fr

Study for La Vie

nga.gov

"Picasso: The Early Years, 1892-1906". National Gallery of Art. Retrieved November 24, 2016.

punt.nl

picasso.punt.nl

Study for La Vie

royal-academy-production-asset.s3.amazonaws.com

Picasso and Paper - Press Release

timeout.com

Halle, Howard (February 12, 2016). "The 10 best Picasso paintings and sculptures, ranked". Time Out. Retrieved November 24, 2016.

web.archive.org

All citations from Becht-Jördens, Gereon & Wehmeier, Peter M.: ‘Touch me not!’ A gesture of detachment in Picasso’s La Vie as symbol of his self-concept as an artist Archived 2014-07-14 at the Wayback Machine

wikimedia.org

commons.wikimedia.org

Cf. Becht-Jördens, Gereon & Wehmeier, Peter M.: Picasso und die christliche Ikonographie. Mutterbeziehung und künstlerische Position. Dietrich Reimer, Berlin 2003, pp. 40-41; pp. 132-133; fig. 1-3, cf. Correggio, Noli me tangere, Museo del Prado, ca. 1518.