Analysis of information sources in references of the Wikipedia article "Leo Spitzer" in English language version.
We should remember that comparative literature in the United States was also largely started by immigrants – the refugees who fled Nazi Germany (principal among them Auerbach, Spitzer, Poggolio and Wellek).
In the footsteps of pioneering figures such as Spitzer and Auerbach, the discipline of comparative literature began gathering pace in the 1950s largely as a transatlantic affair.
As many have pointed out, the foundational figures of comparative literature—Leo Spitzer, Erich Auerbach—came as exiles and emigres from war-torn Europe with a shared suspicion of nationalism.
In a brief but remarkable essay on the ethos of comparative literary scholarship in the postwar U.S., Emily Apter has argued that the discipline Auerbach, Curtius, Leo Spitzer, and others founded (or reformulated) on their arrival in the U.S. was structured in fundamental ways around the experience of exile and displacement.
As many have pointed out, the foundational figures of comparative literature—Leo Spitzer, Erich Auerbach—came as exiles and emigres from war-torn Europe with a shared suspicion of nationalism.
As many have pointed out, the foundational figures of comparative literature—Leo Spitzer, Erich Auerbach—came as exiles and emigres from war-torn Europe with a shared suspicion of nationalism.
In a brief but remarkable essay on the ethos of comparative literary scholarship in the postwar U.S., Emily Apter has argued that the discipline Auerbach, Curtius, Leo Spitzer, and others founded (or reformulated) on their arrival in the U.S. was structured in fundamental ways around the experience of exile and displacement.
In a brief but remarkable essay on the ethos of comparative literary scholarship in the postwar U.S., Emily Apter has argued that the discipline Auerbach, Curtius, Leo Spitzer, and others founded (or reformulated) on their arrival in the U.S. was structured in fundamental ways around the experience of exile and displacement.
As many have pointed out, the foundational figures of comparative literature—Leo Spitzer, Erich Auerbach—came as exiles and emigres from war-torn Europe with a shared suspicion of nationalism.
In a brief but remarkable essay on the ethos of comparative literary scholarship in the postwar U.S., Emily Apter has argued that the discipline Auerbach, Curtius, Leo Spitzer, and others founded (or reformulated) on their arrival in the U.S. was structured in fundamental ways around the experience of exile and displacement.
