Cast surnames are from the Benoit edition of the piano-vocal score (Meyerbeer, ca. 1900), and forenames, from Kutsch and Riemens 2003. There is some disagreement among the sources concerning the singers of the minor roles. Chouquet 1873, p. 399, lists Ferdinand Prevôt as de Retz, Alex. Dupont as Cossé, and Massol as Tavannes. Wolff 1962, pp. 115–116, lists Trévaux as Tavannes. Wolff also lists four minor roles not found in the other sources: Gosselin and Laurent as the two Maids-of-Honor, Charpentier [tenor] as Léonard (the valet), and [Adolphe-Joseph-Louis] Alizard [bass] as the town crier. These two singers voice types are given by Tamvaco 2000, pp. 1224 (Alizard), 1237 (Charpentier). Alizard was a student at the time and made his real house debut on 23 June 1837, when he took over the role of Saint-Bris (Kutsch and Riemens 2003, p. 61; Chouquet). Later in his career Alizard created the roles of Father Laurence in Berlioz's dramatic symphony Roméo et Juliette (1839) and Roger in Verdi's Jérusalem (1847) (Kutsch and Riemens).
Letellier, Robert (2006). "Introduction to "Les Huguenots"". cambridgescholars.com. Cambridge Scholars Publishing. Archived from the original on 25 August 2017. Retrieved 28 August 2018.
Letellier, Robert (2006). "Introduction to "Les Huguenots"". cambridgescholars.com. Cambridge Scholars Publishing. Archived from the original on 25 August 2017. Retrieved 28 August 2018.
"huguenot" at WordReference.com; the optional "(ə)" is not given in The Oxford-Hachette French Dictionary, 4th edition, 2007, however, it is sung (Meyerbeer c. 1900, p. 14).
