List of works by Leonardo da Vinci (English Wikipedia)

"Paris Manuscript M". Universal Leonardo. University of the Arts, London. Archived from the original on 16 April 2013. Retrieved 3 November 2012.
"Paris Manuscript E". Universal Leonardo. University of the Arts, London. Archived from the original on 16 April 2013. Retrieved 3 November 2012.
"A lost Leonardo? Top art historian says maybe". Universal Leonardo. Archived from the original on 26 May 2012. Retrieved 27 September 2007.

artnet.com (Global: 2,153^rd place; English: 1,399^th place)

news.artnet.com

"Who Really Painted 'Salvator Mundi'? An Oxford Art Historian Says It Was Leonardo's Assistant | artnet News". artnet News. 7 August 2018. Retrieved 13 August 2018.
Cascoin, Sarah (27 August 2021). "7 Unbelievable and Contentious Takeaways From a New Documentary About 'Salvator Mundi,' the $450 Million 'Lost Leonardo'". Artnet. Retrieved 20 April 2022.

artuk.org (Global: 8,496^th place; English: 5,210^th place)

"St John the Baptist". Art UK. Retrieved 15 July 2013.

bbc.co.uk (Global: 8^th place; English: 10^th place)

"'Early Mona Lisa' painting claim disputed". BBC News. 27 September 2012. Retrieved 26 January 2013.
"Leonardo da Vinci's 'Horse and Rider'". BBC News. 28 August 2012. Retrieved 16 January 2014.

bloomberg.com (Global: 99^th place; English: 77^th place)

"Another Da Vinci of Disputed Origin Heads to Auction in New York". Bloomberg.com. 2 October 2019. Retrieved 18 November 2024.

books.google.com (Global: 3^rd place; English: 3^rd place)

Follower of Leonardo Syson (2011, p. 198, n. 9); "ascribed today to Leonardo" Marani (2003, p. 140) Syson, Luke; Keith, Larry; Galansino, Arturo; Mazzotta, Antonio; Nethersole, Scott; Rumberg, Per (2011). Leonardo da Vinci: Painter at the Court of Milan (1st ed.). London, England: National Gallery. ISBN 978-1857094916. Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, pp. 338–340; Zöllner 2019, pp. 214–251. Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590. Zöllner, Frank (2019). Leonardo da Vinci: The Complete Paintings and Drawings (Anniversary ed.). Cologne, Germany: Taschen.
Marani 2003, p. 338: "Attribution to Leonardo is unchallenged." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 338: "Attribution to Leonardo has never been seriously questioned." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 339: "Attribution to Leonardo is unchallenged." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, pp. 175–178. Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 339: "Attribution to Leonardo has never been contested." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 339: "Unanimously recognized as the only surviving fragments by Leonardo for this room." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 339: "Attribution to Leonardo is unanimous." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 340: "Although the painting's condition is poor, it should be considered a very damaged original by Leonardo." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 340: "Unanimously attributed to Leonardo, although there is little agreement on its date." Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Bambach 2003, p. 723. Bambach, Carmen C., ed. (2003). Leonardo da Vinci: Master Draftsman. New Haven, Connecticut: Yale University Press. ISBN 978-1588390332.
Marani 2003, p. 431. Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Marani 2003, p. 431 Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Shearman 1992, p. 33. Shearman, John (1992). Only Connect: Art and the Spectator in the Italian Renaissance. Oxford, England: Oxford University Press. ISBN 978-0691655413.
Marani 2003. Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Kemp 2011; no date in Marani 2003, but accepted by him ——— (2011). Leonardo: Revised edition. Oxford, England: Oxford University Press. ISBN 978-0199583355. Marani, Pietro C. (2003). Leonardo da Vinci: The Complete Paintings. New York, New York: Harry N. Abrams, Inc. ISBN 978-0810991590.
Livio, Mario (2003) [2002]. The Golden Ratio: The Story of Phi, the World's Most Astonishing Number (First trade paperback ed.). New York City: Broadway Books. pp. 130–131, 138. ISBN 0-7679-0816-3.
Sturman, Shelley; May, Katherine; Luchs, Alison (2017). "The Budapest Horse: Beyond the Leonardo da Vinci Question". In Helmstutler Di Dio, Kelley (ed.). Making and Moving Sculpture in Early Modern Italy. Routledge. p. 27. ISBN 978-1-351-55951-5.

britannica.com (Global: 40^th place; English: 58^th place)

Zelazko, Alicja (April 2022). "Why Is the Salvator Mundi Called the World's Most Controversial Painting?". Encyclopædia Britannica. Retrieved 13 November 2022.

cbsnews.com (Global: 108^th place; English: 80^th place)

Farmer, Brit Mccandless (26 May 2019). "From the archives: Looking for the lost Leonardo". CBS News. Retrieved 8 October 2019.

cnn.com (Global: 28^th place; English: 26^th place)

Holland, Oscar (16 November 2017). "Rare Da Vinci painting smashes world records with $450 million sale". CNN. Retrieved 16 November 2017.
Strickland, Ashley (4 May 2019). "What caused Leonardo da Vinci's hand impairment?". CNN. Retrieved 4 May 2019.

corriere.it (Global: 161^st place; English: 663^rd place)

milano.corriere.it

Panza, Pierluigi (19 October 2016). "La scultura equestre di Leonardo Esposizione tra genio e mistero". Corriere della Sera (in Italian). Retrieved 1 March 2017.

doi.org (Global: 2^nd place; English: 2^nd place)

MacKinnon, Nick (1993). "The Portrait of Fra Luca Pacioli". The Mathematical Gazette. 77 (479): 140–43, 146–49, 154, 165, 183, 184, 186–87, 197–205, 214. doi:10.2307/3619717. JSTOR 3619717. S2CID 195006163.

finearts360.com (Global: low place; English: low place)

Scaramella, A. D. "Artwork Analysis self Portrait in Red Chalk by Leonardo Da Vinci". Finearts.com. Helium Inc. Archived from the original on 29 November 2014. Retrieved 16 November 2014.

forbes.com (Global: 54^th place; English: 48^th place)

Stephane Fitch DaVinci's Fingerprints, 12.22.03 accessed 7 July 2009. Martin Kemp, the expert on Leonardo's fingerprints, had not examined the painting when the article was written.

hermitagemuseum.org (Global: 7,389^th place; English: low place)

A similar image, without the tormentors, is in the Hermitage Museum, St Petersburg. [1]^{[permanent dead link]}

huffingtonpost.com (Global: 109^th place; English: 87^th place)

"'Horse and Rider' Discovered Leonardo Da Vinci Sculpture". Huffington Post. 14 August 2012. Retrieved 16 January 2014.

imageshack.us (Global: 5,936^th place; English: 5,305^th place)

img204.imageshack.us

Bertelli, Carlo (19 November 2005). "Due allievi non fanno un Leonardo" (in Italian). Il Corriere della Sera. Archived from the original on 26 September 2007. Retrieved 27 September 2007.

jstor.org (Global: 26^th place; English: 20^th place)

MacKinnon, Nick (1993). "The Portrait of Fra Luca Pacioli". The Mathematical Gazette. 77 (479): 140–43, 146–49, 154, 165, 183, 184, 186–87, 197–205, 214. doi:10.2307/3619717. JSTOR 3619717. S2CID 195006163.

leonardodavincihorseandrider.com (Global: low place; English: low place)

Pedretti, Carlo (10 July 1985). "Wax model of Horse and Rider". Letter to Mr. Paul J. Wagner. Archived from the original on 8 October 2014.

livescience.com (Global: 1,190^th place; English: 959^th place)

Saplakoglu, Yasemin (4 May 2019). "A Portrait of Leonardo da Vinci May Reveal Why He Never Finished the Mona Lisa". Live Science. Retrieved 5 May 2019.

newspapers.com (Global: 55^th place; English: 36^th place)

bostonglobe.newspapers.com

Yemma, John (23 February 1997). "Leonardo on tour: the good, the bad ... and the phony? Art historians question attribution of some works headed for Boston show". The Boston Globe. p. A.1. at least one of the two sculptures on display in the art gallery at Science Park beginning March 3 have caused grave doubts among some art historians. [...] The labels on the paintings, Ackerman warned museum officials, were simply too generous, linking dubious and contested works from private collections too closely with Leonardo and other Italian masters. [...] after weeks of struggling over wording, museum officials altered some of the labels to introduce more skepticism [... The Wax Horse] is "attributed to Leonardo." Not so fast, said Jack Wasserman, an art historian at Temple University in Philadelphia. "There is no single work of sculpture which Leonardo worked on that survived to today," Wasserman said. "Yes, it could be 'attributed to' Leonardo, but you need to have a compelling reason for doing so. Since nothing survived, there is no way to judge a piece of sculpture like this." (subscription required)

newyorker.com (Global: 146^th place; English: 110^th place)

"The Mark of a Masterpiece" by David Grann, The New Yorker, vol. LXXXVI, no. 20, 12 & 19 July 2010, ISSN 0028-792X

nybooks.com (Global: 1,785^th place; English: 1,133^rd place)

Zerner, Henri (25 September 1997). "The Vision of Leonardo". The New York Review of Books. 44 (14): 67. no existing sculpture can be attributed to him with any certainty. [... the Bust of Christ as a Youth] was unfortunately placed in the exhibition next to a bizarre object, a wax statuette of a rider on a bucking horse never before seen in public. In the explanatory label, the statuette was said to have belonged to Francesco Melzi, a student and companion of Leonardo, a provenance unfortunately based on hearsay. [...] I fail to see the point of presenting to the uninformed visitor highly debatable hypotheses as if they were confirmed.

proquest.com (Global: 206^th place; English: 124^th place)

Holmstrom, David (24 March 1997). "Putting Leonardo's Inventions to the test: Boston's Museum of Science looks at the breathtaking scope of Leonardo da Vinci's work, though the authenticity of some objects is in question". The Christian Science Monitor. ProQuest 405615445. CONTROVERSIAL WORK: Whether Leonardo made this small wax figure is a source of contention among experts. Although the piece is unsigned, it is attributed to him in the exhibit. (subscription required)

quipo.it (Global: low place; English: low place)

utenti.quipo.it

Bo, Gianfranco. "Il sorriso di Pacioli". utenti.quipo.it (in Italian).

repubblica.it (Global: 78^th place; English: 423^rd place)

milano.repubblica.it

Gatti, Chiara (19 October 2016). "Arriva l'uomo a cavallo di Leonardo Da Vinci che divide i critici". la Repubblica (in Italian). Retrieved 22 February 2017. Presentata come una rivelazione esclusiva, è contestata da molti esperti. [...] Vittorio Sgarbi non nasconde i suoi dubbi sull'attribuzione al maestro toscano [...] Pietro Marani: Non ci sono evidenze, né si possono fare confronti poiché non esistono dati d'appoggio, esemplari sicuri.

ritrattopacioli.it (Global: low place; English: low place)

"ritratto Pacioli". www.ritrattopacioli.it (in Italian).

seeker.com (Global: low place; English: low place)

Lorenzi, Rossella (10 May 2016). "Did a Stroke Kill Leonardo da Vinci?". Seeker. Retrieved 10 June 2021.

semanticscholar.org (Global: 11^th place; English: 8^th place)

api.semanticscholar.org

MacKinnon, Nick (1993). "The Portrait of Fra Luca Pacioli". The Mathematical Gazette. 77 (479): 140–43, 146–49, 154, 165, 183, 184, 186–87, 197–205, 214. doi:10.2307/3619717. JSTOR 3619717. S2CID 195006163.

surrentum.com (Global: low place; English: low place)

en.surrentum.com

Self-portrait of Leonardo, Surrentum Online, accessed 6 November 2010

telegraph.co.uk (Global: 30^th place; English: 24^th place)

Bodkin, Henry (4 May 2019). "Leonardo da Vinci never finished the Mona Lisa because he injured his arm while fainting, experts say". The Telegraph. Retrieved 6 May 2019.

theartnewspaper.com (Global: 3,687^th place; English: 2,491^st place)

"National Gallery in London accused of altering attribution of Hermitage's 'Leonardo' for 2011 blockbuster show". www.theartnewspaper.com. 30 March 2018. Retrieved 13 August 2018.
Bailey, Martin (11 November 2021). "Prado museum downgrades Leonardo's $450m Salvator Mundi in exhibition catalogue". The Art Newspaper. Retrieved 12 November 2022.

theglobeandmail.com (Global: 293^rd place; English: 203^rd place)

Adams, James (13 October 2005). "Montreal art expert identifies da Vinci drawing". The Globe and Mail. Retrieved 14 October 2009.

theguardian.com (Global: 12^th place; English: 11^th place)

McMahon, Barbara (1 May 2005). "Da Vinci 'paralysis left Mona Lisa unfinished'". The Guardian. Retrieved 2 May 2019.

timesofisrael.com (Global: 571^st place; English: 403^rd place)

"Sold for $450m to Saudi prince, 'Salvator Mundi' deemed not painted by Leonardo". Times of Israel. 14 November 2021. Retrieved 13 November 2022.

universalleonardo.org (Global: low place; English: low place)

"Paris Manuscript L". Universal Leonardo. University of the Arts, London. Retrieved 3 November 2012.^{[dead link]}

universityproducts.com (Global: low place; English: low place)

news.universityproducts.com

"Emergency Treatment for Leonardo da Vinci's Self-Portrait". news.universityproducts.com. Archival Products. Retrieved 16 November 2014.

vam.ac.uk (Global: 2,871^st place; English: 1,841^st place)

"The Forster Codices: Leonardo da Vinci's Notebooks at the V&A". Victoria and Albert Museum. Retrieved 4 November 2012.

washingtonpost.com (Global: 34^th place; English: 27^th place)

Andrews, Travis M. (15 November 2017). "Long-lost da Vinci painting fetches $450 million, a world record". The Washington Post. Retrieved 16 November 2017.

web.archive.org (Global: 1^st place; English: 1^st place)

"Paris Manuscript B". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript C". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript A". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript H". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript K". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript I". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript D". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript F". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Paris Manuscript G". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Codex Madrid I". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Codex Madrid II". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 3 November 2012.
"Codex Urbinas and lost Libro A". Universal Leonardo. University of the Arts, London. Archived from the original on 15 October 2006. Retrieved 12 April 2012.
Pedretti, Carlo (10 July 1985). "Wax model of Horse and Rider". Letter to Mr. Paul J. Wagner. Archived from the original on 8 October 2014.
Scaramella, A. D. "Artwork Analysis self Portrait in Red Chalk by Leonardo Da Vinci". Finearts.com. Helium Inc. Archived from the original on 29 November 2014. Retrieved 16 November 2014.
Bertelli, Carlo (19 November 2005). "Due allievi non fanno un Leonardo" (in Italian). Il Corriere della Sera. Archived from the original on 26 September 2007. Retrieved 27 September 2007.

worldcat.org (Global: 5^th place; English: 5^th place)

search.worldcat.org

"The Mark of a Masterpiece" by David Grann, The New Yorker, vol. LXXXVI, no. 20, 12 & 19 July 2010, ISSN 0028-792X
Solari, Ernesto (2016). Leonardo da Vinci : Horse and rider : il "monumento" a Charles d'Amboise. Leonardo, da Vinci, 1452–1519,, Palazzo delle Stelline (Prima edizione ed.). Paderno Dugnano (Mi). ISBN 9788897206330. OCLC 962823523.{{cite book}}: CS1 maint: location missing publisher (link)

List of works by Leonardo da Vinci (English Wikipedia)

ambrosiana.it (Global: low place; English: low place)

archive.org (Global: 6th place; English: 6th place)

archive.today (Global: 14th place; English: 14th place)

artnet.com (Global: 2,153rd place; English: 1,399th place)

news.artnet.com

artuk.org (Global: 8,496th place; English: 5,210th place)

bbc.co.uk (Global: 8th place; English: 10th place)

bloomberg.com (Global: 99th place; English: 77th place)

books.google.com (Global: 3rd place; English: 3rd place)

britannica.com (Global: 40th place; English: 58th place)

cbsnews.com (Global: 108th place; English: 80th place)

cnn.com (Global: 28th place; English: 26th place)

corriere.it (Global: 161st place; English: 663rd place)

milano.corriere.it

doi.org (Global: 2nd place; English: 2nd place)

finearts360.com (Global: low place; English: low place)

forbes.com (Global: 54th place; English: 48th place)

hermitagemuseum.org (Global: 7,389th place; English: low place)

huffingtonpost.com (Global: 109th place; English: 87th place)

imageshack.us (Global: 5,936th place; English: 5,305th place)

img204.imageshack.us

jstor.org (Global: 26th place; English: 20th place)

leonardodavincihorseandrider.com (Global: low place; English: low place)

livescience.com (Global: 1,190th place; English: 959th place)

newspapers.com (Global: 55th place; English: 36th place)

bostonglobe.newspapers.com

newyorker.com (Global: 146th place; English: 110th place)

nybooks.com (Global: 1,785th place; English: 1,133rd place)

proquest.com (Global: 206th place; English: 124th place)

quipo.it (Global: low place; English: low place)

utenti.quipo.it

repubblica.it (Global: 78th place; English: 423rd place)

milano.repubblica.it

ritrattopacioli.it (Global: low place; English: low place)

seeker.com (Global: low place; English: low place)

semanticscholar.org (Global: 11th place; English: 8th place)

api.semanticscholar.org

surrentum.com (Global: low place; English: low place)

en.surrentum.com

telegraph.co.uk (Global: 30th place; English: 24th place)

theartnewspaper.com (Global: 3,687th place; English: 2,491st place)

theglobeandmail.com (Global: 293rd place; English: 203rd place)

theguardian.com (Global: 12th place; English: 11th place)

timesofisrael.com (Global: 571st place; English: 403rd place)

universalleonardo.org (Global: low place; English: low place)

universityproducts.com (Global: low place; English: low place)

news.universityproducts.com

vam.ac.uk (Global: 2,871st place; English: 1,841st place)

washingtonpost.com (Global: 34th place; English: 27th place)

web.archive.org (Global: 1st place; English: 1st place)

worldcat.org (Global: 5th place; English: 5th place)

search.worldcat.org

archive.org (Global: 6^th place; English: 6^th place)

archive.today (Global: 14^th place; English: 14^th place)

artnet.com (Global: 2,153^rd place; English: 1,399^th place)

artuk.org (Global: 8,496^th place; English: 5,210^th place)

bbc.co.uk (Global: 8^th place; English: 10^th place)

bloomberg.com (Global: 99^th place; English: 77^th place)

books.google.com (Global: 3^rd place; English: 3^rd place)

britannica.com (Global: 40^th place; English: 58^th place)

cbsnews.com (Global: 108^th place; English: 80^th place)

cnn.com (Global: 28^th place; English: 26^th place)

corriere.it (Global: 161^st place; English: 663^rd place)

doi.org (Global: 2^nd place; English: 2^nd place)

forbes.com (Global: 54^th place; English: 48^th place)

hermitagemuseum.org (Global: 7,389^th place; English: low place)

huffingtonpost.com (Global: 109^th place; English: 87^th place)

imageshack.us (Global: 5,936^th place; English: 5,305^th place)

jstor.org (Global: 26^th place; English: 20^th place)

livescience.com (Global: 1,190^th place; English: 959^th place)

newspapers.com (Global: 55^th place; English: 36^th place)

newyorker.com (Global: 146^th place; English: 110^th place)

nybooks.com (Global: 1,785^th place; English: 1,133^rd place)

proquest.com (Global: 206^th place; English: 124^th place)

repubblica.it (Global: 78^th place; English: 423^rd place)

semanticscholar.org (Global: 11^th place; English: 8^th place)

telegraph.co.uk (Global: 30^th place; English: 24^th place)

theartnewspaper.com (Global: 3,687^th place; English: 2,491^st place)

theglobeandmail.com (Global: 293^rd place; English: 203^rd place)

theguardian.com (Global: 12^th place; English: 11^th place)

timesofisrael.com (Global: 571^st place; English: 403^rd place)

vam.ac.uk (Global: 2,871^st place; English: 1,841^st place)

washingtonpost.com (Global: 34^th place; English: 27^th place)

web.archive.org (Global: 1^st place; English: 1^st place)

worldcat.org (Global: 5^th place; English: 5^th place)