Live coding (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Live coding" in English language version.

Last modified: 12:53:51, 12 September 2026 (UTC)

Ref.Un. Ref.Website

Global rank English rank

33web.archive.org

1^st place

1^st place

low place

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low place

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9,497^th place

5,600^th place

21princeton.edu

802^nd place

528^th place

2^nd place

2^nd place

11liveprogramming.github.io

low place

low place

11^th place

10^th place

2,455^th place

1,451^st place

11creativeapplications.net

low place

low place

11britishscienceassociation.org

low place

low place

11computinged.wordpress.com

low place

low place

380^th place

337^th place

low place

low place

low place

low place

low place

low place

low place

low place

11onthefly.space

low place

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bbc.co.uk (Global: 11^th place; English: 10^th place)

news.bbc.co.uk

"Tech Know: Programming, meet music". BBC News. 2009-08-28. Retrieved 2010-03-25.

britishscienceassociation.org (Global: low place; English: low place)

Bell, Sarah. "Live coding brings programming to life - an interview with Alex McLean". British Science Association. Retrieved 2 March 2016.

brown.edu (Global: 2,455^th place; English: 1,451^st place)

wiki.brown.edu

Collins, N. (2003) "Generative Music and Laptop Performance Archived 2014-05-14 at the Wayback Machine", Contemporary Music Review 22(4):67–79.

computinged.wordpress.com (Global: low place; English: low place)

Guzdial, Mark (August 2011). "What students get wrong when building computational physics models in Python: Cabellero thesis part 2". Retrieved 5 February 2013.

creativeapplications.net (Global: low place; English: low place)

"Communion by Universal Everything and Field.io: interview". 24 May 2011. Retrieved 5 February 2013.

doi.org (Global: 2^nd place; English: 2^nd place)

Collins, N., McLean, A., Rohrhuber, J. & Ward, A. (2003), "Live Coding in Laptop Performance", Organised Sound 8(3): 321–30. doi:10.1017/S135577180300030X

github.com (Global: 380^th place; English: 337^th place)

McLean, Alex (2014). "Making programming languages to dance to: Live Coding with Tidal". In proceedings of the 2nd ACM SIGPLAN International Workshop on Functional Art, Music, Modelling and Design (PDF). Gothenburg.{{cite book}}: CS1 maint: location missing publisher (link)

hfbk.net (Global: low place; English: low place)

akustik.hfbk.net

Collins, N., McLean, A., Rohrhuber, J. & Ward, A. (2003), "Live Coding in Laptop Performance", Organised Sound 8(3): 321–30. doi:10.1017/S135577180300030X
Rohrhuber, Julian (2008). Artificial, Natural, Historical in Transdisciplinary Digital Art. Sound, Vision and the New Screen (PDF). Springer Berlin Heidelberg. pp. 60–70.

liveprogramming.github.io (Global: low place; English: low place)

Magnusson, T. (2013). The Threnoscope. A Musical Work for Live Coding Performance. In Live 2013. First International Workshop on Live Programming.

moso.com.au (Global: low place; English: low place)

impromptu.moso.com.au

Sorensen, A. (2010). A distributed memory for networked livecoding performance. In Proceedings of International Computer Music Conference 2010.

onthefly.space (Global: low place; English: low place)

"On-the-fly project". onthefly.space.

princeton.edu (Global: 802^nd place; English: 528^th place)

soundlab.cs.princeton.edu

Wang G. & Cook P. (2004) "On-the-fly Programming: Using Code as an Expressive Musical Instrument", In Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME) (New York: NIME, 2004).

qut.edu.au (Global: 9,497^th place; English: 5,600^th place)

eprints.qut.edu.au

Sorensen, A & Gardner, H (2010) "Programming With Time: Cyberphysical Programming In Impromptu, In proceedings of the ACM Splash Conference 2010"
Sorensen, A. (2005). Impromptu : an interactive programming environment for composition and performance, In proceedings of the Australasian Computer Music Conference 2005

runme.org (Global: low place; English: low place)

art.runme.org

Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). Live algorithm programming and a temporary organisation for its promotion. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.

toplap.org (Global: low place; English: low place)

"ManifestoDraft". Toplap.org.

ukri.org (Global: low place; English: low place)

gtr.ukri.org

"Live Coding Network". Gtr.ukri.org.

web.archive.org (Global: 1^st place; English: 1^st place)

Collins, N. (2003) "Generative Music and Laptop Performance Archived 2014-05-14 at the Wayback Machine", Contemporary Music Review 22(4):67–79.
Rohrhuber, J., A. de Campo, R. Wieser, J.-K. van Kampen, E. Ho, and H. Hölzl (2007). Purloined letters and distributed persons Archived 2016-03-03 at the Wayback Machine. In Music in the Global Village Conference 2007.
"Artistic Interactivity in Hybrid Networks" (2016) --- Wayback Machine archive

wertlos.org (Global: low place; English: low place)

Rohrhuber, J., A. de Campo, R. Wieser, J.-K. van Kampen, E. Ho, and H. Hölzl (2007). Purloined letters and distributed persons Archived 2016-03-03 at the Wayback Machine. In Music in the Global Village Conference 2007.

yaxu.org (Global: low place; English: low place)

McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). Visualisation of live code. In Electronic Visualisation and the Arts London 2010.
McLean, Alex (2013-08-02). "Tidal homepage". Alex McLean.