Lonnie Mack (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Lonnie Mack" in English language version.

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  • February 6, Oscar Wilde |; Reply, 2010 at 12:27 AM | (February 6, 2010). "Lonnie Mack – Stop". Broaden Your Horizons. Retrieved July 29, 2022.{{cite web}}: CS1 maint: numeric names: authors list (link)

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  • As to all but Ward: "Lonnie Mack Songs, Albums, Reviews, Bio & More". AllMusic. Retrieved July 29, 2022.; As to Ward: Grimes, William (April 22, 2016). "Lonnie Mack, Singer and Guitarist Who Pioneered Blues-Rock, Dies at 74". The New York Times. Retrieved February 4, 2019.

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  • Apart from "Memphis" (Billboard #5) and Wham!" (Billboard #24), only two additional Mack Fraternity singles charted: "Honky-Tonk '65" (#78) and "Baby, What's Wrong?" (#93). See, Billboard's "Chart History" list for Mack at http://www.billboard.com/artist/307816/lonnie-mack/chart Archived July 19, 2018, at the Wayback Machine.
  • (1) "Baby, What's Wrong?" hit the low end of the charts at 93 in December 1963. See, Billboard's "Chart History" list for Mack at http://www.billboard.com/artist/307816/lonnie-mack/chart Archived July 19, 2018, at the Wayback Machine. (2) The blue-eyed soul vocals on Mack's debut album, The Wham of that Memphis Man (1963) came at a time when the racial divide in American culture was epitomized by the difference between black and white pop music styles. (Kirkus Review of the book, Country Soul, by Charles L. Hughes, U. of North Carolina Press, 2015, at https://www.kirkusreviews.com/book-reviews/charles-i-hughes/country-soul/). When Mack's first vocal recordings were released in 1963, Mack's gospel-inspired version of the soul ballad "Where There's a Will" was played on R&B radio stations throughout the Deep South. Soon, he was invited to give a live radio interview with a prominent R&B disc jockey in racially polarized Birmingham, Alabama. Mack said that when he appeared at the radio station, the DJ said, "Baby, you're the wrong color" and canceled the interview on the spot. After that, Mack's vocals received little play on R&B radio stations. (a) "We Lost Another Guitar Hero on April 21—Lonnie Mack Passes at 74" (http://www.guitarplayer.com/artists/1013/we-lost-another-guitar-hero-on-april-21-lonnie-mack-passes-at-74/57726). GuitarPlayer.com. Retrieved October 28, 2017. (b) Sandmel (May 1984). "Lonnie Mack is Back on the Track". Guitar World. p. 59.

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  • Upon completing his 1969 albums, Mack assumed a "Chet Atkins-Eric Clapton role at Elektra, doing studio dates, producing and A&R." (Rolling Stone, "Random Notes", February 7, 1970, p. 4,) In that role, he helped to recruit a number of country and blues artists from Nashville, Memphis, and Muscle Shoals, Alabama. Elektra considered the launch of a specialty label to record them. (Holzman, Follow The Music, First Media, 1998, pp. 366–67.) Mack was instrumental in signing Mickey Newbury, but could not generate much interest in some other prospects, including Roberta Flack. (Houghton, Becoming Elektra, 1st Ed., 2010, Jawbone Press, pp.244–246.) He then tried to sign Carole King, but Elektra rejected her on the grounds that they already had Judy Collins. (Gettleman, Orlando Sentinel, "Guitar Hero Lonnie Mack", as reprinted in Salt Lake Tribune, August 3–4, 1993, p. 3.) Frustrated, he finally attempted to interest Elektra in gospel singer Dorothy Combs Morrison, the former lead vocalist for the Edwin Hawkins Singers of "Oh Happy Day" fame. Mack had recorded Morrison singing a gospel-esque version of The Beatles' "Let It Be", and sought permission to release it; management's response was delayed, however, due to ongoing negotiations for the label's sale to Warner Brothers (Kot, Greg (December 13, 1989). "He Wrote The Book – tribunedigital-chicagotribune" (http://articles.chicagotribune.c[permanent dead link] om/1989-12-13/features/8903170595_1_doors-morrison-hotel-memphis-man-lonnie-mack). Articles.chicagotribune.com. Retrieved August 18, 2015.), allowing a competing label to seize the initiative and release Aretha Franklin's own gospel version first. "That bummed me out" (Gettleman, Orlando Sentinel, "Guitar Hero Lonnie Mack", as reprinted in Salt Lake Tribune, August 3–4, 1993, p. 3), Mack said. According to a close associate, Mack "had no tolerance for the internal politics of the music business". (Hear, interview of Stuart Holman (Mack's bass-player in the early '70s), "Lonnie Mack Special", July 16, 2011, at http://wvxu.org/post/lonnie-mack-special#stream/0.) Finally, Mack resigned from his A&R job. (Sandmel, "Lonnie Mack is Back on the Track", Guitar World, May 1984, pp. 59–60.)

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  • (1) Hear Mack interview at https://www.youtube.com/watch?v=1mYxmVf6Xik (2) Van Matre, "Lonnie Mack Back In The Swing Of Things", Chicago Tribune, May 2, 1985, at [1][dead link] 2/features/8501270055_1_mack-doesn-t-stevie-ray-vaughan-lonnie-mack. Chicago Tribune, Lifestyle Section. Retrieved July 11, 2014.
  • (1) Kot, "He Wrote The Book", Chicago Tribune online, December 13, 1989 ("Lonnie Mack launched the modern guitar era 26 years ago."), at [4][dead link] memphis-man-lonnie-mack) and (2) Vinson, "Don't Procrastinate – Be Rock Solid", MurfreesboroPost.com, February 6, 2010 (calling Mack "the father of Modern Guitar"), at http://www.murfreesboropost.com/archive/2010/06/06.

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  • (1) Mack, as quoted in Gettleman, "Guitar Hero Lonnie Mack Is A Low-Key Yet Major Influence On Many Musicians", Orlando Sentinel, as reproduced in Desert News/The Salt Lake Tribune, Tues. PM/Wed. AM, August 3–4, 1993 at p.3. (2) Vaughan idolized Mack, calling him "the baddest guitar player I know" (Vaughan, as heard on DVD entitled "American Caravan: Stevie Ray Vaughan and Double Trouble", recorded in 1986 at the Orpheum Theatre in Memphis. It can be seen and heard here: https://www.youtube.com/watch?v=IkBqTWBIkKw.) and credited much of his own guitar style to Mack. ("Lonnie invented a lot of this stuff." Newton, "My First Interview With Stevie Ray Vaughan", at https://earofnewt.com/2015/08/26/my-first-interview- with-stevie-ray-vaughan-when-he-sang-me-three-lines-of-an-earl-king-song/.) Vaughan also said, "I got a lot of the fast things I do from Lonnie" (Menn, Secrets From The Masters, Miller-Freeman, Inc, 1992, p. 278, ISBN 0-87930-260-7). Three years before his death, Vaughan listed Mack first among the guitarists he had listened to, both as a youngster and as an adult. (Vaughan interview at https://www.youtube.com/watch?v=GcrkPrxj698). As a teen-ager, Vaughan honed his guitar skills by playing along with Wham!, starting and stopping the record-player repeatedly as he attempted to copy Mack's guitar. (Vaughan interview, https://www.youtube.com/watch? v=GImi3eGVbSI, at counter 17:36; Patoski, "SRV: Caught in the Crossfire", 1993, Backbeat: 15–16.) In his teens, Duane Allman did the same with Memphis. (Poe, "Skydog: The Duane Allman Story", Backbeat, 2006, at p. 10 et seq.) Vaughan went on to record Wham! several times, and called his own instrumental, Scuttle-Buttin, "just another way of playin' [Mack's 1964 instrumental] Chicken-Pickin." (Vaughan, as quoted in review of the album Couldn't Stand The Weather at http://www.musicradar.com/news/guitars/stevie-ray-vaughan-couldnt-stand-the-weather-legacy-edition-album-review-265255. Musicradar.com. Retrieved October 28, 2017.)

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  • See, e.g., (1) "Talkin' Blues: Lonnie Mack and the Birth of Blues-Rock". Guitar World. Retrieved May 18, 2014.; (2) Guitar Player, "101 Forgotten Greats and Unsung Heroes", January 2, 2007, at https://www.guitarplayer.com/players/101-forgotten-greats-andamp-unsung-heroes; and (3) Brown & Newquist, Legends of Rock Guitar, "Lonnie Mack", Hal Leonard Publishing, 1997 at p.25. (4) They were not his only early demonstrations of soloing skill, however. Suzie Q (1963) and Lonnie on the Move (1964) are often mentioned, but the former was not promoted as a single and the latter was lost in the tidal wave of the British Invasion. A third, Chicken-Pickin (1964), widely considered Mack's greatest early demonstration of fret-board speed, suffered a similar fate. More recently, Jeff Beck regularly performed Lonnie on the Move during his 2015 and 2016 tours. It is a direct copy of Mack's own live, 1990 version. Beck probably first heard the tune when it was issued in Britain on the Stateside label in 1964. See, photo of that pressing with date 1964 at http://www.ebay.co.uk/itm/Lonnie-Mack-Lonnie-On-The-Move-1964-UK- 45-STATESIDE-DEMO-/352182827062.

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  • (1) "Baby, What's Wrong?" hit the low end of the charts at 93 in December 1963. See, Billboard's "Chart History" list for Mack at http://www.billboard.com/artist/307816/lonnie-mack/chart Archived July 19, 2018, at the Wayback Machine. (2) The blue-eyed soul vocals on Mack's debut album, The Wham of that Memphis Man (1963) came at a time when the racial divide in American culture was epitomized by the difference between black and white pop music styles. (Kirkus Review of the book, Country Soul, by Charles L. Hughes, U. of North Carolina Press, 2015, at https://www.kirkusreviews.com/book-reviews/charles-i-hughes/country-soul/). When Mack's first vocal recordings were released in 1963, Mack's gospel-inspired version of the soul ballad "Where There's a Will" was played on R&B radio stations throughout the Deep South. Soon, he was invited to give a live radio interview with a prominent R&B disc jockey in racially polarized Birmingham, Alabama. Mack said that when he appeared at the radio station, the DJ said, "Baby, you're the wrong color" and canceled the interview on the spot. After that, Mack's vocals received little play on R&B radio stations. (a) "We Lost Another Guitar Hero on April 21—Lonnie Mack Passes at 74" (http://www.guitarplayer.com/artists/1013/we-lost-another-guitar-hero-on-april-21-lonnie-mack-passes-at-74/57726). GuitarPlayer.com. Retrieved October 28, 2017. (b) Sandmel (May 1984). "Lonnie Mack is Back on the Track". Guitar World. p. 59.

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  • Davidson, Merric (May 18, 2016). "Lonnie Mack". Toppermost. Retrieved July 29, 2022.

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  • Upon completing his 1969 albums, Mack assumed a "Chet Atkins-Eric Clapton role at Elektra, doing studio dates, producing and A&R." (Rolling Stone, "Random Notes", February 7, 1970, p. 4,) In that role, he helped to recruit a number of country and blues artists from Nashville, Memphis, and Muscle Shoals, Alabama. Elektra considered the launch of a specialty label to record them. (Holzman, Follow The Music, First Media, 1998, pp. 366–67.) Mack was instrumental in signing Mickey Newbury, but could not generate much interest in some other prospects, including Roberta Flack. (Houghton, Becoming Elektra, 1st Ed., 2010, Jawbone Press, pp.244–246.) He then tried to sign Carole King, but Elektra rejected her on the grounds that they already had Judy Collins. (Gettleman, Orlando Sentinel, "Guitar Hero Lonnie Mack", as reprinted in Salt Lake Tribune, August 3–4, 1993, p. 3.) Frustrated, he finally attempted to interest Elektra in gospel singer Dorothy Combs Morrison, the former lead vocalist for the Edwin Hawkins Singers of "Oh Happy Day" fame. Mack had recorded Morrison singing a gospel-esque version of The Beatles' "Let It Be", and sought permission to release it; management's response was delayed, however, due to ongoing negotiations for the label's sale to Warner Brothers (Kot, Greg (December 13, 1989). "He Wrote The Book – tribunedigital-chicagotribune" (http://articles.chicagotribune.c[permanent dead link] om/1989-12-13/features/8903170595_1_doors-morrison-hotel-memphis-man-lonnie-mack). Articles.chicagotribune.com. Retrieved August 18, 2015.), allowing a competing label to seize the initiative and release Aretha Franklin's own gospel version first. "That bummed me out" (Gettleman, Orlando Sentinel, "Guitar Hero Lonnie Mack", as reprinted in Salt Lake Tribune, August 3–4, 1993, p. 3), Mack said. According to a close associate, Mack "had no tolerance for the internal politics of the music business". (Hear, interview of Stuart Holman (Mack's bass-player in the early '70s), "Lonnie Mack Special", July 16, 2011, at http://wvxu.org/post/lonnie-mack-special#stream/0.) Finally, Mack resigned from his A&R job. (Sandmel, "Lonnie Mack is Back on the Track", Guitar World, May 1984, pp. 59–60.)
  • (1) Dick Shurman, as quoted in McArdle, "Lonnie Mack, Guitarist and Singer Who Influenced Blues and Rock Acts, Dies at 74", Washington Post April 25, 2016, at [2][dead link]). (2) Shurman's observation about Mack's dislike of cities finds support in the lyrics of two Mack tunes: (a) "L.A. made me sick." (A Long Way From Memphis, 1985); (b) (Country, 1976). (3) Shurman's observation about Mack's dislike of the music business was echoed by Stuart Holman, Mack's bass guitarist in the early 1970s: "Lonnie had no tolerance for the internal politics of the music business." Holman interview on the broadcast "Lonnie Mack Special", July 16, 2011, at http://wvxu.org/post/lonnie-mack-special#stream/0.
  • "Lonnie Mack Special". WVXU. April 25, 2016. Retrieved July 29, 2022.
  • hay, lee (April 25, 2016). "Lonnie Mack Special". www.wvxu.org. Retrieved February 4, 2019.

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