Mabel Dwight (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Mabel Dwight" in English language version.

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archive.org

"About Mabel Dwight, Whose Work Is Too Compassionate To Be Classified as Caricature". Publishers Weekly. 2 (6): 138. October 1937.
Stacey Schmidt (1997). "Artist Biographies". Between the Wars: Women Artists of the Whitney Studio Club and Museum. Whitney Museum of American Art. pp. 9–10. ISBN 978-1-4381-0791-2.
"Things and People". The Wave: 325. 1899-05-20.
"The Drama". The Critic: An Illustrated Monthly Review of Literature, Art and Life. 39 (5): 434. November 1901.
American Art Annual, Volume 5, 1905-06. American Art Annual, New York. 1905. p. 491. Williamson, Mabel. 60 Washington Square S., New York, N. Y. (P., I.)
"Whitney Club Exhibition". American Art News. 17 (11): 7. 1908-12-21.
The artist in America; Twenty-Four Close-Ups of Contemporary Printmakers. A.A. Knopf. 1942. pp. 145–150.
"Among the Print Makers, Old and Modern; The "Fifty Prints"". Art Digest. 5 (10): 19. 1931-02-15.
"To Make a Circus Pay". Fortune. 1 (3): 39–43. February 1930.
Jon Sweitzer-Lamme (2014). A Century of Self-Expression; Modern American Art in the Collection of John and Joanne Payson [Exhibition Catalog]. Bryn Mawr College. p. 42. ISBN 9780615348261.
"The Weyhe Book and Print Shop". Publishers Weekly. 115 (12): 1397. 1929-03-23.
Carol Kort; Liz Sonneborn (2002). A to Z of American Women in the Visual Arts. Facts on File. pp. 56–57. ISBN 0-8160-4397-3.
The Federal Art Project : American prints from the 1930s in the Collection of the University of Michigan Museum of Art. University of Michigan. 1985. pp. 56–57. ISBN 9780912303307.
Francis V. O'Connor (1973). Art for the Millions; Essays from the 1930s by Artists and Administrators of the WPA Federal Art Project. New York Graphic Society. pp. 151–154. ISBN 9780821204399.
Biennial exhibition of contemporary American sculpture, watercolors. Whitney Museum of American Art. 1933. p. 15.
Robert Henkes (1991). American Women Painters of the 1930s and 1940s: the Lives and Work of Ten Artists. Jefferson, North Carolina: McFarland. p. 109. ISBN 9780899504742.

askart.com

"Mabel Dwight". AskArt Artists' Bluebook. Retrieved 2014-08-28.

books.google.com

Patricia Junker; Barbara McCandless (2001). Will Gillham (ed.). An American Collection: Works from the Amon Carter Museum. Hudson Hills. p. 230. ISBN 978-1-55595-198-6.
Margaret Moore Booker (2011). The Grove Encyclopedia of American Art. Oxford University Press. pp. 115–116. ISBN 978-0-19-533579-8.
Christine Bold (1999). The WPA Guides: Mapping America. Univ. Press of Mississippi. p. 116. ISBN 978-1-57806-195-2. Mabel Dwight's lithograph "Derelicts (East River Water Front)" represents the same subject matter in more grotesque yet more intimate light: her men touch and lean on each other with a degree of dependency not indicated by the more public photograph. Dwight—an elderly, partly deaf employee of the New York City Art Project—generally makes graphic the quotidian camaraderie of the working classes and the destitute, humanizing some of the guidebook's stark information.

doi.org

Burns, Sarah (Fall 2012). ""Better for Haunts": Victorian Houses and the Modern Imagination". American Art. 26 (3): 2–25. doi:10.1086/669220. JSTOR 10.1086/669220. S2CID 190697128.

familysearch.org

"United States Passport Applications, 1795-1925". Passport Application, New York, United States, source certificate #95798, Passport Applications, 1795-1905., Roll 665, NARA microfilm publications M1490 and M1372 (Washington D.C.: National Archives and Records Administration, n.d.). Retrieved 2022-10-20.
"Paul H Williamson, Colerain, Hamilton, Ohio, United States". United States Census, 1880, sheet 68C, NARA microfilm publication T9 on FamilySearch.org. Retrieved 2014-08-21.

jstor.org

"Mabel Dwight: A Catalogue Raisonné of the Lithographs by Susan Barnes Robinson and John Pirog Frankenthaler: A Catalogue Raisonné, Prints 1961-1994 by Pegram Harrison and Suzanne Boorsch". Woman's Art Journal. 20 (2): 52–55. Autumn 1999. JSTOR 1358988.
Burns, Sarah (Fall 2012). ""Better for Haunts": Victorian Houses and the Modern Imagination". American Art. 26 (3): 2–25. doi:10.1086/669220. JSTOR 10.1086/669220. S2CID 190697128.

semanticscholar.org

api.semanticscholar.org

Burns, Sarah (Fall 2012). ""Better for Haunts": Victorian Houses and the Modern Imagination". American Art. 26 (3): 2–25. doi:10.1086/669220. JSTOR 10.1086/669220. S2CID 190697128.

si.edu

americanart.si.edu

"Mabel Dwight". Smithsonian American Art Museum. Retrieved 2022-10-25.

aaa.si.edu

"Oral history interview with Holger Cahill, 1960 Apr. 12 and Apr. 15". Oral Histories; Archives of American Art, Smithsonian Institution. Retrieved 2014-08-27.

upenn.edu

franklin.library.upenn.edu

"Mabel Dwight Correspondence with Carl Zigrosser, 1915-1967, n.d." Franklin Library, University of Pennsylvania. Retrieved 2014-08-27.

vanityfair.com

archive.vanityfair.com

"Vanity Fair Archive: Mabel Dwight". vanityfair.com. Retrieved 2022-10-20.