Macbeth (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Macbeth" in English language version.

Last modified: 12:21:30, 31 October 2026 (UTC)

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archive.org (Global: 6^th place; English: 6^th place)

For the first performance in 1607, see Gurr 2009, p. 293, Thomson 1992, p. 64, and Wickham 1969, p. 231. For the date of composition, see Brooke 2008, p. 1 and Clark & Mason 2015, p. 13 Gurr, Andrew (2009). The Shakespearean Stage 1574–1642 (4th ed.). Cambridge: Cambridge University Press. doi:10.1017/CBO9780511819520. ISBN 978-0-511-81952-0 – via Cambridge Core. Thomson, Peter (1992). Shakespeare's Theatre. Theatre Production Studies (2nd ed.). London: Routledge. ISBN 0-415-05148-7. Wickham, Glynne (1969). Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge. OL 22102542M. Brooke, Nicholas, ed. (2008). Macbeth. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0-19-953583-5. Clark, Sandra; Mason, Pamela, eds. (2015). Macbeth. The Arden Shakespeare, third series. London: Bloomsbury Publishing. ISBN 978-1-904271-40-6.
Coursen 1997, pp. 15–21. Coursen, Herbert R. (1997). Macbeth: A Guide to the Play. Greenwood Press. ISBN 0-313-30047-X.
Thrasher 2002, p. 37. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Coursen 1997, p. 17. Coursen, Herbert R. (1997). Macbeth: A Guide to the Play. Greenwood Press. ISBN 0-313-30047-X.
Thrasher 2002, p. 42. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Thrasher 2002, pp. 38–39. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Thrasher 2002, p. 38. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Coursen 1997, pp. 11–13. Coursen, Herbert R. (1997). Macbeth: A Guide to the Play. Greenwood Press. ISBN 0-313-30047-X.
Braunmuller 1997, pp. 2–3. Braunmuller, Albert R., ed. (1997). Macbeth. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0-521-29455-3.
Muir 1985, p. 48. Muir, Kenneth (1985). Shakespeare: Contrasts and Controversies. University of Oklahoma Press. ISBN 978-0-8061-1940-3.
Kermode 1974, p. 1308. Kermode, Frank, ed. (1974). Macbeth. The Riverside Shakespeare. Boston: Houghton Mifflin. ISBN 0-395-04402-2.
Braunmuller 1997, pp. 5–8. Braunmuller, Albert R., ed. (1997). Macbeth. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0-521-29455-3.
Bradley, Andrew Cecil (1904). Shakespearean Tragedy. London: Macmillan Press. pp. 467–68.
Bradley, Andrew Cecil (1904). Shakespearean Tragedy. London: Macmillan Press. p. 469.
Bradley, Andrew Cecil (1904). Shakespearean Tragedy. London: Macmillan Press. pp. 352–3.
Muir 1984, p. xlviii. Muir, Kenneth, ed. (1984) [1951]. Macbeth (11th ed.). The Arden Shakespeare, second series. ISBN 978-1-903436-48-6.
Muir 1984, p. xlvi. Muir, Kenneth, ed. (1984) [1951]. Macbeth (11th ed.). The Arden Shakespeare, second series. ISBN 978-1-903436-48-6.
Pasternak 1959, pp. 150–152. Pasternak, Boris (1959). I Remember: Sketch for an Autobiography. Translated by Magarshack, David; Harari, Manya. New York: Pantheon Books. OL 6271434M.
Paul, Henry Neill (1971). The royal play of Macbeth; when, why, and how it was written by Shakespeare. Internet Archive. New York: Octagon Books. ISBN 978-0-374-96319-4.
Paul, Henry Neill (1971). The royal play of Macbeth; when, why, and how it was written by Shakespeare. Internet Archive. New York: Octagon Books. ISBN 978-0-374-96319-4.
Knights, L.C. (1933). "How Many Children Had Lady Macbeth? An Essay in Theory and Practice of Shakespearean Criticism". Explorations - Essays In Criticism Mainly On The Literature Of The Seventeenth Century. Harmondsworth: Penguin Books in association with Chatto and Windus (published 1946).
Bryant 1961, p. 153. Bryant Jr., J. A. (1961). Hippolyta's View: Some Christian Aspects of Shakespeare's Plays. University of Kentucky Press. hdl:2027/mdp.39015001989410. OL 5820486M.
Muir 1984. Muir, Kenneth, ed. (1984) [1951]. Macbeth (11th ed.). The Arden Shakespeare, second series. ISBN 978-1-903436-48-6.
Wells & Taylor 2005. Wells, Stanley; Taylor, Gary, eds. (2005). The Complete Works. The Oxford Shakespeare (2nd ed.). Oxford University Press. ISBN 978-0-19-926718-7.

bernews.com (Global: low place; English: 8,712^th place)

Bernews 2013. "'Scottish Curse' Struck Heston in Bermuda". Bernews. 7 April 2013. Archived from the original on 12 November 2017. Retrieved 30 January 2018.

cambridge.org (Global: 209^th place; English: 151^st place)

Wickham, Glynne (1967), "Hell-Castle and its Door-Keeper", in Muir, Kenneth (ed.), Shakespeare Survey: Volume 19: Macbeth, Shakespeare Survey, vol. 19, Cambridge: Cambridge University Press, pp. 68–74, doi:10.1017/ccol0521064325.007, ISBN 978-0-521-52355-4, retrieved 20 March 2025

deadline.com (Global: 19^th place; English: 16^th place)

Bamigboye, Bam (5 October 2026). "Breaking Baz: Anthony Mackie Returning To Broadway To Play Macbeth After 16-Year Absence From The Stage". Deadline Hollywood. Archived from the original on 5 October 2026. Retrieved 5 October 2026.

degruyterbrill.com (Global: 6,220^th place; English: 3,995^th place)

Greenblatt, Stephen (31 December 1993), "Shakespeare Bewitched", in Cox, Jeffrey N.; Reynolds, Larry J. (eds.), New Historical Literary Study, Princeton University Press, pp. 108–135, doi:10.1515/9780691233369-009, ISBN 978-0-691-23336-9, retrieved 9 July 2025

doi.org (Global: 2^nd place; English: 2^nd place)

For the first performance in 1607, see Gurr 2009, p. 293, Thomson 1992, p. 64, and Wickham 1969, p. 231. For the date of composition, see Brooke 2008, p. 1 and Clark & Mason 2015, p. 13 Gurr, Andrew (2009). The Shakespearean Stage 1574–1642 (4th ed.). Cambridge: Cambridge University Press. doi:10.1017/CBO9780511819520. ISBN 978-0-511-81952-0 – via Cambridge Core. Thomson, Peter (1992). Shakespeare's Theatre. Theatre Production Studies (2nd ed.). London: Routledge. ISBN 0-415-05148-7. Wickham, Glynne (1969). Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge. OL 22102542M. Brooke, Nicholas, ed. (2008). Macbeth. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0-19-953583-5. Clark, Sandra; Mason, Pamela, eds. (2015). Macbeth. The Arden Shakespeare, third series. London: Bloomsbury Publishing. ISBN 978-1-904271-40-6.
Nagarajan 1956. Nagarajan, S. (1956). "A Note on Banquo". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 371–376. doi:10.2307/2866356. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866356.
Palmer 1886. Palmer, J. Foster (1886). "The Celt in Power: Tudor and Cromwell". Transactions of the Royal Historical Society. 3 (3). Royal Historical Society: 343–370. doi:10.2307/3677851. eISSN 1474-0648. ISSN 0080-4401. JSTOR 3677851. S2CID 162969426. Archived from the original on 26 July 2020. Retrieved 4 May 2020.
Maskell 1971. Maskell, D. W. (1971). "The Transformation of History into Epic: The Stuartide (1611) of Jean de Schelandre". The Modern Language Review. 66 (1). Modern Humanities Research Association: 53–65. doi:10.2307/3722467. eISSN 2222-4319. ISSN 0026-7937. JSTOR 3722467.
Rogers 1965, pp. 44–45. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Rogers 1965, pp. 45–47. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Harris 2007, pp. 473–474. Harris, Jonathan Gil (2007). "The Smell of Macbeth". Shakespeare Quarterly. 58 (4). Folger Shakespeare Library: 465–486. doi:10.1353/shq.2007.0062. eISSN 1538-3555. ISSN 0037-3222. JSTOR 4625011. S2CID 9376451.
Loomis 1956. Loomis, Edward Alleyn (1956). "Master of the Tiger". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 457. doi:10.2307/2866386. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866386.
Smith 2012. Smith, Joshua S. (2012). "Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle". Studies in Philology. 109 (4). The University of North Carolina Press: 474–495. doi:10.1353/sip.2012.0027. ISSN 1543-0383. S2CID 162251374.
Stoll 1943, p. 26. Stoll, E. E. (1943). "Source and Motive in Macbeth and Othello". The Review of English Studies. 19 (73). Oxford University Press: 25–32. doi:10.1093/res/os-XIX.73.25. eISSN 1471-6968. ISSN 0034-6551. JSTOR 510055.
Sherbo, Arthur (1951). "Dr. Johnson on Macbeth: 1745 and 1765". The Review of English Studies. 2 (5): 40–47. doi:10.1093/res/II.5.40. ISSN 0034-6551. JSTOR 511908.
Spurgeon 2010, pp. 324–327. Spurgeon, Caroline F. E. (2010) [1935]. Shakespeare's Imagery and What it Tells Us. Cambridge: Cambridge University Press. doi:10.1017/CBO9780511620393. ISBN 978-0-511-62039-3 – via Cambridge Core.
Wickham, Glynne (1967), "Hell-Castle and its Door-Keeper", in Muir, Kenneth (ed.), Shakespeare Survey: Volume 19: Macbeth, Shakespeare Survey, vol. 19, Cambridge: Cambridge University Press, pp. 68–74, doi:10.1017/ccol0521064325.007, ISBN 978-0-521-52355-4, retrieved 20 March 2025
Love, Heather (2011), "Macbeth: Milk", in Menon, Madhavi (ed.), Shakesqueer, Duke University Press, pp. 201–208, doi:10.1215/9780822393337-023, ISBN 978-0-8223-4833-7, retrieved 20 March 2025
Callaghan, Dympna, ed. (2000), A Feminist Companion to Shakespeare, Oxford, UK: Blackwell Publishing Ltd, pp. 3–20, doi:10.1111/b.9780631208075.2000.00003.x (inactive 2 November 2025), ISBN 978-0-631-20807-5{{citation}}: CS1 maint: DOI inactive as of November 2025 (link)
Adelman, Janet (1992), "'Born of woman': Fantasies of Maternal Power in 'Macbeth'", Macbeth, Bloomsbury Academic, doi:10.5040/9781350387614.ch-005, ISBN 978-1-350-38760-7, retrieved 1 April 2025
Lauren Byler (2015). "Loose characters in Mary Cowden Clarke's The Girlhood of Shakespeare's Heroines in a Series of Tales". Texas Studies in Literature and Language. 57 (3): 343. doi:10.7560/TSLL57305. ISSN 0040-4691. S2CID 162081047.
Stallybrass, Peter (1992), "'Macbeth' and Witchcraft", Macbeth, Bloomsbury Academic, doi:10.5040/9781350387614.ch-002, ISBN 978-1-350-38760-7, retrieved 18 August 2025
Greenblatt, Stephen (31 December 1993), "Shakespeare Bewitched", in Cox, Jeffrey N.; Reynolds, Larry J. (eds.), New Historical Literary Study, Princeton University Press, pp. 108–135, doi:10.1515/9780691233369-009, ISBN 978-0-691-23336-9, retrieved 9 July 2025
Coddon 1989, p. 491. Coddon, Karin S. (1989). "'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth". ELH. 56 (3). The Johns Hopkins University Press: 485–501. doi:10.2307/2873194. eISSN 1080-6547. ISSN 0013-8304. JSTOR 2873194.
Frye 1987. Frye, Roland Mushat (1987). "Launching the Tragedy of Macbeth: Temptation, Deliberation, and Consent in Act I". Huntington Library Quarterly. 50 (3). University of Pennsylvania Press: 249–261. doi:10.2307/3817399. eISSN 1544-399X. ISSN 0018-7895. JSTOR 3817399.
Taylor 2002, p. 2. Taylor, Gary (2002). "Shakespeare plays on Renaissance stages". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 1–20. doi:10.1017/CCOL0521792959.001. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 119. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Marsden 2002, p. 21. Marsden, Jean I. (2002). "Improving Shakespeare: from the Restoration to Garrick". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 21–36. doi:10.1017/CCOL0521792959.002. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, pp. 231–232. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Potter 2001, p. 188. Potter, Lois (2001). "Shakespeare in the theatre, 1660–1900". In de Grazia, Margreta; Wells, Stanley (eds.). The Cambridge Companion to Shakespeare. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 183–198. doi:10.1017/CCOL0521650941.012. ISBN 978-1-139-00010-9 – via Cambridge Core.
Gay 2002, p. 158. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 124. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 125. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 124–125. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Potter 2001, p. 189. Potter, Lois (2001). "Shakespeare in the theatre, 1660–1900". In de Grazia, Margreta; Wells, Stanley (eds.). The Cambridge Companion to Shakespeare. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 183–198. doi:10.1017/CCOL0521650941.012. ISBN 978-1-139-00010-9 – via Cambridge Core.
Williams 2002, pp. 125–126. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Moody 2002, p. 43. Moody, Jane (2002). "Romantic Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 37–57. doi:10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 159. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 126. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 167. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Holland 2007, pp. 38–39. Holland, Peter (2007). "Shakespeare abbreviated". In Shaughnessy, Robert (ed.). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 26–45. doi:10.1017/CCOL9780521844291.003. ISBN 978-1-139-00152-6 – via Cambridge Core.
Moody 2002, pp. 38–39. Moody, Jane (2002). "Romantic Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 37–57. doi:10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 126–127. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Moody 2002, p. 38. Moody, Jane (2002). "Romantic Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 37–57. doi:10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4 – via Cambridge Core.
Schoch 2002, pp. 58–59. Schoch, Richard W. (2002). "Pictorial Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 58–75. doi:10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 128. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Schoch 2002, pp. 61–62. Schoch, Richard W. (2002). "Pictorial Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 58–75. doi:10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, pp. 163–164. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Schoch 2002, p. 64. Schoch, Richard W. (2002). "Pictorial Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 58–75. doi:10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, p. 237. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Holland 2002, p. 202. Holland, Peter (2002). "Touring Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 194–211. doi:10.1017/CCOL0521792959.011. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, p. 238. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, p. 239. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 162. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, pp. 161–162. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 164. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 129. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 129–130. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, pp. 166–167. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 130. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 130–131. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Smallwood 2002, p. 102. Smallwood, Robert (2002). "Twentieth-century performance: the Stratford and London companies". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 98–117. doi:10.1017/CCOL0521792959.006. ISBN 978-0-511-99957-4 – via Cambridge Core.
Forsyth 2007, p. 284. Forsyth, Neil (2007). "Shakespeare the illusionist: filming the supernatural". In Jackson, Russell (ed.). The Cambridge Companion to Shakespeare on Film. Cambridge Companions to Literature (2nd ed.). Cambridge: Cambridge University Press. pp. 280–302. doi:10.1017/CCOL0521866006.017. ISBN 978-1-139-00143-4 – via Cambridge Core.
Williams 2002, p. 131. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
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Zagorin 1996. Zagorin, Perez (1996). "The Historical Significance of Lying and Dissimulation". Social Research. 63 (3, Truth–Telling, Lying And Self–Deception). The New School: 863–912. ISSN 0037-783X. JSTOR 40972318.
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Lauren Byler (2015). "Loose characters in Mary Cowden Clarke's The Girlhood of Shakespeare's Heroines in a Series of Tales". Texas Studies in Literature and Language. 57 (3): 343. doi:10.7560/TSLL57305. ISSN 0040-4691. S2CID 162081047.
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Macbeth (English Wikipedia)

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deadline.com (Global: 19^th place; English: 16^th place)

degruyterbrill.com (Global: 6,220^th place; English: 3,995^th place)

doi.org (Global: 2^nd place; English: 2^nd place)

dukeupress.edu (Global: 5,557^th place; English: 3,265^th place)

enotes.com (Global: 4,917^th place; English: 3,744^th place)

folger.edu (Global: low place; English: 7,930^th place)

hdl.handle.net (Global: 66^th place; English: 34^th place)

jstor.org (Global: 23^rd place; English: 15^th place)

npr.org (Global: 114^th place; English: 75^th place)

nytimes.com (Global: 7^th place; English: 7^th place)

openlibrary.org (Global: 185^th place; English: 154^th place)

playbill.com (Global: 217^th place; English: 114^th place)

royalgazette.com (Global: 6,735^th place; English: 3,668^th place)

rsc.org.uk (Global: low place; English: 6,631^st place)

rtbf.be (Global: 841^st place; English: 2,771^st place)

semanticscholar.org (Global: 15^th place; English: 8^th place)

theguardian.com (Global: 16^th place; English: 11^th place)

tribuneindia.com (Global: 668^th place; English: 350^th place)

umich.edu (Global: 429^th place; English: 307^th place)

variety.com (Global: 21^st place; English: 17^th place)

web.archive.org (Global: 1^st place; English: 1^st place)

whatsonstage.com (Global: 1,721^st place; English: 835^th place)

worldcat.org (Global: 4^th place; English: 4^th place)

zenodo.org (Global: 737^th place; English: 426^th place)