Macbeth (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Macbeth" in English language version.

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For the first performance in 1607, see Gurr 2009, p. 293, Thomson 1992, p. 64, and Wickham 1969, p. 231. For the date of composition, see Brooke 2008, p. 1 and Clark & Mason 2015, p. 13 Gurr, Andrew (2009). The Shakespearean Stage 1574–1642 (4th ed.). Cambridge: Cambridge University Press. doi:10.1017/CBO9780511819520. ISBN 978-0-511-81952-0 – via Cambridge Core. Thomson, Peter (1992). Shakespeare's Theatre. Theatre Production Studies (2nd ed.). London: Routledge. ISBN 0-415-05148-7. Wickham, Glynne (1969). Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge. OL 22102542M. Brooke, Nicholas, ed. (2008). Macbeth. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0-19-953583-5. Clark, Sandra; Mason, Pamela, eds. (2015). Macbeth. The Arden Shakespeare, third series. London: Bloomsbury Publishing. ISBN 978-1-904271-40-6.
Coursen 1997, pp. 11–13. Coursen, Herbert R. (1997). Macbeth: A Guide to the Play. Greenwood Press. ISBN 0-313-30047-X.
Coursen 1997, pp. 15–21. Coursen, Herbert R. (1997). Macbeth: A Guide to the Play. Greenwood Press. ISBN 0-313-30047-X.
Thrasher 2002, p. 37. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Coursen 1997, p. 17. Coursen, Herbert R. (1997). Macbeth: A Guide to the Play. Greenwood Press. ISBN 0-313-30047-X.
Thrasher 2002, p. 42. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Thrasher 2002, pp. 38–39. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Thrasher 2002, p. 38. Thrasher, Thomas (2002). Understanding Macbeth. Understanding Great Literature (1st ed.). San Diego: Lucent Books. ISBN 1-56006-998-8.
Wells & Taylor 2005, pp. 909, 1153. Wells, Stanley; Taylor, Gary, eds. (2005). The Complete Works. The Oxford Shakespeare (2nd ed.). Oxford University Press. ISBN 978-0-19-926718-7.
Braunmuller 1997, pp. 2–3. Braunmuller, Albert R., ed. (1997). Macbeth. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0-521-29455-3.
Muir 1985, p. 48. Muir, Kenneth (1985). Shakespeare: Contrasts and Controversies. University of Oklahoma Press. ISBN 978-0-8061-1940-3.
Kermode 1974, p. 1308. Kermode, Frank, ed. (1974). Macbeth. The Riverside Shakespeare. Boston: Houghton Mifflin. ISBN 0-395-04402-2.
Braunmuller 1997, pp. 5–8. Braunmuller, Albert R., ed. (1997). Macbeth. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0-521-29455-3.
Muir 1984, p. xlviii. Muir, Kenneth, ed. (1984) [1951]. Macbeth (11th ed.). The Arden Shakespeare, second series. ISBN 978-1-903436-48-6.
Muir 1984, p. xlvi. Muir, Kenneth, ed. (1984) [1951]. Macbeth (11th ed.). The Arden Shakespeare, second series. ISBN 978-1-903436-48-6.
Pasternak 1959, pp. 150–152. Pasternak, Boris (1959). I Remember: Sketch for an Autobiography. Translated by Magarshack, David; Harari, Manya. New York: Pantheon Books. OL 6271434M.
Bryant 1961, p. 153. Bryant Jr., J. A. (1961). Hippolyta's View: Some Christian Aspects of Shakespeare's Plays. University of Kentucky Press. hdl:2027/mdp.39015001989410. OL 5820486M.
Muir 1984. Muir, Kenneth, ed. (1984) [1951]. Macbeth (11th ed.). The Arden Shakespeare, second series. ISBN 978-1-903436-48-6.
Wells & Taylor 2005. Wells, Stanley; Taylor, Gary, eds. (2005). The Complete Works. The Oxford Shakespeare (2nd ed.). Oxford University Press. ISBN 978-0-19-926718-7.

austinchronicle.com

Faires 2000. Faires, Robert (13 October 2000). "The curse of the play". The Austin Chronicle. Archived from the original on 27 February 2021. Retrieved 19 August 2012.

bernews.com

Bernews 2013. "'Scottish Curse' Struck Heston in Bermuda". Bernews. 7 April 2013. Archived from the original on 12 November 2017. Retrieved 30 January 2018.

doi.org

For the first performance in 1607, see Gurr 2009, p. 293, Thomson 1992, p. 64, and Wickham 1969, p. 231. For the date of composition, see Brooke 2008, p. 1 and Clark & Mason 2015, p. 13 Gurr, Andrew (2009). The Shakespearean Stage 1574–1642 (4th ed.). Cambridge: Cambridge University Press. doi:10.1017/CBO9780511819520. ISBN 978-0-511-81952-0 – via Cambridge Core. Thomson, Peter (1992). Shakespeare's Theatre. Theatre Production Studies (2nd ed.). London: Routledge. ISBN 0-415-05148-7. Wickham, Glynne (1969). Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge. OL 22102542M. Brooke, Nicholas, ed. (2008). Macbeth. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0-19-953583-5. Clark, Sandra; Mason, Pamela, eds. (2015). Macbeth. The Arden Shakespeare, third series. London: Bloomsbury Publishing. ISBN 978-1-904271-40-6.
Nagarajan 1956. Nagarajan, S. (1956). "A Note on Banquo". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 371–376. doi:10.2307/2866356. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866356.
Palmer 1886. Palmer, J. Foster (1886). "The Celt in Power: Tudor and Cromwell". Transactions of the Royal Historical Society. 3 (3). Royal Historical Society: 343–370. doi:10.2307/3677851. eISSN 1474-0648. ISSN 0080-4401. JSTOR 3677851. S2CID 162969426. Archived from the original on 26 July 2020. Retrieved 4 May 2020.
Maskell 1971. Maskell, D. W. (1971). "The Transformation of History into Epic: The Stuartide (1611) of Jean de Schelandre". The Modern Language Review. 66 (1). Modern Humanities Research Association: 53–65. doi:10.2307/3722467. eISSN 2222-4319. ISSN 0026-7937. JSTOR 3722467.
Rogers 1965, pp. 44–45. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Rogers 1965, pp. 45–47. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Harris 2007, pp. 473–474. Harris, Jonathan Gil (2007). "The Smell of Macbeth". Shakespeare Quarterly. 58 (4). Folger Shakespeare Library: 465–486. doi:10.1353/shq.2007.0062. eISSN 1538-3555. ISSN 0037-3222. JSTOR 4625011. S2CID 9376451.
Loomis 1956. Loomis, Edward Alleyn (1956). "Master of the Tiger". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 457. doi:10.2307/2866386. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866386.
Smith 2012. Smith, Joshua S. (2012). "Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle". Studies in Philology. 109 (4). The University of North Carolina Press: 474–495. doi:10.1353/sip.2012.0027. ISSN 1543-0383. S2CID 162251374.
Stoll 1943, p. 26. Stoll, E. E. (1943). "Source and Motive in Macbeth and Othello". The Review of English Studies. 19 (73). Oxford University Press: 25–32. doi:10.1093/res/os-XIX.73.25. eISSN 1471-6968. ISSN 0034-6551. JSTOR 510055.
Sherbo, Arthur (1951). "Dr. Johnson on Macbeth: 1745 and 1765". The Review of English Studies. 2 (5): 40–47. doi:10.1093/res/II.5.40. ISSN 0034-6551. JSTOR 511908.
Spurgeon 1935, pp. 324–327. Spurgeon, Caroline F. E. (1935). Shakespeare's Imagery and What it Tells Us. Cambridge: Cambridge University Press. doi:10.1017/CBO9780511620393. ISBN 978-0-511-62039-3 – via Cambridge Core.
Lauren Byler (2015). "Loose characters in Mary Cowden Clarke's The Girlhood of Shakespeare's Heroines in a Series of Tales". Texas Studies in Literature and Language. 57 (3): 343. doi:10.7560/TSLL57305. ISSN 0040-4691. S2CID 162081047.
Coddon 1989, p. 491. Coddon, Karin S. (1989). "'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth". ELH. 56 (3). The Johns Hopkins University Press: 485–501. doi:10.2307/2873194. eISSN 1080-6547. ISSN 0013-8304. JSTOR 2873194.
Frye 1987. Frye, Roland Mushat (1987). "Launching the Tragedy of Macbeth: Temptation, Deliberation, and Consent in Act I". Huntington Library Quarterly. 50 (3). University of Pennsylvania Press: 249–261. doi:10.2307/3817399. eISSN 1544-399X. ISSN 0018-7895. JSTOR 3817399.
Taylor 2002, p. 2. Taylor, Gary (2002). "Shakespeare plays on Renaissance stages". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 1–20. doi:10.1017/CCOL0521792959.001. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 119. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Marsden 2002, p. 21. Marsden, Jean I. (2002). "Improving Shakespeare: from the Restoration to Garrick". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 21–36. doi:10.1017/CCOL0521792959.002. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, pp. 231–232. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Potter 2001, p. 188. Potter, Lois (2001). "Shakespeare in the theatre, 1660–1900". In de Grazia, Margreta; Wells, Stanley (eds.). The Cambridge Companion to Shakespeare. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 183–198. doi:10.1017/CCOL0521650941.012. ISBN 978-1-139-00010-9 – via Cambridge Core.
Gay 2002, p. 158. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 124. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 125. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 124–125. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Potter 2001, p. 189. Potter, Lois (2001). "Shakespeare in the theatre, 1660–1900". In de Grazia, Margreta; Wells, Stanley (eds.). The Cambridge Companion to Shakespeare. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 183–198. doi:10.1017/CCOL0521650941.012. ISBN 978-1-139-00010-9 – via Cambridge Core.
Williams 2002, pp. 125–126. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Moody 2002, p. 43. Moody, Jane (2002). "Romantic Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 37–57. doi:10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 159. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 126. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 167. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Holland 2007, pp. 38–39. Holland, Peter (2007). "Shakespeare abbreviated". In Shaughnessy, Robert (ed.). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 26–45. doi:10.1017/CCOL9780521844291.003. ISBN 978-1-139-00152-6 – via Cambridge Core.
Moody 2002, pp. 38–39. Moody, Jane (2002). "Romantic Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 37–57. doi:10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 126–127. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Moody 2002, p. 38. Moody, Jane (2002). "Romantic Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 37–57. doi:10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4 – via Cambridge Core.
Schoch 2002, pp. 58–59. Schoch, Richard W. (2002). "Pictorial Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 58–75. doi:10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 128. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Schoch 2002, pp. 61–62. Schoch, Richard W. (2002). "Pictorial Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 58–75. doi:10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, pp. 163–164. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Schoch 2002, p. 64. Schoch, Richard W. (2002). "Pictorial Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 58–75. doi:10.1017/CCOL0521792959.004. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, p. 237. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Holland 2002, p. 202. Holland, Peter (2002). "Touring Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 194–211. doi:10.1017/CCOL0521792959.011. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, p. 238. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Morrison 2002, p. 239. Morrison, Michael A. (2002). "Shakespeare in North America". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 230–258. doi:10.1017/CCOL0521792959.013. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 162. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, pp. 161–162. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 164. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 129. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 129–130. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, pp. 166–167. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 130. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 130–131. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Smallwood 2002, p. 102. Smallwood, Robert (2002). "Twentieth-century performance: the Stratford and London companies". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 98–117. doi:10.1017/CCOL0521792959.006. ISBN 978-0-511-99957-4 – via Cambridge Core.
Forsyth 2007, p. 284. Forsyth, Neil (2007). "Shakespeare the illusionist: filming the supernatural". In Jackson, Russell (ed.). The Cambridge Companion to Shakespeare on Film. Cambridge Companions to Literature (2nd ed.). Cambridge: Cambridge University Press. pp. 280–302. doi:10.1017/CCOL0521866006.017. ISBN 978-1-139-00143-4 – via Cambridge Core.
Williams 2002, p. 131. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gay 2002, p. 169. Gay, Penny (2002). "Women and Shakespearean performance". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 155–173. doi:10.1017/CCOL0521792959.009. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, pp. 132–134. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Williams 2002, p. 134. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Holland 2007, p. 40. Holland, Peter (2007). "Shakespeare abbreviated". In Shaughnessy, Robert (ed.). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 26–45. doi:10.1017/CCOL9780521844291.003. ISBN 978-1-139-00152-6 – via Cambridge Core.
Williams 2002, pp. 134–135. Williams, Simon (2002). "The tragic actor and Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 118–136. doi:10.1017/CCOL0521792959.007. ISBN 978-0-511-99957-4 – via Cambridge Core.
Holland 2002, p. 207. Holland, Peter (2002). "Touring Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 194–211. doi:10.1017/CCOL0521792959.011. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gillies et al. 2002, p. 268. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam (2002). "Shakespeare on the stages of Asia". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 259–283. doi:10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gillies et al. 2002, p. 270. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam (2002). "Shakespeare on the stages of Asia". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 259–283. doi:10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gillies et al. 2002, pp. 276–278. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam (2002). "Shakespeare on the stages of Asia". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 259–283. doi:10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4 – via Cambridge Core.
Gillies et al. 2002, pp. 278–279. Gillies, John; Minami, Ryuta; Li, Ruru; Trivedi, Poonam (2002). "Shakespeare on the stages of Asia". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp. 259–283. doi:10.1017/CCOL0521792959.014. ISBN 978-0-511-99957-4 – via Cambridge Core.

handle.net

hdl.handle.net

Paul 1950, p. 227. Paul, Henry Neill (1950). The Royal Play of Macbeth: When, Why, and How It Was Written by Shakespeare. New York: Macmillan. hdl:2027/mdp.39015012064237. OCLC 307817. OL 6084940M.
Dyce 1843, p. 216. Dyce, Alexander, ed. (1843). The Works of Beaumont and Fletcher. Vol. 1. London: Edward Moxen. hdl:2027/osu.32435063510085. OL 7056519M.
Sprague 1889, p. 12. Sprague, Homer B., ed. (1889). Shakespeare's Tragedy of Macbeth. Silver series of classics. New York: Silver, Burdett, & Co. hdl:2027/hvd.hn3mu1.
Hattaway 1969, p. 100. Beaumont, Francis (1969). Hattaway, Michael (ed.). The Knight of the Burning Pestle. The New Mermaids. London: Ernest Benn. hdl:2027/mdp.39015005314193.
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jstor.org

Nagarajan 1956. Nagarajan, S. (1956). "A Note on Banquo". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 371–376. doi:10.2307/2866356. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866356.
Palmer 1886. Palmer, J. Foster (1886). "The Celt in Power: Tudor and Cromwell". Transactions of the Royal Historical Society. 3 (3). Royal Historical Society: 343–370. doi:10.2307/3677851. eISSN 1474-0648. ISSN 0080-4401. JSTOR 3677851. S2CID 162969426. Archived from the original on 26 July 2020. Retrieved 4 May 2020.
Maskell 1971. Maskell, D. W. (1971). "The Transformation of History into Epic: The Stuartide (1611) of Jean de Schelandre". The Modern Language Review. 66 (1). Modern Humanities Research Association: 53–65. doi:10.2307/3722467. eISSN 2222-4319. ISSN 0026-7937. JSTOR 3722467.
Zagorin 1996. Zagorin, Perez (1996). "The Historical Significance of Lying and Dissimulation". Social Research. 63 (3, Truth–Telling, Lying And Self–Deception). The New School: 863–912. ISSN 0037-783X. JSTOR 40972318.
Rogers 1965, pp. 44–45. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Rogers 1965, pp. 45–47. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Harris 2007, pp. 473–474. Harris, Jonathan Gil (2007). "The Smell of Macbeth". Shakespeare Quarterly. 58 (4). Folger Shakespeare Library: 465–486. doi:10.1353/shq.2007.0062. eISSN 1538-3555. ISSN 0037-3222. JSTOR 4625011. S2CID 9376451.
Loomis 1956. Loomis, Edward Alleyn (1956). "Master of the Tiger". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 457. doi:10.2307/2866386. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866386.
Whitted 2012. Whitted, Brent E. (2012). "Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607". Early Theatre. 15 (2): 111–130. eISSN 2293-7609. ISSN 1206-9078. JSTOR 43499628.
Stoll 1943, p. 26. Stoll, E. E. (1943). "Source and Motive in Macbeth and Othello". The Review of English Studies. 19 (73). Oxford University Press: 25–32. doi:10.1093/res/os-XIX.73.25. eISSN 1471-6968. ISSN 0034-6551. JSTOR 510055.
Sherbo, Arthur (1951). "Dr. Johnson on Macbeth: 1745 and 1765". The Review of English Studies. 2 (5): 40–47. doi:10.1093/res/II.5.40. ISSN 0034-6551. JSTOR 511908.
Coddon 1989, p. 491. Coddon, Karin S. (1989). "'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth". ELH. 56 (3). The Johns Hopkins University Press: 485–501. doi:10.2307/2873194. eISSN 1080-6547. ISSN 0013-8304. JSTOR 2873194.
Frye 1987. Frye, Roland Mushat (1987). "Launching the Tragedy of Macbeth: Temptation, Deliberation, and Consent in Act I". Huntington Library Quarterly. 50 (3). University of Pennsylvania Press: 249–261. doi:10.2307/3817399. eISSN 1544-399X. ISSN 0018-7895. JSTOR 3817399.

npr.org

"Brush Up Your Shakespeare". Ask Me Another. NPR. 20 August 2015. Archived from the original on 26 August 2021. Retrieved 31 August 2021.

nytimes.com

Green, Jesse (29 April 2022). "Review: In a New 'Macbeth,' Something Wonky This Way Comes". The New York Times. Archived from the original on 19 June 2022. Retrieved 19 June 2022.
"An English "Macbeth."". The New York Times. 18 December 1927. ISSN 0362-4331. Retrieved 20 December 2023.

openlibrary.org

For the first performance in 1607, see Gurr 2009, p. 293, Thomson 1992, p. 64, and Wickham 1969, p. 231. For the date of composition, see Brooke 2008, p. 1 and Clark & Mason 2015, p. 13 Gurr, Andrew (2009). The Shakespearean Stage 1574–1642 (4th ed.). Cambridge: Cambridge University Press. doi:10.1017/CBO9780511819520. ISBN 978-0-511-81952-0 – via Cambridge Core. Thomson, Peter (1992). Shakespeare's Theatre. Theatre Production Studies (2nd ed.). London: Routledge. ISBN 0-415-05148-7. Wickham, Glynne (1969). Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge. OL 22102542M. Brooke, Nicholas, ed. (2008). Macbeth. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0-19-953583-5. Clark, Sandra; Mason, Pamela, eds. (2015). Macbeth. The Arden Shakespeare, third series. London: Bloomsbury Publishing. ISBN 978-1-904271-40-6.
Wickham 1969, p. 231. Wickham, Glynne (1969). Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge. OL 22102542M.
Paul 1950, p. 227. Paul, Henry Neill (1950). The Royal Play of Macbeth: When, Why, and How It Was Written by Shakespeare. New York: Macmillan. hdl:2027/mdp.39015012064237. OCLC 307817. OL 6084940M.
Dyce 1843, p. 216. Dyce, Alexander, ed. (1843). The Works of Beaumont and Fletcher. Vol. 1. London: Edward Moxen. hdl:2027/osu.32435063510085. OL 7056519M.
Pasternak 1959, pp. 150–152. Pasternak, Boris (1959). I Remember: Sketch for an Autobiography. Translated by Magarshack, David; Harari, Manya. New York: Pantheon Books. OL 6271434M.
Perkins 1610, p. 53. Perkins, William (1610). A Discovrse of The Damned Art of Witchcraft. Cambridge University Press. OL 19659796M. Archived from the original on 30 September 2022. Retrieved 30 January 2018.
Bryant 1961, p. 153. Bryant Jr., J. A. (1961). Hippolyta's View: Some Christian Aspects of Shakespeare's Plays. University of Kentucky Press. hdl:2027/mdp.39015001989410. OL 5820486M.

playbill.com

Gans, Andrew (8 December 2023). "Donmar Warehouse Macbeth, Starring Cush Jumbo and David Tennant, Begins December 8". playbill.com. Retrieved 25 April 2024.

pretallez.com

Tritsch 1984. Tritsch, Dina (April 1984). "The Curse of 'Macbeth'. Is there an evil spell on this ill-starred play?". Playbill. Archived from the original on 15 July 2011. Retrieved 28 November 2010.

royalgazette.com

Hardy 2014. Hardy, Jessie Moniz (16 October 2014). "In Bermuda, Shakespeare in all his glory". The Royal Gazette. Retrieved 30 January 2018.

rsc.org.uk

"Macbeth". RSC. Archived from the original on 13 August 2019. Retrieved 21 May 2019.

rtbf.be

"'Macbeth Underworld' de Pascal Dusapin. Psychanalyse d'un couple halluciné. Éblouissant ***". RTBF (in French). Retrieved 20 December 2023.

semanticscholar.org

api.semanticscholar.org

Palmer 1886. Palmer, J. Foster (1886). "The Celt in Power: Tudor and Cromwell". Transactions of the Royal Historical Society. 3 (3). Royal Historical Society: 343–370. doi:10.2307/3677851. eISSN 1474-0648. ISSN 0080-4401. JSTOR 3677851. S2CID 162969426. Archived from the original on 26 July 2020. Retrieved 4 May 2020.
Harris 2007, pp. 473–474. Harris, Jonathan Gil (2007). "The Smell of Macbeth". Shakespeare Quarterly. 58 (4). Folger Shakespeare Library: 465–486. doi:10.1353/shq.2007.0062. eISSN 1538-3555. ISSN 0037-3222. JSTOR 4625011. S2CID 9376451.
Smith 2012. Smith, Joshua S. (2012). "Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle". Studies in Philology. 109 (4). The University of North Carolina Press: 474–495. doi:10.1353/sip.2012.0027. ISSN 1543-0383. S2CID 162251374.
Lauren Byler (2015). "Loose characters in Mary Cowden Clarke's The Girlhood of Shakespeare's Heroines in a Series of Tales". Texas Studies in Literature and Language. 57 (3): 343. doi:10.7560/TSLL57305. ISSN 0040-4691. S2CID 162081047.

shakespeareoxfordfellowship.org

Whalen, Richard F. (2014). "What Happens in Macbeth: An Originalist Reading of the Play" (PDF). Brief Chronicles V: 61–68.

theguardian.com

Crawford 2010. Crawford, Robert (13 March 2010). "Macbeth, A True Story by Fiona Watson: The whole truth about Macbeth is not enough for Robert Crawford". The Guardian. Archived from the original on 29 January 2018. Retrieved 28 January 2018.
"Olivier awards 2024: complete list of nominations". The Guardian. 12 March 2024. ISSN 0261-3077. Retrieved 25 April 2024.
Hall, George (10 September 2015). "Macbeth review – an audacious operatic reduction". The Guardian. ISSN 0261-3077. Retrieved 20 December 2023.

tribuneindia.com

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Tandon 2004. Tandon, Aditi (29 June 2004). "Exposing rural Punjabis to Shakespeare magic". The Tribune. Archived from the original on 30 September 2022. Retrieved 31 January 2018.

umich.edu

name.umdl.umich.edu

Perkins 1610, p. 53. Perkins, William (1610). A Discovrse of The Damned Art of Witchcraft. Cambridge University Press. OL 19659796M. Archived from the original on 30 September 2022. Retrieved 30 January 2018.

variety.com

Benedict, David (14 October 2021). "'The Tragedy of Macbeth' Review: James McArdle and Saoirse Ronan in an Over-Directed and Under-Dramatized Production". Variety. Archived from the original on 19 June 2022. Retrieved 19 June 2022.

web.archive.org

Palmer 1886. Palmer, J. Foster (1886). "The Celt in Power: Tudor and Cromwell". Transactions of the Royal Historical Society. 3 (3). Royal Historical Society: 343–370. doi:10.2307/3677851. eISSN 1474-0648. ISSN 0080-4401. JSTOR 3677851. S2CID 162969426. Archived from the original on 26 July 2020. Retrieved 4 May 2020.
Crawford 2010. Crawford, Robert (13 March 2010). "Macbeth, A True Story by Fiona Watson: The whole truth about Macbeth is not enough for Robert Crawford". The Guardian. Archived from the original on 29 January 2018. Retrieved 28 January 2018.
Perkins 1610, p. 53. Perkins, William (1610). A Discovrse of The Damned Art of Witchcraft. Cambridge University Press. OL 19659796M. Archived from the original on 30 September 2022. Retrieved 30 January 2018.
Faires 2000. Faires, Robert (13 October 2000). "The curse of the play". The Austin Chronicle. Archived from the original on 27 February 2021. Retrieved 19 August 2012.
Tritsch 1984. Tritsch, Dina (April 1984). "The Curse of 'Macbeth'. Is there an evil spell on this ill-starred play?". Playbill. Archived from the original on 15 July 2011. Retrieved 28 November 2010.
"Brush Up Your Shakespeare". Ask Me Another. NPR. 20 August 2015. Archived from the original on 26 August 2021. Retrieved 31 August 2021.
Bernews 2013. "'Scottish Curse' Struck Heston in Bermuda". Bernews. 7 April 2013. Archived from the original on 12 November 2017. Retrieved 30 January 2018.
"Macbeth". RSC. Archived from the original on 13 August 2019. Retrieved 21 May 2019.
The Tribune 2006. "Theatre workshop for children". The Tribune. 12 June 2006. Archived from the original on 3 March 2016. Retrieved 31 January 2018.
Tandon 2004. Tandon, Aditi (29 June 2004). "Exposing rural Punjabis to Shakespeare magic". The Tribune. Archived from the original on 30 September 2022. Retrieved 31 January 2018.
Benedict, David (14 October 2021). "'The Tragedy of Macbeth' Review: James McArdle and Saoirse Ronan in an Over-Directed and Under-Dramatized Production". Variety. Archived from the original on 19 June 2022. Retrieved 19 June 2022.
Green, Jesse (29 April 2022). "Review: In a New 'Macbeth,' Something Wonky This Way Comes". The New York Times. Archived from the original on 19 June 2022. Retrieved 19 June 2022.

whatsonstage.com

"Macbeth with David Tennant and Cush Jumbo to transfer to the West End". 23 April 2024. Retrieved 25 April 2024.

wikipedia.org

de.wikipedia.org

Similar criticisms were made of Friedrich Mitterwurzer [de] in Germany, whose performances of Macbeth had many unintentional parallels with Irving's.^[114]

worldcat.org

search.worldcat.org

King of England, James I (2016). The annotated Daemonologie : a critical edition. Warren, Brett. R. CreateSpace Independent Publishing Platform. ISBN 978-1-5329-6891-4. OCLC 1008940058.
Nagarajan 1956. Nagarajan, S. (1956). "A Note on Banquo". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 371–376. doi:10.2307/2866356. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866356.
Palmer 1886. Palmer, J. Foster (1886). "The Celt in Power: Tudor and Cromwell". Transactions of the Royal Historical Society. 3 (3). Royal Historical Society: 343–370. doi:10.2307/3677851. eISSN 1474-0648. ISSN 0080-4401. JSTOR 3677851. S2CID 162969426. Archived from the original on 26 July 2020. Retrieved 4 May 2020.
Maskell 1971. Maskell, D. W. (1971). "The Transformation of History into Epic: The Stuartide (1611) of Jean de Schelandre". The Modern Language Review. 66 (1). Modern Humanities Research Association: 53–65. doi:10.2307/3722467. eISSN 2222-4319. ISSN 0026-7937. JSTOR 3722467.
Paul 1950, p. 227. Paul, Henry Neill (1950). The Royal Play of Macbeth: When, Why, and How It Was Written by Shakespeare. New York: Macmillan. hdl:2027/mdp.39015012064237. OCLC 307817. OL 6084940M.
Zagorin 1996. Zagorin, Perez (1996). "The Historical Significance of Lying and Dissimulation". Social Research. 63 (3, Truth–Telling, Lying And Self–Deception). The New School: 863–912. ISSN 0037-783X. JSTOR 40972318.
Rogers 1965, pp. 44–45. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Rogers 1965, pp. 45–47. Rogers, H. L. (1965). "An English Tailor and Father Garnet's Straw". The Review of English Studies. 16 (61). Oxford University Press: 44–49. doi:10.1093/res/XVI.61.44. eISSN 1471-6968. ISSN 0034-6551. JSTOR 513543.
Harris 2007, pp. 473–474. Harris, Jonathan Gil (2007). "The Smell of Macbeth". Shakespeare Quarterly. 58 (4). Folger Shakespeare Library: 465–486. doi:10.1353/shq.2007.0062. eISSN 1538-3555. ISSN 0037-3222. JSTOR 4625011. S2CID 9376451.
Loomis 1956. Loomis, Edward Alleyn (1956). "Master of the Tiger". Shakespeare Quarterly. 7 (4). Folger Shakespeare Library: 457. doi:10.2307/2866386. eISSN 1538-3555. ISSN 0037-3222. JSTOR 2866386.
Whitted 2012. Whitted, Brent E. (2012). "Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607". Early Theatre. 15 (2): 111–130. eISSN 2293-7609. ISSN 1206-9078. JSTOR 43499628.
Smith 2012. Smith, Joshua S. (2012). "Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle". Studies in Philology. 109 (4). The University of North Carolina Press: 474–495. doi:10.1353/sip.2012.0027. ISSN 1543-0383. S2CID 162251374.
Stoll 1943, p. 26. Stoll, E. E. (1943). "Source and Motive in Macbeth and Othello". The Review of English Studies. 19 (73). Oxford University Press: 25–32. doi:10.1093/res/os-XIX.73.25. eISSN 1471-6968. ISSN 0034-6551. JSTOR 510055.
Sherbo, Arthur (1951). "Dr. Johnson on Macbeth: 1745 and 1765". The Review of English Studies. 2 (5): 40–47. doi:10.1093/res/II.5.40. ISSN 0034-6551. JSTOR 511908.
Lauren Byler (2015). "Loose characters in Mary Cowden Clarke's The Girlhood of Shakespeare's Heroines in a Series of Tales". Texas Studies in Literature and Language. 57 (3): 343. doi:10.7560/TSLL57305. ISSN 0040-4691. S2CID 162081047.
Coddon 1989, p. 491. Coddon, Karin S. (1989). "'Unreal Mockery': Unreason and the Problem of Spectacle in Macbeth". ELH. 56 (3). The Johns Hopkins University Press: 485–501. doi:10.2307/2873194. eISSN 1080-6547. ISSN 0013-8304. JSTOR 2873194.
Frye 1987. Frye, Roland Mushat (1987). "Launching the Tragedy of Macbeth: Temptation, Deliberation, and Consent in Act I". Huntington Library Quarterly. 50 (3). University of Pennsylvania Press: 249–261. doi:10.2307/3817399. eISSN 1544-399X. ISSN 0018-7895. JSTOR 3817399.
"Olivier awards 2024: complete list of nominations". The Guardian. 12 March 2024. ISSN 0261-3077. Retrieved 25 April 2024.
"An English "Macbeth."". The New York Times. 18 December 1927. ISSN 0362-4331. Retrieved 20 December 2023.
Hall, George (10 September 2015). "Macbeth review – an audacious operatic reduction". The Guardian. ISSN 0261-3077. Retrieved 20 December 2023.

zenodo.org

Palmer 1886. Palmer, J. Foster (1886). "The Celt in Power: Tudor and Cromwell". Transactions of the Royal Historical Society. 3 (3). Royal Historical Society: 343–370. doi:10.2307/3677851. eISSN 1474-0648. ISSN 0080-4401. JSTOR 3677851. S2CID 162969426. Archived from the original on 26 July 2020. Retrieved 4 May 2020.