Madonna of Loreto (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Madonna of Loreto" in English language version.

refsWebsite

Global rank English rank

13books.google.com

3^rd place

6archive.org

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1sacred-destinations.com

8,656^th place

7,559^th place

archive.org

Partridge, L; Starn, R (1980). Renaissance Likeness: Art and Culture in Raphael's Julius II. Berkeley, Los Angeles and London: University of California Press. pp. 1, 96, 102–103. ISBN 0-520-03901-7.
Szakolczai, A (2007). Sociology, Religion, and Grace: A Quest for the Renaissance. United States and Canada: Routledge. p. 294. ISBN 9780415371964.
Grimm, H; Adams, S (1886). The Life of Raphael. London: Alexander Gardner, Publisher to the Queen. pp. 170–171.
Partridge, L; Starn, R (1980). Renaissance Likeness: Art and Culture in Raphael's Julius II. Berkeley, Los Angeles and London: University of California Press. p. 77. ISBN 0-520-03901-7.
Shaw, C (1996) [1993]. Julius II: The Warrior Pope. Oxford and Cambridge: Blackwell Publishers. p. 201. ISBN 9780631202820.
Stowe, H (1873). Palmetto Leaves. Boston: James R. Osgood. p. 305.

books.google.com

Roger Jones; Nicholas Penny (1987). Raphael. Yale University Press. p. 88. ISBN 0300040520.
Cooke, R (1987). The Complete Paintings of Raphael. Penguin. p. 108. ISBN 9780140092738.
Raphael, Hermann Knackfuss (1966). Raphaël. pp. 129, 342.
Givens, J; Reeds, K; Touwaide, A (2006). Visualizing Medieval Medicine and Natural History, 1200–1550. Great Britain: Ashgate Publishing. p. 189. ISBN 0-7546-5296-3.
Cox-Rearick, J (1993). Bronzino's Chapel of Eleonora in the Palazzo Vecchio. Berkeley and Los Angeles, CA: University of California Press. p. 193. ISBN 9780520074804.
Joannides, P (1983). The Drawings of Raphael: With a Complete Catalogue. Berkeley and Los Angeles, CA: University of California Press. pp. 21, 199, 201. ISBN 0-520-05087-8.
Crowe, J; Cavalcaselle, G (1885). Raphael: His Life and Works. Vol. 2. London: John Murray. pp. 108–109Much of this reference is involved in conjecture about the nature and movement of the painting. Anything later refuted has been ignored.{{cite book}}: CS1 maint: postscript (link)
Müntz, E (2005) [1888]. Sir Walter Armstrong (ed.). Raphael: His Life, Works and Times. London: Chapman & Hall. p. 213. ISBN 9780766193963.
Berlin and its treasures. New York: D. Appleton and Company. 1867. p. 158Any information later refuted was ignored.{{cite book}}: CS1 maint: postscript (link)
Shearman, J (2003). Raphael in early modern sources (1483–1602). Vol. 2. Yale University Press. p. 1400. ISBN 0300099185.
Witcombe, L (2004). Copyright in the Renaissance: Prints and the Privilegio in Sixteenth-Century Venice and Rome. Leiden, The Netherlands: Koninklijke Brill NV. p. 180. ISBN 90-04-13748-3.
Bann, S (2001). Parallel lines: printmakers, painters and photographers in Nineteenth Century France. Yale University Press. p. 184. ISBN 0-300-08932-5.
Stowe, H (1896). Household Papers and Stories. Vol. 8. Boston and New York: Houghton Mifflan and Company. p. 67Stowe had written much about her appreciation of the great paintings of Europe, which used in the form of lithographs to decorate her home.{{cite book}}: CS1 maint: postscript (link)

sacred-destinations.com

"Santa Maria del Popolo, Rome – History". Rome: Santa Maria del Popolo. 2009. Retrieved 2011-03-11.