Mahavishnu Orchestra (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Mahavishnu Orchestra" in English language version.

refsWebsite
Global rank English rank
25th place
22nd place
4,250th place
2,270th place
14th place
14th place
low place
low place
low place
low place
478th place
362nd place
1,674th place
1,011th place
7th place
7th place
47th place
38th place
low place
low place
low place
low place
95th place
70th place
low place
low place
5,337th place
2,928th place
low place
low place
7,924th place
4,181st place
1st place
1st place
low place
low place
3,897th place
2,945th place
1,106th place
702nd place
76th place
69th place
105th place
79th place
162nd place
128th place

allmusic.com

amazon.com

archive.today

chicagotribune.com

guitar-channel.com

heavymetalbebop.com

  • Shteamer, Hank (July 2012). "#9: GREG GINN". HeavyMetalBebop.com. Manhattan, New York City. Retrieved 17 March 2017.

hit-channel.com

iheartguitarblog.com

  • Hodgson, Peter (16 September 2011). "INTERVIEW: Opeth's Mikael Åkerfeldt". iheartguitarblog.com. Retrieved 14 March 2017. Q: There's an obvious fusion feel to a lot of the material on Heritage. Where did that come from?
    Mikael Åkerfeldt: [...] the fusion aspect comes from Mahavishnu Orchestra [...]

italway.it

jazz.com

norwegiancharts.com

nytimes.com

  • Heckman, Don (1972-07-07). "Jazz: Mahavishnu – A Trip Into Rock". The New York Times. Retrieved 2019-02-22. ...the Mahavishnu ensemble has gradually developed a form of jazz that dips into rock, blues, Indian music, "classical music" and electronics for source material, stylistic elements and aesthetic energy.

officialcharts.com

officialcharts.de

relix.com

riaa.com

rocking.gr

rocksbackpages.com

rollingstone.com

spotify.com

open.spotify.com

thecrimson.com

  • Smith, Roger L. (1972-02-11). "Rock and Schlock". The Harvard Crimson. The Harvard Crimson Inc. Retrieved 2019-02-22. McLaughlin has chosen to work toward a musical intensity that aims inward rather than outward. There is never a wasted note, yet the improvisation by each member of the group is always present, always building and directing the music.

theface.com

web.archive.org