"Towards the north of the Lohit River is the Nang Hoo Toungh territory. The third phi muang is, as the prefix "nang" (lady) indicates, a female divinity. The territory it is said to protect is more easily identifiable than that of the two-previous phi muangs. Nang Hoo Toungh is known in Assamese as Kesakhati ("person who eats raw meat")."(Laine 2019:17–18) Laine, Nicolas (2019), Phi Muangs. Forces of the Place among the Khamti in Arunachal Pradesh
arunachalpradesh.gov.in
"Malini Than". Government of Arunachal Pradesh. Archived from the original on 12 May 2015. Retrieved 3 May 2015.
"Among many works of Śaṅkaradeva, the Rukmiṇiharaṇa, the poem of Rukmimi and Krishna, gained considerable popularity in the Sadiya area and influenced its regional identity construction. Rukmiṇī, in this poem, was a daughter of king Bhīṣmaka"(Shin 2020:55) Shin, Jae-Eun (2020). "Descending from demons, ascending to kshatriyas: Genealogical claims and political process in pre-modern Northeast India, The Chutiyas and the Dimasas". The Indian Economic and Social History Review. 57 (1): 49–75. doi:10.1177/0019464619894134. S2CID213213265.
"Considering the wide popularity of the Rukmiṇīharaṇa among the people, especially as the staged performance, it is not surprising that many toponyms of the area were derived from this Vaiṣṇava legend and the legendary places associated with Bhīṣmaka were reproduced in the local landscape. For instance, Vidarbha, the name of the country, once ruled by Bhīṣmaka according to the Epics and Purāṇas and perhaps identical with Behar in Maharashtra, was applied to the area around Sadiya."(Shin 2020:56) Shin, Jae-Eun (2020). "Descending from demons, ascending to kshatriyas: Genealogical claims and political process in pre-modern Northeast India, The Chutiyas and the Dimasas". The Indian Economic and Social History Review. 57 (1): 49–75. doi:10.1177/0019464619894134. S2CID213213265.
(Shin 2020:56) Shin, Jae-Eun (2020). "Descending from demons, ascending to kshatriyas: Genealogical claims and political process in pre-modern Northeast India, The Chutiyas and the Dimasas". The Indian Economic and Social History Review. 57 (1): 49–75. doi:10.1177/0019464619894134. S2CID213213265.
"In her fearsome self this deity bears so many resemblances to the fierce manifestation of Buddhist Tara that many scholars have suggested a Buddhist origin for her"(Gogoi 2011:236) Gogoi, Kakoli (2011). "Envisioning Goddess Tara: A Study of the Tara Traditions in Assam". Proceedings of the Indian History Congress. 72: 232–239. ISSN2249-1937. JSTOR44146715.
"(S)he [Kesai Khati] was incorporated into the Sanskritized cosmos of goddess tradition and as her tribal attributes were so strong to be denounced as non-Brahminical, her worship continued according to old customs."(Gogoi 2011:236) Gogoi, Kakoli (2011). "Envisioning Goddess Tara: A Study of the Tara Traditions in Assam". Proceedings of the Indian History Congress. 72: 232–239. ISSN2249-1937. JSTOR44146715.
semanticscholar.org
api.semanticscholar.org
"Among many works of Śaṅkaradeva, the Rukmiṇiharaṇa, the poem of Rukmimi and Krishna, gained considerable popularity in the Sadiya area and influenced its regional identity construction. Rukmiṇī, in this poem, was a daughter of king Bhīṣmaka"(Shin 2020:55) Shin, Jae-Eun (2020). "Descending from demons, ascending to kshatriyas: Genealogical claims and political process in pre-modern Northeast India, The Chutiyas and the Dimasas". The Indian Economic and Social History Review. 57 (1): 49–75. doi:10.1177/0019464619894134. S2CID213213265.
"Considering the wide popularity of the Rukmiṇīharaṇa among the people, especially as the staged performance, it is not surprising that many toponyms of the area were derived from this Vaiṣṇava legend and the legendary places associated with Bhīṣmaka were reproduced in the local landscape. For instance, Vidarbha, the name of the country, once ruled by Bhīṣmaka according to the Epics and Purāṇas and perhaps identical with Behar in Maharashtra, was applied to the area around Sadiya."(Shin 2020:56) Shin, Jae-Eun (2020). "Descending from demons, ascending to kshatriyas: Genealogical claims and political process in pre-modern Northeast India, The Chutiyas and the Dimasas". The Indian Economic and Social History Review. 57 (1): 49–75. doi:10.1177/0019464619894134. S2CID213213265.
(Shin 2020:56) Shin, Jae-Eun (2020). "Descending from demons, ascending to kshatriyas: Genealogical claims and political process in pre-modern Northeast India, The Chutiyas and the Dimasas". The Indian Economic and Social History Review. 57 (1): 49–75. doi:10.1177/0019464619894134. S2CID213213265.
"Malini Than". Government of Arunachal Pradesh. Archived from the original on 12 May 2015. Retrieved 3 May 2015.
worldcat.org
search.worldcat.org
"In her fearsome self this deity bears so many resemblances to the fierce manifestation of Buddhist Tara that many scholars have suggested a Buddhist origin for her"(Gogoi 2011:236) Gogoi, Kakoli (2011). "Envisioning Goddess Tara: A Study of the Tara Traditions in Assam". Proceedings of the Indian History Congress. 72: 232–239. ISSN2249-1937. JSTOR44146715.
"(S)he [Kesai Khati] was incorporated into the Sanskritized cosmos of goddess tradition and as her tribal attributes were so strong to be denounced as non-Brahminical, her worship continued according to old customs."(Gogoi 2011:236) Gogoi, Kakoli (2011). "Envisioning Goddess Tara: A Study of the Tara Traditions in Assam". Proceedings of the Indian History Congress. 72: 232–239. ISSN2249-1937. JSTOR44146715.
