Dow, William (Autumn 1996). "John Dos Passos, Blaise Cendrars, and the "Other" Modernism". Twentieth Century Literature. 42 (3): 396–415. doi:10.2307/441770. JSTOR441770.
Arrington, Philip (October 1982). "The Sense of an Ending in Manhattan Transfer". American Literature. 54 (3): 438–443. doi:10.2307/2925854. JSTOR1207122.
Viera, David J. (September 1984). "Wastelands and Backlands: John Dos Passos' Manhattan Transfer and Graciliano Ramos' Angústia". Hispania. 67 (3): 377–382. doi:10.2307/342105. JSTOR342105.
Foster, Gretchen (1986). "John Dos Passos' Use of Film Technique in 'Manhattan Transfer' and 'The 42nd Parallel'". Literature/Film Quarterly. 4 (3): 186–188. ISSN0090-4260. JSTOR43796267.
Brevda, William (Spring 1996). "How Do I Get to Broadway? Reading Dos Passos's Manhattan Transfer Sign". Texas Studies in Literature and Language. 38 (1): 79–114. JSTOR40755091.
Dow, William (Autumn 1996). "John Dos Passos, Blaise Cendrars, and the "Other" Modernism". Twentieth Century Literature. 42 (3): 396–415. doi:10.2307/441770. JSTOR441770.
Ruoff, Gene W. (Winter–Spring 1964). "Social Mobility and the Artist in Manhattan Transfer and The Music of Time". Wisconsin Studies in Contemporary Literature. 5 (1): 64–76. JSTOR1207122.
Arrington, Philip (October 1982). "The Sense of an Ending in Manhattan Transfer". American Literature. 54 (3): 438–443. doi:10.2307/2925854. JSTOR1207122.
Dow, William (1981). "On the Place of Manhattan Transfer in the Development of John Dos Passos". Angol Filológiai Tanulmányok / Hungarian Studies in English. 14: 37–46. JSTOR41273777.
Viera, David J. (September 1984). "Wastelands and Backlands: John Dos Passos' Manhattan Transfer and Graciliano Ramos' Angústia". Hispania. 67 (3): 377–382. doi:10.2307/342105. JSTOR342105.
Foster, Gretchen (1986). "John Dos Passos' Use of Film Technique in Manhattan Transfer & The 42nd Parallel". Literature/Film Quarterly. 14 (3): 186–194. JSTOR43796267.
Foster, Gretchen (1986). "John Dos Passos' Use of Film Technique in 'Manhattan Transfer' and 'The 42nd Parallel'". Literature/Film Quarterly. 4 (3): 186–188. ISSN0090-4260. JSTOR43796267.