Marcia Hall (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Marcia Hall" in English language version.

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8worldcat.org

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7doi.org

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4jstor.org

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3semanticscholar.org

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2publishersweekly.com

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arthistorians.info

Sorensen, Lee, ed. "Hall, Marcia B.", Dictionary of Art Historians. 11 August 2021.

cambridge.org

Hills, Paul (1995). "Marcia B. Hall. Color and Meaning: Practice and Theory in Renaissance Painting. Cambridge and New York: Cambridge University Press, 1992. 48 col. pls. + 83 b&w pls. + xiii + 273 pp. $60". Renaissance Quarterly. 48 (1): 190–192. doi:10.2307/2863351. ISSN 0034-4338. JSTOR 2863351. S2CID 163190316.
Bailey, Gauvin Alexander (2012). "Marcia B. Hall. The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio. New Haven: Yale University Press, 2011. x + 310 pp. $75. ISBN: 978–0–300–16967–6". Renaissance Quarterly. 65 (3): 885–886. doi:10.1086/668316. ISSN 0034-4338.

doi.org

Hall, Marcia B. (1974). "The Tramezzo in Santa Croce, Florence, Reconstructed". The Art Bulletin. 56 (3): 325–341. doi:10.2307/3049260. ISSN 0004-3079. JSTOR 3049260.
Hall, Marcia B. (1974). "The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy". Journal of the Warburg and Courtauld Institutes. 37: 157–173. doi:10.2307/750838. ISSN 0075-4390. JSTOR 750838. S2CID 195009392.
Hills, Paul (1995). "Marcia B. Hall. Color and Meaning: Practice and Theory in Renaissance Painting. Cambridge and New York: Cambridge University Press, 1992. 48 col. pls. + 83 b&w pls. + xiii + 273 pp. $60". Renaissance Quarterly. 48 (1): 190–192. doi:10.2307/2863351. ISSN 0034-4338. JSTOR 2863351. S2CID 163190316.
Stahl, Louise Z. (1993). "Color and meaning: Practice and theory in renaissance painting, by Marcia Hall, Cambridge University Press, Cambridge, New York, 1991, 288 pp., $60". Color Research & Application. 18 (4): 288. doi:10.1002/col.5080180412. ISSN 1520-6378.
Bailey, Gauvin Alexander (2012). "Marcia B. Hall. The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio. New Haven: Yale University Press, 2011. x + 310 pp. $75. ISBN: 978–0–300–16967–6". Renaissance Quarterly. 65 (3): 885–886. doi:10.1086/668316. ISSN 0034-4338.
Arnold, Jeremy W. H. (2012). "The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio – By Marcia B. Hall". Religious Studies Review. 38 (1): 14. doi:10.1111/j.1748-0922.2011.01576_1.x. ISSN 1748-0922.
Mansfield, Elizabeth C. (2021). "The Power of Color: Five Centuries of European Painting by Marcia B. Hall (review)". Eighteenth-Century Studies. 54 (2): 486–489. doi:10.1353/ecs.2021.0020. ISSN 1086-315X. S2CID 234200058.

jhu.edu

muse.jhu.edu

Mansfield, Elizabeth C. (2021). "The Power of Color: Five Centuries of European Painting by Marcia B. Hall (review)". Eighteenth-Century Studies. 54 (2): 486–489. doi:10.1353/ecs.2021.0020. ISSN 1086-315X. S2CID 234200058.

jstor.org

Hall, Marcia B. (1974). "The Tramezzo in Santa Croce, Florence, Reconstructed". The Art Bulletin. 56 (3): 325–341. doi:10.2307/3049260. ISSN 0004-3079. JSTOR 3049260.
Hall, Marcia B. (1974). "The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy". Journal of the Warburg and Courtauld Institutes. 37: 157–173. doi:10.2307/750838. ISSN 0075-4390. JSTOR 750838. S2CID 195009392.
Hills, Paul (1995). "Marcia B. Hall. Color and Meaning: Practice and Theory in Renaissance Painting. Cambridge and New York: Cambridge University Press, 1992. 48 col. pls. + 83 b&w pls. + xiii + 273 pp. $60". Renaissance Quarterly. 48 (1): 190–192. doi:10.2307/2863351. ISSN 0034-4338. JSTOR 2863351. S2CID 163190316.
Gill, Meredith J. (1992). "Review of Color and Meaning: Practice and Theory in Renaissance Painting". Renaissance and Reformation / Renaissance et Réforme. 16 (4): 83–85. ISSN 0034-429X. JSTOR 43444866.

publishersweekly.com

"Nonfiction Book Review: Color and Meaning: Practice and Theory in Renaissance Painting by Marcia B. Hall, Author Cambridge University Press $70 (288p) ISBN 978-0-521-39222-8". PublishersWeekly.com. Retrieved 11 August 2021.
"Nonfiction Book Review: Michelangelo: The Frescoes of Sistine Chapel by Marcia B. Hall, Author, Takashi Okamura, Photographer ABRAMS $39.95 (240p) ISBN 978-0-8109-3530-3". PublishersWeekly.com. Retrieved 11 August 2021.

scholar.google.com

The Cambridge Companion to Raphael via scholar.google.com. Retrieved 2022-12-27.

semanticscholar.org

api.semanticscholar.org

Hall, Marcia B. (1974). "The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy". Journal of the Warburg and Courtauld Institutes. 37: 157–173. doi:10.2307/750838. ISSN 0075-4390. JSTOR 750838. S2CID 195009392.
Hills, Paul (1995). "Marcia B. Hall. Color and Meaning: Practice and Theory in Renaissance Painting. Cambridge and New York: Cambridge University Press, 1992. 48 col. pls. + 83 b&w pls. + xiii + 273 pp. $60". Renaissance Quarterly. 48 (1): 190–192. doi:10.2307/2863351. ISSN 0034-4338. JSTOR 2863351. S2CID 163190316.
Mansfield, Elizabeth C. (2021). "The Power of Color: Five Centuries of European Painting by Marcia B. Hall (review)". Eighteenth-Century Studies. 54 (2): 486–489. doi:10.1353/ecs.2021.0020. ISSN 1086-315X. S2CID 234200058.

temple.edu

tyler.temple.edu

"Marcia Hall, PhD". Tyler School of Art. Temple University. 27 March 2013. Retrieved 11 August 2021.

wiley.com

onlinelibrary.wiley.com

Stahl, Louise Z. (1993). "Color and meaning: Practice and theory in renaissance painting, by Marcia Hall, Cambridge University Press, Cambridge, New York, 1991, 288 pp., $60". Color Research & Application. 18 (4): 288. doi:10.1002/col.5080180412. ISSN 1520-6378.
Arnold, Jeremy W. H. (2012). "The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio – By Marcia B. Hall". Religious Studies Review. 38 (1): 14. doi:10.1111/j.1748-0922.2011.01576_1.x. ISSN 1748-0922.

worldcat.org

search.worldcat.org

Hall, Marcia B. (1974). "The Tramezzo in Santa Croce, Florence, Reconstructed". The Art Bulletin. 56 (3): 325–341. doi:10.2307/3049260. ISSN 0004-3079. JSTOR 3049260.
Hall, Marcia B. (1974). "The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy". Journal of the Warburg and Courtauld Institutes. 37: 157–173. doi:10.2307/750838. ISSN 0075-4390. JSTOR 750838. S2CID 195009392.
Hills, Paul (1995). "Marcia B. Hall. Color and Meaning: Practice and Theory in Renaissance Painting. Cambridge and New York: Cambridge University Press, 1992. 48 col. pls. + 83 b&w pls. + xiii + 273 pp. $60". Renaissance Quarterly. 48 (1): 190–192. doi:10.2307/2863351. ISSN 0034-4338. JSTOR 2863351. S2CID 163190316.
Gill, Meredith J. (1992). "Review of Color and Meaning: Practice and Theory in Renaissance Painting". Renaissance and Reformation / Renaissance et Réforme. 16 (4): 83–85. ISSN 0034-429X. JSTOR 43444866.
Stahl, Louise Z. (1993). "Color and meaning: Practice and theory in renaissance painting, by Marcia Hall, Cambridge University Press, Cambridge, New York, 1991, 288 pp., $60". Color Research & Application. 18 (4): 288. doi:10.1002/col.5080180412. ISSN 1520-6378.
Bailey, Gauvin Alexander (2012). "Marcia B. Hall. The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio. New Haven: Yale University Press, 2011. x + 310 pp. $75. ISBN: 978–0–300–16967–6". Renaissance Quarterly. 65 (3): 885–886. doi:10.1086/668316. ISSN 0034-4338.
Arnold, Jeremy W. H. (2012). "The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio – By Marcia B. Hall". Religious Studies Review. 38 (1): 14. doi:10.1111/j.1748-0922.2011.01576_1.x. ISSN 1748-0922.
Mansfield, Elizabeth C. (2021). "The Power of Color: Five Centuries of European Painting by Marcia B. Hall (review)". Eighteenth-Century Studies. 54 (2): 486–489. doi:10.1353/ecs.2021.0020. ISSN 1086-315X. S2CID 234200058.